El libro de los secretos

The Book of Eli has the potential to be a great film or complete rubbish depending on your expectations of what is to come. If you are looking for a film with some deeper meaning then I would not recommend it. However, if you are looking for a film with beautiful cinematography, solid acting and a little bit of fun action then you will be pleased.

The key in watching the film is to not buy into the plot too much, which is where the viewer is going to be disappointed. The ending is a little far fetched and I couldn't help but roll my eyes. Although I honestly don't see a particularly good ending for the basic premise of the film.

If you are able to put the silliness with the story behind you, the film is wonderfully done. There is great camera work with interesting angles and framing; the set showcases the contrast between the stark light of the sun and the shadows where humankind is hiding; and the acting makes you want to buy into the characters and their conflicts.

I would recommend seeing the film, just don't get too involved with the story. Instead concentrate on the acting and the scene.

Few things are hotter this winter than Mila Kunis walking around a post-apocalyptic town in a pair of Aviators. That and a quiet Denzel Washington wielding a sword sets up The Book of Eli, yet another post-apocalyptic thriller set in the future (or lack thereof). The post-apocalypse film may be getting old after films like Children of Men, The Road, I Am Legend, etc., but The Book of Eli manages to keep itself away from the cliché apocalypse film.

Denzel portrays the title character of Eli, a mysterious man who walks around around a destroyed world carrying a book he believes can save humanity. He wanders into a makeshift town where a sadistic villain (Gary Oldman) desperately wants the book. Enter some hacked limbs, explosions, and cannibals, and you got yourself an interesting film.

This is a different role for Denzel. Usually, he's just the calm talker who tries to make sure the bad guys don't do anything crazy (think Inside Man and last summer's remake of The Taking of Pelham 123). However, not only does Denzel do a lot of talking, but he's cutting off people's arms and shooting up the place like he's Jason Statham. One memorable scene involves Eli killing Oldman's men-who are armed with sniper rifles AB machine guns-with a simple handgun.

It's also very refreshing to see Gary Oldman return to the role of a villain. Younger audiences now see Oldman as a good guy after portraying famous literary protagonists such as Sirius Black in the Harry Potter films and Jim Gordon in the recent Batman series. While there's nothing at all wrong with that, I was starting to miss Oldman's villain days, including classic turns as a drug addicted cop in Leon The Professional and a Russian terrorist in Air Force One. Oldman shows his versatility in Eli, where he makes his character a complete psycho.

When I first saw that Kunis was cast in this film, I was a little worried. Sure, everybody loves Mila, but could the star of comedies like That 70's Show and Forgetting Sarah Marshall make the transition in a serious film? Kunis plays her role well, but she should stick with the comedies until she's given a character with more to do.

The Book of Eli isn't perfect with its choppy action sequences or pacing issues, but its a fun film nonetheless. It's films like these that keep the post-apocalyptic genre alive and well.

I saw this when it came out in the cinema and quite liked it. Now it has come round on TV I thought it might be worth a second viewing. This film is about the quest of one man to get a book to the place it's supposed to be, to use his words. Now, I'm not a religious man but I can see the value this book might have in a world torn apart by war. It is a post-apocalyptic world, thirty years after it was destroyed. Those that were not killed scratch a living out of what's left, and many have turned to cannibalism. Many were blinded by the flashes in the sky but survived. As stated in the film, after the war people destroyed the bible blaming it for what happened, but Eli has the last remaining copy. Now you know the set-up, here's a brief summary before I give you my thoughts (summary haters please don't touch Eli… not if you want to keep your hands that is… and wait here while I write the next paragraph).

