Dos mejores amigos se refugian en el centro comercial después de que sus novias los dejen.Dos mejores amigos se refugian en el centro comercial después de que sus novias los dejen.Dos mejores amigos se refugian en el centro comercial después de que sus novias los dejen.
- Dirección
- Guionista
- Elenco
Renée Humphrey
- Tricia
- (as Renee Humphrey)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is a niche film. If you can put yourself into the mindset of a 20-something slacker, who has no ambition whatsoever in life, this film may engender some sense of emotional investment in its characters and a sense of identifying with same. However, if this situation is impossible for you, then you will not only not see the humor herein, you will most likely bemoan the time wasted in its viewing.
This is a Jay and Silent Bob flick wherein the two buds are dumped by their gals, subsequently seeking major wound-licking in the mall. It plays like the Revenge of the Nerds, though not as intelligently, nor with the same amount of heart, but with a more modern spin.
If you've of a mind, this can be highly entertaining. If not, don't say you weren't warned.
It rates a 7.2/10 from...
the Fiend :.
This is a Jay and Silent Bob flick wherein the two buds are dumped by their gals, subsequently seeking major wound-licking in the mall. It plays like the Revenge of the Nerds, though not as intelligently, nor with the same amount of heart, but with a more modern spin.
If you've of a mind, this can be highly entertaining. If not, don't say you weren't warned.
It rates a 7.2/10 from...
the Fiend :.
To everybody who did not like this movie: You are not obviously Kevin Smith fans. I am, and everyone one of the NJ3 are great. This one is just different. Shannen Doherty is surprisingly cool in this one, and Jason Lee is hysterical. Jay and Silent Bob are hysterical as usual, and everyone else is great. Watch if you are a Smith fan, just keep an open mind.
I guess that people can be split in two ways - those that like Kevin Smith's films and those that don't. From watching his films, he seems to like his characters to exist in his strange world where things are exaggerated and ridiculous characters do unrealistic things.
That sums up Mallrats - it's the story of two friends who both lose their girlfriends and then spend the rest of the day hanging around in the local mall. Whilst hanging around they meet friends and get into scrapes as they strive to get their girlfriends back.
I suppose if you looked at it coolly it's all a bit silly - fully of ridiculous situations and scrapes that are resolved in unbelievable ways. But then if you accept Smith's world of comic book style adventures and cartoon film making then this is great. Whereas his later Chasing Amy brings adult subjects into the comedy - this is pure cartoon comedy, although understand it's not dumb like slapstick - but crazy, clever humour with plenty of jokes occuring all around the main action.
OK the overall plot is weak at best, but the story is more about the characters and the situations along the journey to the end of the film and here is where Smith wins. He has created crazy characters that are funny and often exaggerated versions of people or of people's reactions to situations (witness the magic-eye poster guy for an example of exaggerated humour).
Lee is fantastic, this is the role he was made for - he reacts in an exaggerated way to everything and really hams it up. I suppose he's a comic-book reading loser but in this world he is funny and in control. He is loud and abusive to others and it's great! Jeremy London is a weak straight man and doesn't really convince.
Jay & Silent Bob are good as always - although for most of the movie they exist in their own little subplot of taking on the mall police. Again their adventures are exaggerated for humour.
If you hated Clerks and Smith's other movies then you'll hate this. However if this world is one that appeals to you then you'll love this movie's reckless abandonment of reality and enjoy the adventures involved in a trip to the mall.
That sums up Mallrats - it's the story of two friends who both lose their girlfriends and then spend the rest of the day hanging around in the local mall. Whilst hanging around they meet friends and get into scrapes as they strive to get their girlfriends back.
I suppose if you looked at it coolly it's all a bit silly - fully of ridiculous situations and scrapes that are resolved in unbelievable ways. But then if you accept Smith's world of comic book style adventures and cartoon film making then this is great. Whereas his later Chasing Amy brings adult subjects into the comedy - this is pure cartoon comedy, although understand it's not dumb like slapstick - but crazy, clever humour with plenty of jokes occuring all around the main action.
OK the overall plot is weak at best, but the story is more about the characters and the situations along the journey to the end of the film and here is where Smith wins. He has created crazy characters that are funny and often exaggerated versions of people or of people's reactions to situations (witness the magic-eye poster guy for an example of exaggerated humour).
Lee is fantastic, this is the role he was made for - he reacts in an exaggerated way to everything and really hams it up. I suppose he's a comic-book reading loser but in this world he is funny and in control. He is loud and abusive to others and it's great! Jeremy London is a weak straight man and doesn't really convince.
Jay & Silent Bob are good as always - although for most of the movie they exist in their own little subplot of taking on the mall police. Again their adventures are exaggerated for humour.
If you hated Clerks and Smith's other movies then you'll hate this. However if this world is one that appeals to you then you'll love this movie's reckless abandonment of reality and enjoy the adventures involved in a trip to the mall.
As most Smith fanboys know, Mallrats has been trashed critically, financially (bad box-office) and by a lot of Smith's own fan-base.
