CALIFICACIÓN DE IMDb
6.8/10
15 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaSamuel, a male nurse, saves the life of a thief whose henchmen take Samuel's wife hostage and force him to spring their boss.Samuel, a male nurse, saves the life of a thief whose henchmen take Samuel's wife hostage and force him to spring their boss.Samuel, a male nurse, saves the life of a thief whose henchmen take Samuel's wife hostage and force him to spring their boss.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 4 nominaciones en total
Nicky Naudé
- Capitaine Richert
- (as Nicky Naude)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This was a punchy, French, action based film that was quite good, but with more developed characters, could have been brilliant.
Point Blank is well paced, dramatic, entertaining and I suppose most importantly believable. A criminal escapes murder, whilst in hospital, and forces his nurse to team up with him, as he avoids the police and his killers. The reluctant nurse aids the gangster, with his kidnapped pregnant wife held captive, to escape what is a corrupt police unit. To say any more would almost spoil the plot.
PB is ambitious, true to the action-chase genre and boasts some nice French cinema, and culture elements (especially visually), but ultimately comes up short of anything other than just plain good. A refreshing spin on this sort of thing, providing a decent afternoon's viewing.
Point Blank is well paced, dramatic, entertaining and I suppose most importantly believable. A criminal escapes murder, whilst in hospital, and forces his nurse to team up with him, as he avoids the police and his killers. The reluctant nurse aids the gangster, with his kidnapped pregnant wife held captive, to escape what is a corrupt police unit. To say any more would almost spoil the plot.
PB is ambitious, true to the action-chase genre and boasts some nice French cinema, and culture elements (especially visually), but ultimately comes up short of anything other than just plain good. A refreshing spin on this sort of thing, providing a decent afternoon's viewing.
this movie will keep your eyes open and sit on the edge of your chair once it starts. i often consider the good french action thrillers are the most creative and original, that's why Hollywood keeps copycatting and adapting from the french movies one after another once there are new good french thriller movies in the market. "the next three days(not a bad adaptation)" and "the tourist(just horrible!)" are the most recent examples adapted from the french originals.
this 'point blank' is a great thriller from beginning to the end. the chases from the hospital to the subway station and the chaos in the hospital and the police central are just exceptionally directed, edited, acted. i was sleepy before watching this movie, but once it started, the heavy eyelids just became light and wide open.
i didn't quite like the final scene. it seems a bit unnecessary but at the same time quite necessary, and that's a funny thought.
this 'point blank' is a great thriller from beginning to the end. the chases from the hospital to the subway station and the chaos in the hospital and the police central are just exceptionally directed, edited, acted. i was sleepy before watching this movie, but once it started, the heavy eyelids just became light and wide open.
i didn't quite like the final scene. it seems a bit unnecessary but at the same time quite necessary, and that's a funny thought.
Point Blank (2010)
Not to be confused with the semi-classic 1967 movie of the same title with Lee Marvin, this is not a remake or an echo of that. What this French action thriller is fits another category--the non-stop kinetic run from the bad-guys film, which has become a kind of staple. Think the Bourne movies, or a couple later Liam Neeson films, where the hero gets himself into a terrible situation that requires running and running and running.
And that's enough, in a way, because you can't stop looking. There are no lulls. In fact, some of the moments have such kinetic surprise to them they deserve study. Your stomach will turn. Don't expect a big rationale. Don't even quite expect to care for anything except that our main man, and his wife, survive the ordeal. There are crosses and double-crosses. There is horrid abuse of women which I could do without (the rationale might just be the perils of Pauline kind of thing, saving her with the handsome male to the rescue, but it's just plain abusive). There is one female cop who is a great tough archetype. And lots of bad violent men.
But, truly, none of this is meant to matter. You just grab onto the handles and don't let go. It's really really well made, visually, the camera-work and editing taking front seat. I'd see it on the biggest screen you can, since that's where it's all at.
Not to be confused with the semi-classic 1967 movie of the same title with Lee Marvin, this is not a remake or an echo of that. What this French action thriller is fits another category--the non-stop kinetic run from the bad-guys film, which has become a kind of staple. Think the Bourne movies, or a couple later Liam Neeson films, where the hero gets himself into a terrible situation that requires running and running and running.
