Dogma

Dogma is firmly rooted in Kevin Smith's View Askew world so fans of his other films will not be disappointed. However, it also expands on the direction he took in Chasing Amy by dealing with subject matter and concepts that are personal and thought provoking. Dogma goes beyond the "dick and fart jokes", which are reassuringly present, and gives the viewer something to think about.

The film deals with thoughts on religion, Catholicism mainly, in a way that pokes fun at the institution but does not deride it. Dogma is by no stretch of the imagination an anti-Catholic movie. It embraces religion and points out the potential and actual problems that can occur within any religious institution. The film's comments and contents are definitely meant to be taken with a grain of salt.

The cast is great and there are many instances of hilarious viewing, usually Jay and Silent Bob, as well as very sensitive and expressive moments from the various actors.

In the end, Dogma is a thoroughly fun and thoughtful viewing experience that both old and new fans will enjoy. A movie outside the typical fare that is worth spending your money on seeing.

I watched this movie with some expectations in the comedy department and I am glad to say that I am satisfied. This movie can make you laugh and think at the same time. The performance given by Alan Rickman and Chris Rock stands out. The director made sure that the concept wasn't overburdening to the viewers and also that it didn't hurt religious feelings of the viewers. This is one of the best executed comedy movies of all time,not just because of the acting, but also because of the scenario and story. Matt Damon and Ben Affleck does justice to their roles of the rogue angles. Damon was at his usual best,while Affleck did best to keep up and i can safely say that he succeeded.

Hats off,to the cast and crew.

It is not often that you get to see a group of stars that you like in a funny movie that also makes some interesting points.

Matt Damon (The Bourne Ultimatum ), Linda Fiorentino (Unforgettable). Severus Snape, Jay and Silent Bob, Salma Hayek (Frida), George Carlin, and, of course, God (Alanis Morissette), all join to make this irreverent and funny movie.

The premise is so interesting, and the fact that it is set in New Jersey is so appropriate, whether intentional or not. As a recovering Catholic, I remember the teaching of the church that I could basically sin all I want, but if I repent at the end, I will be saved and go to heaven. New Jersey is reputedly the home of many undesirable criminals with vowels on the ends of their names - maybe some of them even relatives of mine - and I know they are predominately Catholic. I am sure they are counting on this "escape clause," just as Loki and Bartleby were counting on the same thing.

Yes, while I was laughing, I was also carefully looking at the images {the golden calf (money) we worship} and listening to the lines. There is a wealth of material in this movie and it was thoroughly enjoyable.

One to see again and again.

"Dogma" isn't the kind of comedy that most people will find themselves holding onto their guts during. It's more the second-long "ha!" kind of comedy.

That simply means Kevin Smith's writing is clever enough to the point where you will be pleasantly shocked by some of the conversations and events of the film and think it all rather amusing and humorous. It's not hilarious, it's just clever and a bit funny.

The premise is rather interesting and surprisingly from a more fantasy-esquire genre than Smith traditionally dabbles with. Loki (Matt Damon) and Bartleby (Ben Affleck) are more or less fallen angels that have found a way back into heaven. They must be stopped or the world will come to a screeching halt, so a seemingly random protagonist named Bethany gets charged by God to stop them. Simple, but the slick, nonchalant approach to religion keeps the satire rampant.

The film does spend a lot of its time explaining itself, which isn't too bad considering Smith keeps the explanations to-the-point and allows the characters to stay interesting in the process. Chris Rock, who plays an apostle, and Alan Rickman, who plays God's messenger/ voice are two of these characters that are both good in the film and Smith has allowed to maintain their character's edge despite lines upon lines of explanation.

Getting from point A to point B and so on is not the film's strength. The physical events that take place are ultimately boring and unexciting. It's the moments along the way, the conversations and the philosophy that come about, that make it successful. Affleck's character raises a lot of interesting religious questions about humanity and his conversation with the protagonist on the train is rather insightful. In general, Smith has used Bethany as a way to keep the viewers skepticism of the plot active in the film. She keeps it from getting preposterous. In general, the whole cast is very talented and their characters well written, which keeps the film interesting.

It's not the funniest or most interesting comedy in terms of plot and the sequence of events, but "Dogma" is a smart concept that ultimately results in a sharp satire and some great thoughts that scrutinize religion in a way that never seems too out of line.

Another vote from a cradle Catholic who was not remotely offended by this movie. Not that some of the negatives mentioned by other posters here aren't true -- yes, a lot of the humor is gross, yes, the F-word is overused, yes, its criticism of organized religion is less stinging that you'd expect (though that in itself is a slightly foolish expectation, given that the writer/director is himself an active member of an organized religion). And yes, if you're not Catholic, much of the movie is a little foggy, under-explained, and not very engaging. That last one I definitely agree with; I seriously doubt whether I'd recommend the film to a non-Catholic at all.

But, oh, God, I LOVED it, serious flaws and all! It's a huge chaotic mess with about sixty different trains of thought and philosophy, from the ecstatic to the scatological, slugging it out for dominance, and in its very sloppiness there's a sense of anarchic, exultant wonder I've never seen in a movie before. The only two things like it that I can think of are Thornton Wilder's play "Skin of Our Teeth" and G.K. Chesterton's amazing joyous fever dream of a novel "The Man Who Was Thursday", both of which are works by people who may or may not have faith but who definitely have a good idea. Or several dozen of them, and who just run with them wherever they go. These works are big chaotic messes, but in that way they are mirrors of Creation, the mother of all big chaotic messes. In all these works, just as in the real world, love and joy and beauty and filth and cruelty and despair are constantly tumbling over and bleeding into each other; the one universal rule is that everything is absurd, that the human race is the most absurd thing of all, and that this absurdity can be the catalyst to either suffocating grief or a kind of hilarious wonder.

If you go into "Dogma" expecting a trim and tidy theological comedy of manners, you'll be sorely disappointed. If you're looking for something with the same filthy gorgeous lunacy of existence itself, this is it.