CALIFICACIÓN DE IMDb
7.5/10
60 k
TU CALIFICACIÓN
Un descubrimiento accidental cerca de la propiedad de un doctor reabre las dolorosas heridas abiertas hace 8 años con el asesinato de su esposa.Un descubrimiento accidental cerca de la propiedad de un doctor reabre las dolorosas heridas abiertas hace 8 años con el asesinato de su esposa.Un descubrimiento accidental cerca de la propiedad de un doctor reabre las dolorosas heridas abiertas hace 8 años con el asesinato de su esposa.
- Dirección
- Guionistas
- Elenco
- Premios
- 13 premios ganados y 15 nominaciones en total
Kristin Scott Thomas
- Hélène Perkins
- (as Kristin Scott-Thomas)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A very good second film for this young director, and in a genre which is not always a "day at the beach" for french directors... I'm not talking about directors like Melville or others of that generation, but for some of Canet's generation which prefer too easily to use sophisticated special effects and endless fights to fill up their scenes. Canet always stays close, very close to his characters and their feelings, and his storyline/plot and gives the audience an excellent humanistic suspense
The film exists by itself, and doesn't need to be compared to the novel (that I read and liked), because it's transposed in another culture, with different rhythms, variations in the original characters
**** SPOILERS*****
(thanks Mr. Canet for making the psychopath "fingers" killer a woman ! . Good idea !. And François Berleand, as a police inspector who has a little obsessive-compulsive disorder, and giving yourself the most disgusting part). Excellent choices that add subtle details to the french version.
Two hours of good cinema, good directing of actors, and needless to say that François Cluzet is a great great actor (Gee, brought me to tears at the end, very moving last scene BTW).
An excellent adaptation, well directed, not pretentious ! Canet gets his degree. Congratulations !
The film exists by itself, and doesn't need to be compared to the novel (that I read and liked), because it's transposed in another culture, with different rhythms, variations in the original characters
**** SPOILERS*****
(thanks Mr. Canet for making the psychopath "fingers" killer a woman ! . Good idea !. And François Berleand, as a police inspector who has a little obsessive-compulsive disorder, and giving yourself the most disgusting part). Excellent choices that add subtle details to the french version.
Two hours of good cinema, good directing of actors, and needless to say that François Cluzet is a great great actor (Gee, brought me to tears at the end, very moving last scene BTW).
An excellent adaptation, well directed, not pretentious ! Canet gets his degree. Congratulations !
This movie is just amazing well scripted,acted with lots of twists. It worked as a slow burner for me with it's long duration. It didn't bore me at all,kept me hooked whole time.
Excellent film. I'd never heard of the book it's based on. The movie does have the kind of complex characters that are more associated with novels than with cinema.
It's Hitchcockian to some extent - its premise is a classic "wrong-man" scenario, with suspense, humour and chase sequences. But the de rigeur romantic element here is, for the most part, tinged with a strange melancholy , and it's this that gives the film such an unusual atmosphere.
Leading man François Cluzet is probably weary of being compared to Dustin Hoffman, but the fact is there is more than a passing resemblance. Nevertheless, Cluzet is very much his own man, and is as good, if not better, than the Hoffman of, say, 'Marathon Man', which inevitably comes to mind as one watches Cluzet taking to his heels in the breathless, breathtaking chase sequence.
Although Cluzet carries the movie, the rest of the cast, which contains a number of very distinguished French actors, is first-rate.
The plot is full of twists and turns, and the story-telling full of time-jumps, so you really need to concentrate. I'll need to get the DVD to check I understood it right.
All in all, it's an excellent edge-of-your-seat thriller: a splendid, somewhat scary, night out at the movies.
It's Hitchcockian to some extent - its premise is a classic "wrong-man" scenario, with suspense, humour and chase sequences. But the de rigeur romantic element here is, for the most part, tinged with a strange melancholy , and it's this that gives the film such an unusual atmosphere.
Leading man François Cluzet is probably weary of being compared to Dustin Hoffman, but the fact is there is more than a passing resemblance. Nevertheless, Cluzet is very much his own man, and is as good, if not better, than the Hoffman of, say, 'Marathon Man', which inevitably comes to mind as one watches Cluzet taking to his heels in the breathless, breathtaking chase sequence.
Although Cluzet carries the movie, the rest of the cast, which contains a number of very distinguished French actors, is first-rate.