Personally I like it. Even without watching the DVD with commentary by Smith its obvious that this outing was backed by Hollywood, emitting a polish and lack of gloom that his other films don't have and thus gaining flack over its lack of "Indie" look and feel and hammy storyline. Had this film been in black in white, shot using a cheaper production method, or had a less happier ending, it possibly would have fared better with the fans than it did.
Listen to the dialogue though and its soon apparent this is indeed pure Smith. And it shines. The long diatribes about seemingly nothing, the anti-establishment rumblings of Brody (who ironically spends a lot of the film clarifying escalator ettiquite and other mall law), and a bigger involvement of Jay and Bob (but not too much) make this as good, if not better than the other Kevin Smith films and quite possibly my favourite of his.
Its hard to rate this film, you'll either really like it and give it a 10 or tuck into another chocolate pretzel after giving it a 1.
Personally I like it. Even without watching the DVD with commentary by Smith its obvious that this outing was backed by Hollywood, emitting a polish and lack of gloom that his other films don't have and thus gaining flack over its lack of "Indie" look and feel and hammy storyline. Had this film been in black in white, shot using a cheaper production method, or had a less happier ending, it possibly would have fared better with the fans than it did.
Listen to the dialogue though and its soon apparent this is indeed pure Smith. And it shines. The long diatribes about seemingly nothing, the anti-establishment rumblings of Brody (who ironically spends a lot of the film clarifying escalator ettiquite and other mall law), and a bigger involvement of Jay and Bob (but not too much) make this as good, if not better than the other Kevin Smith films and quite possibly my favourite of his.
Its hard to rate this film, you'll either really like it and give it a 10 or tuck into another chocolate pretzel after giving it a 1.
This is Kevin Smith's first `real' movie, i.e., one made with a real budget, real actors, and backed by a real studio. It was also a commercial and critical flop, most reviewers seem to regard it as his worst movie. That is understandable, seeing as he set such high expectations with `Clerks', a work of pure genius that was made on a budget so low that Smith was forced to use black & white film. `Clerks' is one of my all time favorite films, a classic that will probably still be popular many years from now, and so, by comparison, `Mallrats' simply doesn't measure up. But so what? It's still a great comedy, with lots of moments that make you want to split a gut, and is, IMHO, better than at least 90% of the other teenage/young adult movies out there.
The story (as with most comedies) is pretty basic. It's about a day in the life of two slackers who both get dumped by their girlfriends that morning. They then spend the rest of the day hanging around the mall (in an ironic touch, the mall in question, while supposedly set in New Jersey, is actually about five miles from where I live, in the Minneapolis suburb Eden Prairie) trying to figure out how to win back their girls. Along the way they encounter Kevin Smith's trademark ensemble of oddball characters, most notably Jay & Silent Bob who give what I think are their funniest movie performances. Kevin Smith continues themes established in `Clerks' (and repeated in his following movies) namely, homages to Star Wars, Jaws, and hockey and throws in some new ones, most notably, comics and video games. As in `Clerks', nothing much really happens, the two, as the tagline puts it, aren't at the mall to work or to shop, they're just there. Well, not entirely. Amid their random meanderings and encounters with other Kevin Smith favorites like Ben Affleck and Joey Lauren Adams there is an actual plot, namely, one of the guys is scheming to wreck a TV game show to be broadcast live at the mall later that day and he enlists Jay and Silent Bob to do the dirty deed. Why? Well, it's too complicated to explain in a brief review, but the payoff is hilarious. Whatever else one thinks of this movie, it has to be about the best send up of game shows ever as the dynamic duo infiltrate a Dating Game rip-off and turn the whole thing into a circus. The final 20 minutes or so of this movie is simply some of the funniest stuff you'll see anywhere.
What about the rest? Mostly it's pretty good, although Kevin Smith's penchant for pushing the envelope means he sometimes goes too far when it comes to matters of taste, most notably scenes like the infamous `chocolate pretzel' and a former `Three's Company' star playing a topless fortune teller, not to mention the 15 year old girl who's doing a `science project' that involves having sex with multiple men of varying ages. Also, Smith seems to have some sort of fixation on homosexuality that keeps coming up (pardon the pun) in his movies. Is he simply using gay jokes as a means of getting a cheap laugh or is this his way of working out some personal `issues'? I don't know and, further, I don't care because I think there are better, more creative ways to get a laugh. But, these complaints aside, this movie is still funny as hell, and, as with `Clerks', Smith proves he has a good ear for tunes to accompany the film, especially in the title sequence which features all the characters drawn comic book style. Very original, and it works perfectly. One final comment: I personally think the best way to watch his movies is to view them in order; this, for example, gives us the same basic slacker attitude and mentality of `Clerks', only in color and with a much bigger budget. He then went for the `quality' flick with `Chasing Amy' followed by the `issues' flick in `Dogma', finally returning to pure comedy in `Jay & Silent Bob Strike Back'. For one, the movies are all related, and each new one refers to his previous ones. Many of the jokes only make sense if you understand the context. And also, someone who saw the much more dramatic and polished `Chasing Amy' first and this film later might tend to dismiss it as sophomoric trash, not realizing that Smith got his start doing pure comedy, not romantic drama. In sum, this is a film in the tradition of `Airplane!' or `Scary Movie' in that it's all about going to any length to get a laugh, and, for the most part, it succeeds splendidly.
