CALIFICACIÓN DE IMDb
5.4/10
9.3 k
TU CALIFICACIÓN
Mientras conduce por una carretera perdida, un hombre tendrá que elegir entre reunirse con la mujer de la que se había separado o emprender una nueva relación con su amante.Mientras conduce por una carretera perdida, un hombre tendrá que elegir entre reunirse con la mujer de la que se había separado o emprender una nueva relación con su amante.Mientras conduce por una carretera perdida, un hombre tendrá que elegir entre reunirse con la mujer de la que se había separado o emprender una nueva relación con su amante.
- Premios
- 2 premios ganados en total
Jennifer Morrison
- Meaghan Eastman
- (as a different name)
Keegan MacIntosh
- Van Driver's Son
- (as Keegan Macintosh)
A.C. Peterson
- Semi-Driver
- (as Alan C. Peterson)
David Hurtubise
- Step Magazine
- (as Dave Hurtubise)
Argumento
¿Sabías que…?
- TriviaSharon Stone rang director Mark Rydell repeatedly, begging for a part in the film. Rydell automatically assumed that she was after the part of the mistress, and was quite surprised when Stone revealed that she wanted to play the frigid wife.
- ErroresThe letter Vincent wrote to Olivia in his car is in different handwriting than the one shown later near the end of the film.
- Citas
Vincent Eastman: [while on payphone] ... I'm crazy about you. I've always been crazy about you. I'm always gonna be crazy about you. Oh by the way, this is Vincent. Vincent Eastman.
- ConexionesFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1994 (1994)
- Bandas sonorasSonata in G Minor - First Movement
Written by Johann Sebastian Bach (as J.S. Bach)
Performed by Irena Grafenauer, Maria Graf and David Geringas
Courtesy of Philips Classics
By Arrangement with PolyGram Special Markets
Opinión destacada
I thought this film was quite good, not slow or dull by any means. It's as solid and entertaining as most "top rated" modern films of similar genre. Maybe a bit too subtle for some people? There seems to be a problem with shortening attention spans.
There is a well controlled air of the unknown through the whole thing. The rain-soaked scenery is compelling, the acting is realistic and the final sequence is powerfully done. You never quite know what's going to happen, which to me makes a good film.
Did it get bad press before it was even released? I think people sometimes go in with a bias that has no explanation. Theaters themselves can spoil movies by way of unruly viewers and other distractions. Just going to the wrong place on the wrong night can give a movie a bad rep. Get a big screen TV or projector and tune all that out.
There is a well controlled air of the unknown through the whole thing. The rain-soaked scenery is compelling, the acting is realistic and the final sequence is powerfully done. You never quite know what's going to happen, which to me makes a good film.
Did it get bad press before it was even released? I think people sometimes go in with a bias that has no explanation. Theaters themselves can spoil movies by way of unruly viewers and other distractions. Just going to the wrong place on the wrong night can give a movie a bad rep. Get a big screen TV or projector and tune all that out.
- AJ4F
- 9 ene 2006
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 45,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,355,893
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,818,502
- 23 ene 1994
- Total a nivel mundial
- USD 21,355,893
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Principales brechas de datos
By what name was Entre dos amores (1994) officially released in India in English?
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