The plot is full of twists and turns, and the story-telling full of time-jumps, so you really need to concentrate. I'll need to get the DVD to check I understood it right.
All in all, it's an excellent edge-of-your-seat thriller: a splendid, somewhat scary, night out at the movies.
Based on a mystery writer's novel which I've not read, the film succeeds courtesy of some great acting. So often a mystery is put together with clues and red herrings, and then at the end you fold a puzzle piece and voila it fits. I think it appeals to the clockwork mind, and as their is often crime involved, there is a sense of some extracurricular guidance towards justice.
While this film has that, and action moves like car chases, pistol whipping and a lengthy running script (the kind Tom Cruise would demand be inserted in a film of his), Francois Cluzet holds the center of the film in more gentle hands. He's a good guy, even when mixed up with the bad guys, he brings out their inherent benevolence. You go, Bruno!
Films like this hinge upon believing that bad moves are really the best moves one can take, the story and acting help sell that here in my opinion. In real life, I think in most cases perhaps not as intricate as this, I would Tell Some One, and likely an authority. Granted plenty of films from America North and South, make clear the dangers of corrupt cops and who watches the watchers. Maybe in Europe, things could be different.
Again for the genre, experts might not enjoy this (or pick it apart for a variety of reasons). But I was able to just enjoy the people on screen foremost (always helps to have Nathalie Baye involved), and then the pacing and plot.
Nice to see the director hatched the script and put himself in the mix on screen as well. Recommend you watch it, and then figure out the right someone to tell to see it next.
Also excellent music throughout, especially that closing track.
While this film has that, and action moves like car chases, pistol whipping and a lengthy running script (the kind Tom Cruise would demand be inserted in a film of his), Francois Cluzet holds the center of the film in more gentle hands. He's a good guy, even when mixed up with the bad guys, he brings out their inherent benevolence. You go, Bruno!
Films like this hinge upon believing that bad moves are really the best moves one can take, the story and acting help sell that here in my opinion. In real life, I think in most cases perhaps not as intricate as this, I would Tell Some One, and likely an authority. Granted plenty of films from America North and South, make clear the dangers of corrupt cops and who watches the watchers. Maybe in Europe, things could be different.
Again for the genre, experts might not enjoy this (or pick it apart for a variety of reasons). But I was able to just enjoy the people on screen foremost (always helps to have Nathalie Baye involved), and then the pacing and plot.
Nice to see the director hatched the script and put himself in the mix on screen as well. Recommend you watch it, and then figure out the right someone to tell to see it next.
Also excellent music throughout, especially that closing track.
This movie is extremely engaging, well-acted, detailed, moving, thrilling, exciting and satisfying to watch. The stakes get higher and higher as the plot unfolds. What is so unexpected is the many facets the film has, it's not told on one-level there is a mixture of comedy and tragedy that is totally charming and believable. There is a great sense of involvement that gets the viewer attached to the characters and the unique situation that presents itself. It's a total roller- coaster of a movie that has you on the edge of your seat. An extraordinary story that is interestingly told. I've never felt the desire to write a comment on a movie before so the fact that I've taken the time to do it says a lot about the power of it's content. I really recommend this film, it takes you on a journey that divulges secrets beautifully as the story unravels. I left the film crying with a mixture of joy and sadness.
¿Sabías que…?
- TriviaOriginally, author Harlan Coben had optioned off his novel to Hollywood, with Director Michael Apted attached. During this time, Writer and Director Guillaume Canet, who had loved the novel, had been calling up Coben with his take on the novel. Coben was immediately impressed with Canet's passion for the story, and his vision, stating that Canet understood that the novel was a love story first, and a thriller second, which Hollywood never got. When the option with Hollywood fell through, Coben contacted Canet and decided to give him a chance.
- ErroresWhen Alexandre gets out of the water to go help Margot in the beginning, his attacker hits him twice with the bat. Towards the end, when they show this same attack from farther away his attacker hits him thrice.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Tell No One
- Locaciones de filmación
- Boulevard périphérique, Paris 18, París, Francia(Beck flees across highway in front of Bichat Hospital)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 11,700,000 (estimado)
- Total en EE. UU. y Canadá
- USD 6,177,192
- Fin de semana de estreno en EE. UU. y Canadá
- USD 169,707
- 6 jul 2008
- Total a nivel mundial
- USD 33,428,799
- Tiempo de ejecución2 horas 11 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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