Charles Benton "El Carnicero", un brutal prisionero en el corredor de la muerte, es traicionado por su abogado. Después de ser ejecutado, un extraño experimento le devuelve a la vida siendo ... Leer todoCharles Benton "El Carnicero", un brutal prisionero en el corredor de la muerte, es traicionado por su abogado. Después de ser ejecutado, un extraño experimento le devuelve a la vida siendo más mortífero que nunca, y podrá vengarse.Charles Benton "El Carnicero", un brutal prisionero en el corredor de la muerte, es traicionado por su abogado. Después de ser ejecutado, un extraño experimento le devuelve a la vida siendo más mortífero que nunca, y podrá vengarse.
- Charles Benton
- (as Lon Chaney)
- Lt. Dick Chasen
- (as Casey Adams)
- Eva Martin
- (as Marion Carr)
- Joe Marcellia
- (as Kenneth Terrell)
- Carney's Bait
- (as Rita Green)
- Desk Sergeant
- (as Roy Engle)
- Police Officer with Flamethrower
- (sin créditos)
- Police Officer
- (sin créditos)
- Bradshaw's Assistant
- (sin créditos)
- Tall Stripper
- (sin créditos)
- Police Sergeant
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Oddly enough, this is a film that doesn't easily fit in one genre. The best way to categorize it is a "sci-fi/horror film with strong Film Noir overtones". Why sci-fi/horror? Well, the plot involves a scientist accidentally reviving a man who was executed. Upon being revived, the man finds he is practically indestructible and goes on a killing spree--to kill those who framed him as well as any other person who just happens to get in his way. Now as to the Noir aspects, the film is shown in a semi-documentary style like many Film Noir movies and features the usual narration--this time by the detective working on the case. In this sense, it's reminiscent of Noir films such as HE WALKED BY NIGHT and T-MEN.
Despite the merging of these genres, I think the film worked because the acting was decent and the writing showed imagination and a slight Noir edge to it. Considering two of my favorite genres are Noir and 50s horror/sci-fi, it's not at all surprising I liked it. About the only negative was the stupid and needless inter-cutting of closeups of Lon Chaney's rheumy-looking eyes (i.e., watery and perhaps looking like he was drunk--a distinct possibility in Chaney's case). This just looked cheap and seeing the same pointless closeup shot again and again was sloppy.
When scientists Robert Shayne and Joe Flynn make an under the table deal for the body, they shoot it with electricity, Frankenstein style, and Chaney comes to life, even though his vocal cords have burned to a cinder and has no voice. His skin and bones have become almost like Superman, he's truly an Indestructible Man.
The film is narrated by Max Showalter the detective on the original armored car heist. He can't believe it, but it's true, Chaney's back from the dead and leaving a murderous trail behind him. Bullets bounce off him just like Superman, even a flame thrower just burns him, and a bazooka only slows him down a bit.
There are two female roles of importance, Marian Carr as Chaney's girl friend as described by the papers and her best friend and fellow stripper Peggy Maley who always has a good wisecrack in any film she's ever in.
You can't rate the film all that high, the production values are almost non-existent. But Indestructible Man is not all that bad as a thriller. Chaney is mesmerizing and frightening in a performance that has no dialog except at the very beginning of the film. The final chase scene through the sewers is borrowed liberally from The Third Man.
If you're going to borrow, do it from the best and Indestructible Man while it will never win any awards, isn't anything the cast and crew have to be ashamed of.
I'm partial to this guilty favorite since I saw it hundreds of times as a youngster on television. Even so, it's just plain fun as Lon Chaney knocks off the traitors who sent him to death with their treachery. The L.A. locations are terrific, and the Dragnet-style narration adds spice to the proceedings. It's speedy and nostalgic, very much a "fifties" film.
As for the Roan DVD, I'm sorry to say that it has not been restored and is a disappointment. I have had much trouble acquiring the "perfect" version of this film, even though I've had it on VHS from FOUR(!) different companies, as well as on TNT. Some day I hope this personal fave of mine will get a clean and proper transfer on disc.
¿Sabías que…?
- TriviaAlthough Joe Flynn played a serious role, audiences laughed at him. This convinced him that comedy was his forte, and he later specialized in comedic roles, most memorably as the irascible Capt. Binghamton in La marina de McHale (1962).
- ErroresWhen Eva is calling on the pay phone at the club after she sees Butcher, a coin purse alternately appears and disappears being clenched in her teeth.
- Citas
Paul Lowe, Attorney: Well that's it, Butcher. The evidence against you is so strong, the governor turned down your appeal.
Charles 'Butcher' Benton: You're a rotten liar, Lowe. You started rough. And now you're still trying to throw me curves.
Paul Lowe, Attorney: Look, I don't blame you for being edgy but get this straight. I didn't doublecross you. I never worked harder for a client.
Charles 'Butcher' Benton: You mean you never worked harder for a client to get him sentenced.
Paul Lowe, Attorney: You're a fool, Butcher. If you hadn't tried to doublecross Squeamy Ellis and Joe Marcelli, they wouldn't have turned state's evidence against you. But you had to get greedy, you wanted to keep the whole $600,000 for yourself. And the boys got sore and I don't blame them.
Charles 'Butcher' Benton: It was all your idea. You planned the whole job. You hired us. When you found out I stashed the money you decided it was time for me to die. You got those two crumbs to turn state's evidence on me. You stinkin' rotten mouthpiece.
Paul Lowe, Attorney: We both know that isn't true, Butcher. Now look what's the sense in not giving me the money? It's not going to do you any good.
Charles 'Butcher' Benton: Well, I'll have the satisfaction of knowing that none of you three crumbs are going to spend it.
Paul Lowe, Attorney: What about Eva? Don't you owe her something? You tell me where the money is, I'll see that she gets your share.
Charles 'Butcher' Benton: I've got a different idea. I'm gonna kill you and Squeamy and Joe. Then I'll take care of Eva myself.
Paul Lowe, Attorney: You thick-headed ape, you're gonna die tomorrow.
Charles 'Butcher' Benton: Remember what I said. I'm gonna get ya. All three of ya.
Paul Lowe, Attorney: Even for you, Butcher, that'd be quite a trick. So long, dead man.
Charles 'Butcher' Benton: [to himself, after Lowe leaves Butcher's cell] Remember what I said. I'm gonna kill ya. All three of ya.
- Créditos curiososIn the opening credit title, the word indestructible tilts upward to act as a suspension bridge between the pillars at the left and the pillars at the right.
- ConexionesEdited from El demonio de la noche (1948)
- Bandas sonorasFrankie and Johnny
Traditional
Played by off-screen band in the burlesque house
Selecciones populares
- How long is Indestructible Man?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Indestructible Man
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 12 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1