Always moving west, Eli is a loner on the road. Like everyone out there he knows it's a very dangerous place. He kills animals for food and gets clean water where he can. When set upon by hijackers but Eli is a ferocious fighter and thus far has come out on top. One day he wanders into a small town run by Carnegie, a determined man who has been sending out men in search of a particular book, the very one Eli has in his possession. Carnegie has a mother and daughter, Claudia and Solara in his entourage, Claudia was blind from birth, but Solara is sighted. In trying to persuade Eli to stay, as he can see the value of a man who can fight like him, he sends Solara to his room and she discovers the book. Carnegie finds out about the book and sends his henchman, Redridge to get it but Eli has already gone. Eli starts heading west again only to find Solara following him. Redridge wants Solara and makes a deal with Carnegie to get the book in exchange for her. And now the chase is on, will Eli and Solara escape or will they be caught? I think that's enough for now… This film was shot in a similar way to 300 (2006) with a kind of washed out comic book feel to it and, for me, it looked a bit too artificial in places. A lot of the landscapes were CGI which didn't come over too well on TV. Great performances from all of the leading cast, Denzel Washington as Eli, Gary Oldman as Carnegie, Mila Kunis as Solara, Ray Stevenson as Redridge and Jennifer Beals as Claudia. Honourable mentions also go to Frances de la Tour and Michael Gambon as Martha and George, a mad old couple who Eli and Solara find on their travels.

Although it's a fairly straightforward story I found it a very entertaining and compelling film to watch, the 107 minutes went by pretty quickly, which is always a good sign. It did get a bit bogged down in the middle, but redeemed itself with a totally unexpected twist at the end. Don't worry; I'm not going give that away here. Also a haunting soundtrack backs up the visuals to great effect. Over all, although it's not been well received everywhere and although not perfect, it's a good effort… Recommended.

My score: 7.3/10

Hughes bro's are not trying to alter people's views on religion or any thing else. They simply made a great watchable apocalyptic movie with marvelous actors and credible story. Relax and give it the credit it deserves.

Everybody's talking about what happens after the apocalypse these days. "The Book of Eli" is sort of the boiling point of this science-fiction concept, a combination of last year's "The Road" and George Miller's "The Road Warrior." America is a post-apocalyptic wasteland and Denzel Washington is the only self-sufficient badass. So originality is not exactly "Eli's" calling card, but it clearly establishes its ruinous world and the Hughes brothers ("From Hell") take good care of its characters while supplying top-notch action. Washington stars as our stolid protagonist, Eli, journeying westward with his canteen, a large machete, a couple guns and a special leather-bound book. He lives on an Earth that was fried 30 years before by the sun because of a war that ripped a hole through the ozone layer. Sun-goggled bikers run amok pillaging, killing and raping passers-by, yet Eli is morally sound and focused on keeping his book safe no matter what so he can deliver it somewhere out west. Although written by a first-time screenwriter and former PC Gamer editor, Gary Whitta, "Eli" impressively creates its world between the sunglasses/goggles due to the sun's power, trading of goods because money's obsolete and the constant examining of hands to determine if someone is jittery from eating too much human flesh. Whitta also places Eli squarely in the story. He's a good but dangerous man who's not afraid to kill, and as he sits idly by as a couple gets attacked, it's abundantly clear that this is a world where compassion is secondary to survival and self-interest. Where the plot comes in is "Eli's" weak link. It doesn't try too hard to hide just what exactly the book is and that sort of dissolves some of the film's mystique. The plot is essentially Eli wants to protect it and take it west and he has a run in with Carnegie (Gary Oldman), an older man who runs a small town and desires it for selfish power-related reasons. Along the way, anyone who threatens to lay a hand on Eli gets sliced up or shot. In the two or three fight scenes where he takes down numerous guys at once, you can't help but wonder why after he kills the first few guys, the others don't run the hell away, especially considering people are otherwise in self-preservation mode living in a wasteland (and they know nothing of the book). The Hughes brothers make those scenes worthwhile, however. There's a style and grace to their action scenes -- they create a sort of a moving tableau in some scenes and execute a wide range of tempos in the action sequences to make them more intense. When Carnegie's men encounter Eli and the young woman (Mila Kunis) that he inspires who follows him at the home of some old folks (cameos by famous Brits Frances De La Tour and Michael Gambon), they place the camera in the middle of the action and sweep along with the gunfire (part- digitally) from one side to the other. It's very cool and is an example of one way the Hugheses keep the focus away from the plot's shaky skeleton. I only have beef with their excessive slow-motion walking-toward-the-camera shots and showing a bit too much of the cloudy green-gray sky. Some people are going to be more surprised and impressed with the film's big reveal than others, but anyone with a love of action and that post-apocalyptic context will find something to make "Eli" a worthwhile watch regardless of plot weakness. Washington is slightly under-utilized but he's an ideal fit. He brings an intensity in his demeanor that makes him an intriguing character and the film does a good job of making his character more central than anything else. ~Steven C