Historia de espada y brujería de la lucha cósmica entre la magia blanca y la magia negra.Historia de espada y brujería de la lucha cósmica entre la magia blanca y la magia negra.Historia de espada y brujería de la lucha cósmica entre la magia blanca y la magia negra.
- Dirección
- Guionistas
- Elenco
Roberto Nelson
- Erlick
- (as Bob Nelson)
Ana De Sade
- Delissia
- (as Ana de Sade)
Roberto Ballesteros
- Traigon
- (as Robert Ballesteros)
Douglas Sandoval
- Hunnu
- (as Douglas Sanders)
Antonio Zubiaga
- Khrakannon
- (as Tony Stevens)
Silvia Manríquez
- Kanti
- (as Silvia Masters)
Luz María Jerez
- Dancer
- (as Lucy Jensen)
Miguel Ángel Fuentes
- Player
- (as Michael Fountain)
Paco Pharrez
- Armorer
- (as Peter Farmer)
Fidel Garriga
- Soldier
- (as Phillip Garrigan)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The evil sorcerer Traigon dies in the attempt to perform a sacrifice to his evil goddess. Not easily discouraged, he swears to return in 20 years and try again. His twin daughters have meanwhile grown into 2 skilled fighting ladies. Mira and Mara fight against Traigon with the aid of a barbarian red-beard, a little faun with a flute and a gambler turned swordsman.
'Sorceress' is a hilarious piece of 80s trash with a rare sense of humor. For example, when the sorcerer summons an army of zombies, they don't fight for him, but instead steal the temple virgins and run. "You know, they were buried for a thousand years", the barbarian explains. Among a wave of 'Conan' imitations I missed this one back in the day, but fortunately now got hold of the Blu-ray with interviews, from Roger Corman explaining the casting of 2 Playboy playmates ("they looked good in the nude scenes") to the special effects guy remembering how he spent even less money on masks than Corman expected, to the writer who was asked to "write a script by Monday". Low budget film-making, an adventure for itself.
'Sorceress' is a hilarious piece of 80s trash with a rare sense of humor. For example, when the sorcerer summons an army of zombies, they don't fight for him, but instead steal the temple virgins and run. "You know, they were buried for a thousand years", the barbarian explains. Among a wave of 'Conan' imitations I missed this one back in the day, but fortunately now got hold of the Blu-ray with interviews, from Roger Corman explaining the casting of 2 Playboy playmates ("they looked good in the nude scenes") to the special effects guy remembering how he spent even less money on masks than Corman expected, to the writer who was asked to "write a script by Monday". Low budget film-making, an adventure for itself.
In the fall of 1982 (which is the correct release date) I went with a friend to see this film simply because the poster looked so cheesy. For some odd reason this was the second half of a double bill with WITHOUT A TRACE, a serious film about child kidnapping! Including my friend and I there were about eight people in the theater when SORCERESS began to roll, and I dare say that the eight of us got at least $100 worth of laughs for our $3.50. This is one of the most inept films from the short-lived barbarian flick cycle, and that's really saying something! It appears that they lost the dialogue track and had to re-dub, giving the movie the look of a foreign film. I won't go into the plot since the previous review really nails it, but you simply haven't lived until you see the "epic" battle between gods Calgara (a giant Mexican woman's head with oatmeal on half of her face) and Vitaan (a seriously fake foam-rubber winged lion/man.goat?). As bad as this is, it is never boring, and is so crazily entertaining that I honestly rate it among my ten all-time favorite movies. VIVA SORCERESS!!!
These ultra-low-budget Sword and Sorcery films from the early 80s sure tend to be awful as hell, and yet I find them so amusing that I always watch them once I get hold of them. "Sorceress" of 1982 is no exception. Au contraire, it is actually the epitome of the 'so bad it's good' type of Sword and Sorcery flick that makes this fantasy sub-genre so trashy and yet so fun to watch. This is actually even quite a bit worse than most other zero-budget genre efforts of the time (such as "Deathstalker"), but then again, the immensely high trash factor makes this especially recommendable to lovers of trash cinema and/or a good laugh. This awfully amusing flick is also the last flick by a director I personally admire. Jack Hill will always enjoy a cult status amongst exploitation fans for absolutely awesome flicks such as "Coffy", "Foxy Brown" and "Switchblade Sisters". His take on the Sword'n'Sorcery genre sadly cost Hill his career, as it is his last film up to date.
The central characters are two super-hot blonde twin sisters, Mira and Mara (played by Leigh and Lynette Harris). Mira and Mara, were hidden after their birth in order to save them from their father, an evil warlord willing to sacrifice them to his deity in order to achieve more power. Years later, the sisters have grown to become two hot and busty blond babes with superior fighting skills and exhibitionist tendencies...
"Sorceress" is full of genre-typical characters, such as a faun (a guy who is half-man half-goat) or a huge bearded barbarian who looks like a dwarf from "Lord of the Rings", only bigger and crappier. The performances are ridiculously awful, but who is going to watch a film like this for good acting anyway. The storyline is extremely stupid even for low budget Sword'n'Sorcery from the early 80s, but I don't think anyone will watch this expecting a clever plot neither. "Sorceress" is extremely stupid, but highly amusing trash. If you like trashy low-bud fantasy from the 80s give this a try and be amused. Otherwise avoid!
