CALIFICACIÓN DE IMDb
4.6/10
7.1 k
TU CALIFICACIÓN
El guerrero Deathstalker es enviado por una bruja en una búsqueda para encontrar un cáliz, un amuleto y una espada, dos de los cuales están en manos del malvado hechicero Munkar.El guerrero Deathstalker es enviado por una bruja en una búsqueda para encontrar un cáliz, un amuleto y una espada, dos de los cuales están en manos del malvado hechicero Munkar.El guerrero Deathstalker es enviado por una bruja en una búsqueda para encontrar un cáliz, un amuleto y una espada, dos de los cuales están en manos del malvado hechicero Munkar.
Rick Hill
- Deathstalker
- (as Richard Hill)
Augusto Larreta
- Salmaron
- (as August Larreta)
Verónica Llinás
- Toralva
- (as Lillian Ker)
Adrián De Piero
- Nicor
- (as Adrian De Piero)
Jorge Sorvik
- King Tulak
- (as George Sorvic)
Horacio Marassi
- Creature Leader
- (as Horace Marassi)
Sebastián Larreta
- Talan
- (as Sebastian Larreta)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A warrior named Deathstalker is sent on a quest by a witch to find a chalice, an amulet, and a sword, soon he finds himself making new allies whilst battling warriors, creatures and a wizard.
Off the back of Conan the Barbarian (1982) director James Sbardellati's (credited as John Watson) offering is in the vein of The Sword and the Sorcerer (1982) but lacks the scope. Writer Howard R. Cohen's adult orientated plot is paper thin.
Modelled on He-man Rick Hill (with a mix of Peter Weller and Dolphin Lundgren) does a good enough job as Deathstalker. Wearing very little the late Lana Clarkson steals the show. Richard Brooker as Oghris is notable. Gratuitous nudity galore, unnecessary rape, produced by Roger Corman it has all the production pitfalls you'd expect, including cheap sets and choppy editing, but is high in concept and is entertaining for the most part. Óscar Cardozo Ocampo's music raises the production and staged fight scenes, even if a little intrusive at times. The giant pig-man gladiator fight scene setup is a highlight even if nothing like the promotional art. Also the showdown is interesting even if borrowed from Superman II (1980) where Flash Gordon's Ming-like sorcerer Munkar played by Bernard Erhard gets to shine a little.
Overall, it takes itself seriously, it's violent, with wall to wall scantily-clad leads and extras. It has a strange appeal, oozing low budget eighties sword and sorcery shenanigans. One of the better Conan cash-ins, even if the poster art is better than the film.
Off the back of Conan the Barbarian (1982) director James Sbardellati's (credited as John Watson) offering is in the vein of The Sword and the Sorcerer (1982) but lacks the scope. Writer Howard R. Cohen's adult orientated plot is paper thin.
Modelled on He-man Rick Hill (with a mix of Peter Weller and Dolphin Lundgren) does a good enough job as Deathstalker. Wearing very little the late Lana Clarkson steals the show. Richard Brooker as Oghris is notable. Gratuitous nudity galore, unnecessary rape, produced by Roger Corman it has all the production pitfalls you'd expect, including cheap sets and choppy editing, but is high in concept and is entertaining for the most part. Óscar Cardozo Ocampo's music raises the production and staged fight scenes, even if a little intrusive at times. The giant pig-man gladiator fight scene setup is a highlight even if nothing like the promotional art. Also the showdown is interesting even if borrowed from Superman II (1980) where Flash Gordon's Ming-like sorcerer Munkar played by Bernard Erhard gets to shine a little.
Overall, it takes itself seriously, it's violent, with wall to wall scantily-clad leads and extras. It has a strange appeal, oozing low budget eighties sword and sorcery shenanigans. One of the better Conan cash-ins, even if the poster art is better than the film.
If you take this as a fantasy, you'll probably be disappointed: it's as second-grade as they come, with a total blank for a hero and plenty of chaotically staged swordfights. But if you take it as a soft-porn film, you may be more pleased; there is a stimulating (if brief) sex scene midway through, and abundant nudity throughout, though only the beautiful Lana Clarkson escapes the film's depraved attitude toward women. Anyway, the film certainly isn't as bad as the two Ferrigno "Hercules" movies.....(*1/2)
WOW ! If there ever was such a thing called a "guy movie" this is it. Deathstalker is one of few films that includes sword fighting, nudity, mud wrestling, full frontal nudity, and mid evil characters that talk like they're from New Jersey! You got to love it. Take my advice and rent this flick, buy a six pack and a pizza and lock the doors. This is one worth watching if you just broke up with your girl friend.