8/10
PS. As with all his other movies, Kevin Smith goes to considerable length to please his fans with his DVD's. They are all chock full of extra features, deleted scenes and the like, and his commentaries are some of the best in the movie business. Smith obviously knows he has a highly loyal fan base, and he returns that loyalty in spades.
The story (as with most comedies) is pretty basic. It's about a day in the life of two slackers who both get dumped by their girlfriends that morning. They then spend the rest of the day hanging around the mall (in an ironic touch, the mall in question, while supposedly set in New Jersey, is actually about five miles from where I live, in the Minneapolis suburb Eden Prairie) trying to figure out how to win back their girls. Along the way they encounter Kevin Smith's trademark ensemble of oddball characters, most notably Jay & Silent Bob who give what I think are their funniest movie performances. Kevin Smith continues themes established in `Clerks' (and repeated in his following movies) namely, homages to Star Wars, Jaws, and hockey and throws in some new ones, most notably, comics and video games. As in `Clerks', nothing much really happens, the two, as the tagline puts it, aren't at the mall to work or to shop, they're just there. Well, not entirely. Amid their random meanderings and encounters with other Kevin Smith favorites like Ben Affleck and Joey Lauren Adams there is an actual plot, namely, one of the guys is scheming to wreck a TV game show to be broadcast live at the mall later that day and he enlists Jay and Silent Bob to do the dirty deed. Why? Well, it's too complicated to explain in a brief review, but the payoff is hilarious. Whatever else one thinks of this movie, it has to be about the best send up of game shows ever as the dynamic duo infiltrate a Dating Game rip-off and turn the whole thing into a circus. The final 20 minutes or so of this movie is simply some of the funniest stuff you'll see anywhere.
What about the rest? Mostly it's pretty good, although Kevin Smith's penchant for pushing the envelope means he sometimes goes too far when it comes to matters of taste, most notably scenes like the infamous `chocolate pretzel' and a former `Three's Company' star playing a topless fortune teller, not to mention the 15 year old girl who's doing a `science project' that involves having sex with multiple men of varying ages. Also, Smith seems to have some sort of fixation on homosexuality that keeps coming up (pardon the pun) in his movies. Is he simply using gay jokes as a means of getting a cheap laugh or is this his way of working out some personal `issues'? I don't know and, further, I don't care because I think there are better, more creative ways to get a laugh. But, these complaints aside, this movie is still funny as hell, and, as with `Clerks', Smith proves he has a good ear for tunes to accompany the film, especially in the title sequence which features all the characters drawn comic book style. Very original, and it works perfectly. One final comment: I personally think the best way to watch his movies is to view them in order; this, for example, gives us the same basic slacker attitude and mentality of `Clerks', only in color and with a much bigger budget. He then went for the `quality' flick with `Chasing Amy' followed by the `issues' flick in `Dogma', finally returning to pure comedy in `Jay & Silent Bob Strike Back'. For one, the movies are all related, and each new one refers to his previous ones. Many of the jokes only make sense if you understand the context. And also, someone who saw the much more dramatic and polished `Chasing Amy' first and this film later might tend to dismiss it as sophomoric trash, not realizing that Smith got his start doing pure comedy, not romantic drama. In sum, this is a film in the tradition of `Airplane!' or `Scary Movie' in that it's all about going to any length to get a laugh, and, for the most part, it succeeds splendidly.
8/10
PS. As with all his other movies, Kevin Smith goes to considerable length to please his fans with his DVD's. They are all chock full of extra features, deleted scenes and the like, and his commentaries are some of the best in the movie business. Smith obviously knows he has a highly loyal fan base, and he returns that loyalty in spades.
¿Sabías que…?
- Trivia(at around 10 mins) Brodie's comic book collection seen in the movie was director Kevin Smith's collection at the time (which has grown considerably since). The collection is what Smith was able to purchase back after selling his original collection to finance production of Clerks, detrás del mostrador (1994).
- ErroresWhen Brodie and TS first arrive at the mall, the license plates on the cars state New Jersey, then the remainder show Minnesota.
- Créditos curiososEnd credits finish with: Jay and Silent Bob will return in "Chasing Amy"
- Versiones alternativasThere is also a 10th Anniversary Extended Edition, running 2hours and 2 minutes.
- ConexionesFeatured in Siskel & Ebert & the Movies: Get Shorty/Now and Then/Mallrats (1995)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Las ratas del centro comercial
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,122,561
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,153,838
- 22 oct 1995
- Total a nivel mundial
- USD 2,122,561
- Tiempo de ejecución
- 1h 34min(94 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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