El vuelo

Washington gives what is nothing less than a performance of a lifetime in this tension filled film dealing with a pilot wrestling with inner demons. The aviation sequences are stunning and the crash one of the most breathtaking ever filmed. The director is highly gifted and his skill and passion are clearly evident. The script is superb, with intelligent plotting and sharp dialog that captures reality. It is, once again, Washington who shines here above all else. His power as an actor is what truly gives this movies its fire. His portrayal of a substance abusing addict/alcoholic is painful to watch because of the humanity he brings to the part. It is a tremendous accomplishment and one of the finest studies of addiction ever filmed.

I am an aircraft mechanic, so admittedly I have trouble watching a movie which will undoubtedly abuse reality in terms of physics and aircraft design. I recall seeing previews for this and being stunned at the laughable scenario of an inverted passenger plane. That experience dropped my expectation to essentially zero.

When I watched this film I was surprised in two ways. Firstly, the scenario was more plausible than I had given it credit. Inverted flight is a problem for most planes because of aerodynamics. And while some aircraft are aerodynamically capable of inverted flight (even some passenger planes) it is additionally a problem because hydraulic and engine oil systems are often gravity fed. This means that if a plane is able to fly this way, most of them won't fly for long before systems begin to fail. The film did a reasonable job of portraying this as the plane was just barely able to sustain level flight with a full pitch down elevator position and displayed low engine oil press warnings which led to engine fire. I suspect the roll maneuver would require more altitude than the film suggests...but otherwise it's not far from what could happen in reality if this was actually attempted. Most engine fire T-handles are designed to instantly shut fuel and bleed air valves for an engine...which doesn't seem to happen here, but that was my biggest realism gripe.

My second surprise is that this movie has very little to do with aviation. Aviation seems to be the setting for the story, but the subject itself is substance abuse. The story could have just as easily been set around a bus driver or a ship captain. Given the fact that aviation was merely a setting for the story I have to give credit to the film makers for paying at least some attention to realism.

I thought the story was fascinating. It's the sort of film that requires something of the viewer. You can't watch this without making moral judgements and that process requires each viewer to evaluate how they feel about certain subjects. The story creates just enough moral dilemma to get people thinking and any story that can succeed in that gets a pass from me.

"Flight" is a film that brought Denzel Washington an Oscar nomination...something his performance richly deserved. It's a terrific performance in a terrific, yet harrowing, film.

Whip Whitaker (Washington) is an absolute mess. Although he's an airline pilot, he's an addict and boards a plane under the influence of cocaine and alcohol. He's so badly impaired that during the flight, he managed to sneak MORE alcohol into his body! Now here's the amazing part....the plane literally begins to fall apart in midair and through VERY quick thinking, he manages to crash land the plane with only minimal loss of life. When Whip awakens at the hospital, he soon learns that the press is declaring that he's a hero! This film is about his actions and the airline's and the pilot union's following the crash.

The scene where the plane begins to fall apart and crashes is about the most harrowing and adrenaline-pumping scenes you'll ever see in a film. I could actually feel my chest pounding and STRONGLY recommend anyone with a fear of flying to avoid this film!!! It's well done...and it's shocking no Oscar nominations were given to the folks who created this scene!

I appreciate Denzel Washington in this film. Not only is he very good, but he really took a risk here playing such a screwed up and self-destructive guy. This was clearly a stretch for him...and it's nice to see him do something different.

Overall, this is a really amazing film...not just because of the crash but also because it really shows addiction in all its ugliness and with great realism. Among the best of 2012...though oddly apart from Washington and one minor award, the film wasn't nominated for Best Picture nor Best Director.

UPDATE: I recently found "The Pilot" on YouTube. It's a very, very similar story starring Cliff Robertson...so similar that I have to believe the writer of "Flight" was 'inspired' by it strongly. Because it's so similar, I am amending my score for "Flight" from 10 to 9....but it's still a terrific story.

Denzel Washington is William "Whip" Whitaker, an alcoholic pilot who, after a night of heavy drinking, remains drunk well into the morning he is to fly a plane into Georgia. When his flight goes into a sudden tail- spin, Whip manages to save all but six lives through his crash-landing. Whip is a hero until his toxicology report comes up positive for everything under the sun, leaving the airline, Whip's union, his friends, and Whip in a tailspin of their own.