And that's enough, in a way, because you can't stop looking. There are no lulls. In fact, some of the moments have such kinetic surprise to them they deserve study. Your stomach will turn. Don't expect a big rationale. Don't even quite expect to care for anything except that our main man, and his wife, survive the ordeal. There are crosses and double-crosses. There is horrid abuse of women which I could do without (the rationale might just be the perils of Pauline kind of thing, saving her with the handsome male to the rescue, but it's just plain abusive). There is one female cop who is a great tough archetype. And lots of bad violent men.
But, truly, none of this is meant to matter. You just grab onto the handles and don't let go. It's really really well made, visually, the camera-work and editing taking front seat. I'd see it on the biggest screen you can, since that's where it's all at.
point blank doesn't have very deep characters (but still it's amazing how the dramatic scenes work) , nor a huge complex plot, and it's not about metaphors or cultural references. It's a fast paced action ride, that changes all the time, that knows very well how to manage their timings in the scenes. It's really a cool action flick, and you realize how short it is when it ends. It was conceived as a thrill fun, short ride, an after that you just take a deep breath, because you saw people running during the 80 minutes.
It's not the most amazing film ever, but if you look for a nice film keeping you on the edge of the seat, this is widely recommended.
It's not the most amazing film ever, but if you look for a nice film keeping you on the edge of the seat, this is widely recommended.
Outside of Hollywood, good and realistic action films can be successful without the Hollywood Big 3 of American action films.....CGI, car chases and boo-coo explosions. And, French films always deliver when mean, harsh, brutal and uncaring play the main roles. Great looking pregnant wife, Liam Neesom-resembling husband, despicable and brutal criminals uncaring about human values and life, and brutal dirty cops even less caring about human life made this one of my faves for the year so far.
Point Blank was a 100% serious film with great pacing and no smart-ass or comedic side tracks or poorly placed romance throw-ins as are so often stupidly done by Hollywood, plus it had plenty of the most terrifying and brutal behavior of human psychopathy to scare you silly. Other than a few timing errors where the director stayed with a few scenes longer than he should have for best effect, such as the one when the dirty cop was discovered, it was a well done seat-edge thriller to the end. And, yes, we all knew how it would end, as all those horrible experiences resulted in a typical ending.......good for the good guys and bad for the baddies.
How regular people in real life could ever have more or less normal lives after all that bloody terror and murder is beyond my understanding, but somehow these film characters seemed to be able to do it.
Point Blank was a 100% serious film with great pacing and no smart-ass or comedic side tracks or poorly placed romance throw-ins as are so often stupidly done by Hollywood, plus it had plenty of the most terrifying and brutal behavior of human psychopathy to scare you silly. Other than a few timing errors where the director stayed with a few scenes longer than he should have for best effect, such as the one when the dirty cop was discovered, it was a well done seat-edge thriller to the end. And, yes, we all knew how it would end, as all those horrible experiences resulted in a typical ending.......good for the good guys and bad for the baddies.
How regular people in real life could ever have more or less normal lives after all that bloody terror and murder is beyond my understanding, but somehow these film characters seemed to be able to do it.
¿Sabías que…?
- TriviaJoe Lynch shot a remake of this French movie in 2019 "Point Blank", starring Anthony Mackie and Frank Grillo.
- ErroresWhen Samuel tries to wake up Hugo, in a shot across the corridor in the renovated hospital floor, a face can be seen on the left behind a door, looking down and talking. (around 19'30")
- Créditos curiososIn the closing credits, opera singer Renee Fleming's name is misspelled as "Flemming."
- ConexionesReferences Diva (1981)
- Bandas sonorasEbben? Ne andrò lontana
(Alfredo Catalani)
Extraits de "La Wally"
Sung by Renée Fleming (as Renee Flemming) & Orchestra of Welsh National Opera (as The Orchestra of the Welsh National Opera) (Direction: Gareth Jones)
(P) 2003 Decca Music Group Ltd
Avec l'autorisation d'Universal Music Vision
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- How long is Point Blank?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Point Blank
- Locaciones de filmación
- Gare de l'Est, Paris, Île-de-France, Francia(Samuel attempts to trade Sartet for his wife)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 16,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 708,215
- Fin de semana de estreno en EE. UU. y Canadá
- USD 41,031
- 31 jul 2011
- Total a nivel mundial
- USD 9,487,445
- Tiempo de ejecución1 hora 24 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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