The central characters are two super-hot blonde twin sisters, Mira and Mara (played by Leigh and Lynette Harris). Mira and Mara, were hidden after their birth in order to save them from their father, an evil warlord willing to sacrifice them to his deity in order to achieve more power. Years later, the sisters have grown to become two hot and busty blond babes with superior fighting skills and exhibitionist tendencies...
"Sorceress" is full of genre-typical characters, such as a faun (a guy who is half-man half-goat) or a huge bearded barbarian who looks like a dwarf from "Lord of the Rings", only bigger and crappier. The performances are ridiculously awful, but who is going to watch a film like this for good acting anyway. The storyline is extremely stupid even for low budget Sword'n'Sorcery from the early 80s, but I don't think anyone will watch this expecting a clever plot neither. "Sorceress" is extremely stupid, but highly amusing trash. If you like trashy low-bud fantasy from the 80s give this a try and be amused. Otherwise avoid!
When I came across this film my first thought was "Ok, another Deathstalker knock off fantasy". But after watching the entire film I realized that this film did set its own pace and by pace I mean lots of BOOBS! It was the 80s and Fantasy Sci-fi films were being published by just about every production company at the time. Rating system back in the 80s was pretty much anything goes. And I mean anything! This film follows two twin sisters that have magical and physical powers given to them by a ancient wizard/god at birth to assist them on there journey. The two sisters meet a Goatboy and punch him square in the FACE! But later realize that the Goatboy and viking are both there to help them on there journey to defeat Traigon the evil wizard. Over all the movie is pretty fun to watch and gave me some good chuckles. I would recommend to anyone that enjoys low budget 80s fantasy films. I have to admit that this movie does have a lot of boobies scenes in it so that is always a plus for me.
Sleazy sword-and-sorcery fantasy as only Roger Corman can produce it, "Sorceress" is good fun provided that you're not too demanding. It delivers a generous amount of amusement and fun, especially when it comes to the ridiculous dialogue, and its delivery. For the most part, it doesn't do that much to stand out from the pack of other, similar films during this time. But that all changes when it gets to the climax, a full-on assault of cheese and spectacle, complete with light shows and otherworldly creatures.
A large part of the charm, of course, lies in the casting of luscious twin sisters Leigh and Lynette Harris, playing warrior women Mira and Mara. It seems that one of them needs to be sacrificed by power-hungry villain Traigon (snarling and hammy Roberto Ballesteros). They take the fight to him, aided by such characters as the hunky young Erlick (Roberto Nelson) and the proud Valdar (Bruno Rey), a guy who wouldn't look out of place in a Lord of the Rings feature.
That's really all you need to know, so you can discover the silly pleasures of this lowbrow feature for yourself. John Carl Buechler handles the creature duties, creating a likable "goat man" sort of character as well as a variety of ape-like beasts. The music is liberally borrowed from the earlier New World productions "Battle Beyond the Stars" and "Humanoids from the Deep". The action scenes are basically decent. The Harris sisters aren't exactly very good actresses, but this viewer can't imagine many fans of this type of thing caring all that much.
The sad postscript is that this turned out to be the final directorial credit for exploitation master Jack Hill ("The Big Doll House", "Coffy", etc.), who had a falling out with Corman over the matter of the editing. In the end, Hill retained a producing credit under his name but the direction was credited to a pseudonymous "Brian Stuart" (the names of Cormans' sons).
If you like fantasy features to be on the cheesy, sleazy, low budget side, watching this will be a no-brainer.
Seven out of 10.
A large part of the charm, of course, lies in the casting of luscious twin sisters Leigh and Lynette Harris, playing warrior women Mira and Mara. It seems that one of them needs to be sacrificed by power-hungry villain Traigon (snarling and hammy Roberto Ballesteros). They take the fight to him, aided by such characters as the hunky young Erlick (Roberto Nelson) and the proud Valdar (Bruno Rey), a guy who wouldn't look out of place in a Lord of the Rings feature.
That's really all you need to know, so you can discover the silly pleasures of this lowbrow feature for yourself. John Carl Buechler handles the creature duties, creating a likable "goat man" sort of character as well as a variety of ape-like beasts. The music is liberally borrowed from the earlier New World productions "Battle Beyond the Stars" and "Humanoids from the Deep". The action scenes are basically decent. The Harris sisters aren't exactly very good actresses, but this viewer can't imagine many fans of this type of thing caring all that much.
The sad postscript is that this turned out to be the final directorial credit for exploitation master Jack Hill ("The Big Doll House", "Coffy", etc.), who had a falling out with Corman over the matter of the editing. In the end, Hill retained a producing credit under his name but the direction was credited to a pseudonymous "Brian Stuart" (the names of Cormans' sons).
If you like fantasy features to be on the cheesy, sleazy, low budget side, watching this will be a no-brainer.
Seven out of 10.
¿Sabías que…?
- TriviaDirector Jack Hill asked that his name be removed from the credits for two reasons: (1) the special effects, around which much of the script had been written, ended up being much less impressive than producer Roger Corman had promised, and (2) Hill had written a role for his friend Sid Haig but Corman refused to hire him at the last minute.
- ErroresWhen Mira and Mara hold out their hands for Krona, they do so palms up. In the close-up, their hands are palms down.
- ConexionesEdited into Wizards of the Lost Kingdom (1985)
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Detalles
Taquilla
- Presupuesto
- USD 500,000 (estimado)
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