Por Ella

The family man and school teacher Julien Auclert (Vincent Lindon) has his life turned upside down when his beloved wife Lisa (Diane Kruger) is arrested, accused for murdering her boss, and sent to the prison. Along three years, Julien raises their son Oscar (Lancelot Roch) alone and appeals to the court; however, the evidences against Lisa are solid – the motive, since she had and argument with her boss; her fingerprints in the murder weapon, a fire extinguisher; blood stain in her coat; and a witness that saw her leaving the parking lot - and her lawyer exhausts all the possible resources in justice. Julien believes in the innocence of his wife and interviews Henri Pasquet (Olivier Marchal), a former escapee from prison, to learn how to plan a prison break. Then he plots a scheme to release Lisaa and travel abroad with Oscar and her. However, he needs documents for the family; an escape plan; and lots of money. When Julien is informed that Lisa will be transferred to another prison within the next three days, he needs to raise a large amount and anticipate his strategy before the transference.

"Pour Elle" is another great French thriller, with an engaging and dramatic story. Vincent Lindon has an awesome performance in the role of a man that risks his stable life to rescue his wife, who was wrongly accused of murder, from prison.

A couple of days ago (02 April 2011), my wife and I saw the American popcorn movie "The Next Three Days" and in that occasion I wrote in IMDb "a good thriller that could have been excellent with minor modifications in the screenplay". I have glanced the review of another IMDb User informing that the American movie is a remake of "Pour Elle" and I have just watched it. It is amazing the lack of creation of this former successful American industry that insists in the remake of great films.

"Pour Elle" is realistic, without the exaggeration of "The Next Three Days" and for me better and better. My vote is eight.

Title (Brazil): "Tudo por Ela" ("Everything for Her")

I was pleasantly surprised by this movie.

Of course the whole idea of the plot is not very believable, an ordinary man trying to get his ordinary wife to escape from prison. That is the downpoint of the film.

However, through the great performances by both actors Vincent Lindon and Diane Kruger, and the wonderful chemistry between them, you actually care for them, and understand the psychological motivation of the husband. Add to that the perfectly paced development of the story, and you end up with a solid, entertaining thriller with real emotions.

In my opinion, you forget the unrealistic aspect of a film when the performance(s) of the actor(s) are deep and the emotions strong. So for me, even though this film provides nothing new, it is a brilliantly executed thriller.

TOUT POUR ELLE (Anything for Her) was the original story and film from which THE NEXT THREE DAYS was adapted. In many ways this film is at least as strong as the Paul Haggis version with Russell Crowe. Here the credits are due to the imagination of writers Fred Cavayé and Guillaume Lemans and directed by Fred Cavayé. It is a very fine character driven thriller that while it may appear incredible to most, it is nonetheless an involving story of a man's love and commitment to his wife.

Julien (an impressive Vincent Lindon) is a schoolteacher who has a happy home life with his beautiful wife Lisa (Diane Kruger) and son Oscar (Lancelot Roch). During a quiet evening at home they are disturbed by policemen who arrest Lisa for a murder she claims she did not commit. Jump three years and Julien has been working with lawyers, spending their paltry savings, on getting appeals to get Lisa released from jail. He gets moral support from his parents (Liliane Rovère and Olivier Perrier) but sees his family falling apart. After three years have passed and when all legal portals fail, Lisa attempts suicide and Julien decides the only way to get Lisa out of prison is to aid in her escape. He visits writer Henri Pasquet (Olivier Marchal) who has escaped from prison several times and outlines the dangers AND the only secure methods for affecting a prison escape. John slowly and methodically prepares for the escape, gaining money by contacting drug lord Mouss (Alaa Safi), commits some crimes of his own as he masterminds his plan to successfully extract Lisa from prison. There are many twists and turns to the story, well written subplots and unexpected coincidences, all populated with a very strong cast of capable actors. It is a tense little French film that may not have the better known cast of its later American successor, but it works on a very different level and is a solid psychological thriller.

Grady Harp

Julien (Vincent Lindon) is an unprepossessing French teacher, happily married to Lisa (Diane Kruger), a wife he deeply loves. Their idyllic suburban life is rudely interrupted, however, when the police shockingly crash their home and arrest Lisa on suspicion of the brutal murder of her boss. With Lisa's fingerprints on the weapon, and the victim's blood on her jacket, she is found guilty and sentenced to twenty years in prison. If you like your suspense powerful and unnerving, do not hesitate to seek out Anything For Her (Pour Elle), the debut effort of French director Fred Cavayé, an enormously entertaining thriller that delivers a high level of satisfaction.

Imprisoned for a crime she probably did not commit (the director offers two possible scenarios but it is clear which one is the more likely), Lisa, still proclaiming her innocence, faces long, dark days ahead without her husband and their young son Oscar (Lancelot Roch). Overwhelmed with sadness, Julien becomes single-minded in his drive to reunite the family. After three years, when his attorney tells him that Lisa stands no chance before the Appeals Court and Lisa becomes suicidal, refusing to take her insulin shots, Julien knows that he must take matters into his own hands and will stop at nothing to accomplish his goal.

Locating an ex-con who has written books about his attempts to break out of jail, Julien convinces him to tutor him on the do's and don'ts of prison escape, telling the ex-con that he wants to teach the author's experience to his students. His ultimate plan, though, is not revealed either to Lisa, Julien's parents (Liliane Rovere and Olivier Perrier), or to the audience, which serves to greatly enhance the suspense. To save the woman he loves from certain death in prison, however, Julien must transform himself from laid-back school teacher to action hero, pushing himself far beyond the limits of what is reasonable. While attempting to obtain false papers and new identities, he comes into contact with some very unpleasant local criminal types and finds himself no longer reluctant to use violence to accomplish his ends.

Supported by an excellent script by the director, outstanding cinematography by Alain Duplaintier, and a moody score by Klaus Badelt, Anything For Her is entertaining, riveting, and ultimately a very moving love story. None of it would be very convincing, however, if not for the outstanding performances of Lindon and Kruger, especially Lindon whose sudden personality change requires great skill to pull off. Lindon's eyes convey powerful emotion that is not desperation but a strong and unyielding determination that serves as a catalyst for the events that build to the film's heart pounding climax. Although Anything For Her has been criticized for being "implausible", when an individual's every act is consumed with passion and overwhelming intention, then the implausible will most certainly become the expected.

With his wife(17 years younger, hotter and less brooding) stuck in jail facing 20 years for a murder she clearly did not commit(and all the evidence against her is circumstantial... do French police suck this hard? In general, they are painted in a rather negative light in this, quite unnecessarily), Julien(the swimming teacher from Welcome) seeks to free her so that they can be reunited and spend the rest of their lives together, and with their son(who, other than badly needing to wear a cowbell, doesn't contribute much to this other than being "cute" and a single running theme overly easily solved... and it's not the only thing this sets up that doesn't lead to anything). High hopes aside, he's only a schoolteacher... could he really pull it off? The gradual pace leaves this feeling longer than the 96 minute running time, though it is quite tense and fairly gripping. You care about these people, and you definitely *feel* the impact of every blow dealt. The exciting third act has you so consistently on the edge of your seat, you're liable to fall off. Throughout, this is filmed and edited well. All of the performances are excellent... including the six-year-old(no, really). Part of the way, this is realistic, and it certainly does surprise you. The writing is mostly solid. There is a little brutal, bloody violence in this. I recommend it to fans of crime-thrillers. 7/10