CALIFICACIÓN DE IMDb
2.7/10
1.6 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaJack and Melissa are frightened by their son's bizarre and violent behavior; they soon learn that he is the gateway to the Apocalypse, and it will happen on his birthday, 11-11-11.Jack and Melissa are frightened by their son's bizarre and violent behavior; they soon learn that he is the gateway to the Apocalypse, and it will happen on his birthday, 11-11-11.Jack and Melissa are frightened by their son's bizarre and violent behavior; they soon learn that he is the gateway to the Apocalypse, and it will happen on his birthday, 11-11-11.
- Dirección
- Guionistas
- Elenco
Tracy Winters
- Janice
- (as Tracy J. Pulliam)
Madonna Young Magee
- Annie
- (as Lena La Fratta)
Rebecca Light
- Sara
- (as Rebecca Sigl)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I started watching this mess and soon found myself rolling my eyes. As a serious horror movie, 11/11/11 undoubtedly fails. The story about a boy being possessed is old hat. The script is amateurishly stupid. By the time of the second death scene I was about to hit the back button and end this madness of a so called movie. A funny thing happened. My wife started laughing. I asked if she was laughing because the movie was so bad. She said she was laughing because the movie was intentionally bad and she found the silliness clever and amusing,
As a camp movie, I think 11/11/11, works..., for awhile. Aurelia Scheppers steals the show as a twisted nanny. The problem is I don't think 11/11/11 is intended to be humorous. The last half an hour is played straight and returns to being a mundane tale about satan worship. The father is on screen the most and his performance is as flat as the sidewalk.
Despite it's obvious flaws, the pace of the movie is fast. There are enough laughs in the middle to make it watchable..., if you view it with tongue firmly in cheek.
As a camp movie, I think 11/11/11, works..., for awhile. Aurelia Scheppers steals the show as a twisted nanny. The problem is I don't think 11/11/11 is intended to be humorous. The last half an hour is played straight and returns to being a mundane tale about satan worship. The father is on screen the most and his performance is as flat as the sidewalk.
Despite it's obvious flaws, the pace of the movie is fast. There are enough laughs in the middle to make it watchable..., if you view it with tongue firmly in cheek.
Jack and Mellisa Vales soon suspect that the 'spooky' coincidences that occur at their new house could have to do with their son, who also might happen to be Satan. Or the person that founded the Asylum movie company, they're pretty indistinguishable from each other.
It's an Asylum film, so telling you that it's cheap, badly acted, or obscenely tedious would be an exercise in redundancy. To be perfectly blunt, I no longer really blame them for releasing an unending putrid stream of cinematic atrocities. They must make money from some gullible sap out there. Having instant Netflix,however, I don't waste my money, just my time (which is also a travesty in its own way)
My Grade: F+
It's an Asylum film, so telling you that it's cheap, badly acted, or obscenely tedious would be an exercise in redundancy. To be perfectly blunt, I no longer really blame them for releasing an unending putrid stream of cinematic atrocities. They must make money from some gullible sap out there. Having instant Netflix,however, I don't waste my money, just my time (which is also a travesty in its own way)
My Grade: F+
The very few first minutes were promising enough. From then on - the movie deteriorated: unlikable characters, plot full of holes, irrational decisions of the characters and the ending seems like someone got stuck with the screenplay and decided to wrap it up quickly and go home for dinner (don't get me started on the visual effects, either, which, although not being the main issue here, leave much to be desired). I like endings that makes you think, but in this case, my only thought was "gotta warn others from wasting one hour and a half of their life on this".
I guess my main dissatisfaction with this movie is that the storyline did not make much sense, even for the horror genre.
so... don't.
I guess my main dissatisfaction with this movie is that the storyline did not make much sense, even for the horror genre.
so... don't.
Really a pretty bad movie on all levels. Acting... Story.....
I guess the film was shot well there wasn't glitches or anything like that, but a bad story and just not scary or effective at all.
3/10
I guess the film was shot well there wasn't glitches or anything like that, but a bad story and just not scary or effective at all.
3/10
It is really difficult to make such a bad movie as this one, picking scenes and pieces from other better movies and putting them together in such a talentless way must have been a very hard work. I started to watch the movie with some expectation and interest thinking that at some point I was going to be grabbed by the mystery or the action, but the truth is that after the first ten minutes I already realized that I was watching one of the worst movies I have seen. The actors are bad amateurs that do not even manage to make one credible dialogue. The film is inspired in so many old topics and scenes from previously released films that it is not even surprising in any way...the whole thing stinks. Horrible experience. In that sense it is really a horror movie.
¿Sabías que…?
- TriviaReleased on November 1st, 2011 to capitalize on El enviado (2011), which was released in the U.S. on November 11th, 2011.
- Errores(at around 1h 6 mins) When Denise (the nanny) escapes from the police car, she simply opens the door and walks away. Rear doors on patrol cars do not open from the inside, they must be opened from the outside.
- ConexionesFollowed by El nacimiento del diablo (2012)
- Bandas sonorasJazz Party
Written and Performed by Yoshi Miyamoto
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Detalles
- Tiempo de ejecución
- 1h 27min(87 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1 / (high definition)
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