El enviado

Personally, being obsessed to the whole repetitive numbers made me very excited about this movie. I was really waiting for it to be released! And that's probably why it was a big disappointment for me. The idea of the repetitive numbers was a new unexplored theme and unfortunately it got spoiled with this movie. Very weak acting with obvious predictable flow of the story, combined with cheap visual effects and make up, all built for the failure of this movie. Not to mansion the off topic ending which was a hopeless trial to give a lasting final impression. Seriously the whole religion thing in those movies is a pathetic try from their writers to utilize people's passions towards their beliefs to make free advertisement for the movies! P.S. the only reason I gave the movie 2 stars out of 10 is for it's title nothing more nothing less.

The film has a great look, but the emphasis on numerology just wasn't substantial enough for my taste; it felt somewhat rushed, and the scares didn't get to me, but overall it was disturbing. I'd like to see his next film be a bit more focused and a slow-burn, as opposed to feeling jumbled at points. This movie could have easily been close to 2 hours, and could have really delved into the atmosphere. Again, I enjoyed the look and the acting was there, and I'm a big fan of his work, and the killer twist at the end makes up for other elements which were underwhelming in the film. Overall, it's a highly satisfying movie, and very different from any of Bousman's previous work.

OK first of all this is my first time reviewing any movie on IMDb since this was so terrible I felt compelled to let people know how awful this was. I usually turn to IMDb for all movies Netflix, RedBox, or theatrical release and the reviews are usually pretty spot on. Anyways don't waste your time seeing this movie it has been done over and over to death. The visual effects were very poor being that Halloween just passed I saw scarier costumes on kids. Hollywood just please let these type of movies die already especially if your not going to put any creativity into the script. The acting is horrible it felt like a direct to video release (at least should be) all in all is a very predictable movie not scary whatsoever. If you don't mind wasting your time and money go see this, however if you are smart and must see this movie wait till it's on Netflix I promise you will thank me later.

I had hope for director Darren Lynn Bousman (Saw 2-4), since Repo! The Genetic Opera was a flawed but interesting experiment and his Mother's Day remake was actually pretty much excellent IMHO. But alas…bad movie is bad. Bousman's directing skils aren't even the real problem here (the film is shot decently and is at times pretty atmospheric), but near everything else is... There is hardly enough story here to warrant a half hour Twilight Zone segment, let alone a feature film. For an hour, the same things happen over and over again, even going so far that 2 characters have the exact same conversation no less than 3 times. Acting is hammy at best, especially from the lead actor, who's film-noir detective like voice-over nearly takes the film into the realm of parody. The music is constanty omnious, even when nothing remotely creepy is happening. The finale is actually pretty OK and I actually liked the ending, but the makers damn near give us the resolution of the movie in a powerpoint presentation with the director shouting "See? See what we did there???" I actually had quite some fun watching this, giggling at how bad this all was. And I admit I jumped a few times. Just make sure you don't go out of your way to see this. It is a deeply silly film.

American writer and atheist, Joseph Crone, receives word from his estranged brother, that his father is dying. He travels to Spain to see his father on his death bed, where he discovers that his younger brother has followed his fathers calling and become a catholic Pastor. Together they have established their own chapel on the grounds of their family home. Joseph's life has been plagued with strange happenings and tragedies, which seem to be connected to the number 11. His intrigue soon uncovers deeper mythological and religious significance to the number and possibly his family.

11-11-11 is written and directed by Darren Lynn Bousman, who previously brought us Saw 2 – 4 and the superb 2010 remake of Mothers Day. Bousman has made skillful use of popular synchronicity around the number 11, where numerologists and string theorists believe that events linked to the time 11:11 appear more often than can be put down to mere chance or accident and has great symbolism in the universe.

The basic idea for the movie is engaging with lots of potential, unfortunately, this is where the films merits end. The plot becomes tedious and bland fast, holding this pace for the majority of the film. The scares consist of frightening faces appearing in the shadows or windows, but they fail to show any snap or shock value, becoming repetitive and tiresome early on. The special effects, especially the costumes and make up, feel amateurish and almost laughable a times. The acting and dialogue is decidedly mediocre, the characters are difficult to like or relate to in many ways. The twist ending of the movie was better than expected, however, it does not make up for its unexciting story and production short comings. Overall a great idea, wasted.