I have often thought that Denzel Washington is one of the finest actors to ever grace the silver screen, and he proves that assertion with a film that is assured to receive him a sixth Academy Award nomination. Here is a man broken beyond measure, stumbling through his lost life until unprecedented new stress is placed upon him. Not even the intervention of those he holds close can stop his self-destructive nature - or can it?

Robert Zemeckis has been on a sturdy path with animated films recently, so it was with a bit of apprehension that I saw his most recent live- action offering since "Cast Away". But have no fear. The direction here is clean, crisp, and efficient as ever, producing a simple, but powerful script by John Gatins, chock-full of par-none supporting roles by the likes of John Goodman, Don Cheadle, and Bruce Greenwood.

Undoubtedly the best part of the film - besides the wonderful cast - was the soundtrack. Joe Cocker, Bill Withers, and more are used expertly to mold into every emotion, sometimes emotional roller coaster, Whip experiences. Each song (some used more than once) slips seamlessly into the background and keeps the audience following more than the script.

"Flight" is a powerful, dark, character study about a man who has fallen to his darkest depths, and finds out how to fall farther. It sees Denzel Washington in top form and Robert Zemeckis' triumphant return to the live screen.

Robert Zemeckis' latest film Flight starring Academy Award Winner Denzel Washington is not only thoroughly entertaining and terrifically structured, it encompasses a soul that Hollywood hasn't really delivered in quite some time. The film, that closed the New York Film Festival, is simply one of the best films of the year.

Flight tells the story of Whip Whitaker, an airline pilot that saves a plane and nearly all its passengers from a certain death. When an investigation is carried out to look into the details of the crash, Whip's troubling lifestyle begins to surface. Writer John Latins creates a dynamic and an internal narrative confrontation for viewers to become immersed in a story full of mental struggle. It's a unique and very engaging story that stands as one of season's best efforts.

Denzel Washington, and not to be taken lightly, is fully in the zone and portrays one of his finest screen moments in years. I haven't been this impressed with his abilities as an actor since The Hurricane (1999). He lands solidly in Whip, giving us his natural aggression, charisma, and flaws. Allowing us to travel with Whip on this journey, Mr. Washington proves once and for all, he is one of the great treasures of American cinema. Denzel gives an access root into the character for all intended purposes, a clear understanding of the inner resistance that will not only plague Whip, but the movie audience as well.

The story doesn't seem like an obvious choice for Robert Zemeckis, who has excelled in genres that have provided masterpieces like Forrest Gump (1994) and Cast Away (2000). As the film provides a more dark and jagged approach in his directorial style, Zemeckis executes with precision. It's a satisfactory effort from the director who makes his return to live action after a long string of motion-capture efforts. Assisting Washington's bravura performance is Oscar-nominee Don Cheadle, who teamed up with Denzel in the 90's classic film, Devil in a Blue Dress (1995). As the wise-cracking lawyer, whose own moral values may be tested in exchange for corporate and criminal immunity, Cheadle is a relieved presence. In a comedic and near-brilliant performance, John Goodman steals Flight from every actor including Washington in his short, two-scene appearances. Goodman continues to show an effortless range, even in poor film choices, and a confidence that makes him one of the great character actors working today. It's a performance that Oscar should consider on multiple levels. In a heartbreaking turn, Kelly Reilly as the drug-addicted Nicole, provides an emotional epicenter and boundary that stands as one of Latins' great writing achievements. Reilly is simply marvelous.

Continuing to beef up their acting resume, the great Bruce Greenwood shines while Brian Geraghty continues to prove he is one of Hollywood's best kept secrets.

Composer Alan Silvestri orchestrates an outstanding score that is both melodic and soothing. Cinematographer Don Burgess, once-nominated for Forrest Gump, gives clean, fresh camera lenses look into a shockingly dirty and gritty story. Zemeckis' handle of the astounding opening scenes, especially the plane crash, is one of the best visual and nail- biting moments of the year. Its Zemeckis at his best!

Flight is not only one of the best cinematic efforts of the New York Film Festival; it stands as a great surprise and entry into the 2012 Oscar season. Denzel Washington is completely Oscar-bound but the buck shouldn't stop there; a deserved consideration campaign should be given to John Goodman and Kelly Reilly along with screenwriter John Latins. Flight is a home-run!

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