This is an incredibly silly yet entertaining swords and sorcery flick from executive producer Roger Corman. Richard Hill stars as Deathstalker, an oiled-up beefcake of a hero with long blond hair and a lantern jaw, who is tasked by an old witch with finding a trio of magical artifacts before the evil wizard Munkar does and can become all-powerful. Along the way on his quest, Deathstalker meets up with a variety of friends, including a guy who starts off as some kind of goblin in a cave, another happy-go-lucky adventurer, and a warrior-woman who remains shirtless throughout (played by Lana Clarkson, the B-actress who was shot dead by Phil Spector in 2003).
The early 1980's were a big time for fantasy films, with the two Conan films with Arnold Schwarzenegger, Dragonslayer, The Beastmaster, and The Sword & the Sorcerer. Deathstalker is their trashy exploitation cousin. This film has it all: a bald bad guy with a dumb tattoo on his face, a pig-man with a snotty nose, giants, lots of people with no shirts, a weird puppet monster in a box that eats fingers and eyeballs, a fighters' tournament, lots of people with no pants, gangs of mutants, silly costumes, harem girls, flashy spells, and Barbi Benton. I was able to appreciate its good points - maybe it's just nostalgia - but most rational people will find it lurid and dumb. This was an American-Argentinian co-production with a sequel that actually is an improvement.
The early 1980's were a big time for fantasy films, with the two Conan films with Arnold Schwarzenegger, Dragonslayer, The Beastmaster, and The Sword & the Sorcerer. Deathstalker is their trashy exploitation cousin. This film has it all: a bald bad guy with a dumb tattoo on his face, a pig-man with a snotty nose, giants, lots of people with no shirts, a weird puppet monster in a box that eats fingers and eyeballs, a fighters' tournament, lots of people with no pants, gangs of mutants, silly costumes, harem girls, flashy spells, and Barbi Benton. I was able to appreciate its good points - maybe it's just nostalgia - but most rational people will find it lurid and dumb. This was an American-Argentinian co-production with a sequel that actually is an improvement.
The man known as Deathstalker (Rick Hill) is asked by an old king to rescue his daughter from the evil wizard Munkar (Bernard Erhard). Deathstalker rejects this plea saying that the days of heroes are over. But when all sword-fighters of the land are called by Munkar to a tournament, he can't resist...
"Deathstalker" picks up all the clichés of fantasy movies, from wizards and princesses to mystical artifacts with great powers, and it adds a whole lot of sex and violence. Actually that happens to a degree that it gets hilariously funny. For example a giant kills a dwarf with several strokes of a heavy war hammer - and only a bit of blood red mud remains. Or the female warrior Kaira (Lana Clarkson) fights topless throughout the film. Go figure. "Deathstalker" goes w-a-y over the top, the ironical music indicates this was probably intended, and the action scenes are at least better directed than those of all the following flicks.
Lana Clarkson became the "Barbarian Queen". Screenplay writer Howard Cohen went on to script "Barbarian Queen" and "Deathstalker 3". Rick Hill returned for "Deathstalker 4". Executive producer Roger Corman spent another 75 bucks (roughly estimated) on the 3 Deathstalker sequels and "Wizards of the Lost Kingdom", to name but a few. And why not, if "Deathstalker" was a success.
"Deathstalker" picks up all the clichés of fantasy movies, from wizards and princesses to mystical artifacts with great powers, and it adds a whole lot of sex and violence. Actually that happens to a degree that it gets hilariously funny. For example a giant kills a dwarf with several strokes of a heavy war hammer - and only a bit of blood red mud remains. Or the female warrior Kaira (Lana Clarkson) fights topless throughout the film. Go figure. "Deathstalker" goes w-a-y over the top, the ironical music indicates this was probably intended, and the action scenes are at least better directed than those of all the following flicks.
Lana Clarkson became the "Barbarian Queen". Screenplay writer Howard Cohen went on to script "Barbarian Queen" and "Deathstalker 3". Rick Hill returned for "Deathstalker 4". Executive producer Roger Corman spent another 75 bucks (roughly estimated) on the 3 Deathstalker sequels and "Wizards of the Lost Kingdom", to name but a few. And why not, if "Deathstalker" was a success.
¿Sabías que…?
- TriviaPlayboy Playmate Barbi Benton's last film role and last nude scenes. After this, she only appeared in guest spots on TV shows.
- ErroresIn the torture chamber, the tattoo on Munkar's head switches from its usual position on the left side to the right side. When he appears again it is back on the left side.
- Citas
Deathstalker: I steal and kill to stay alive. Not for the luxury of glory.
- ConexionesEdited into El guerrero y la hechicera (1984)
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Detalles
Taquilla
- Presupuesto
- USD 457,000 (estimado)
- Total en EE. UU. y Canadá
- USD 11,919,250
- Fin de semana de estreno en EE. UU. y Canadá
- USD 456,700
- 5 sep 1983
- Total a nivel mundial
- USD 11,919,250
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