La residencia

THE HOUSE THAT SCREAMED (La Residencia)

Aspect ratio: 2.35:1 (Franscope)

Sound format: Mono

(35mm and 70mm release prints)

A young girl (Cristina Galbó) arrives at an isolated boarding school in the south of France where several students are believed to have run away, but were actually the victims of a psychotic killer...

Odd mixture of giallo mystery and Hammer-style Gothic, set in a labyrinthine girl's school where principal Lilli Palmer struggles to contain the passions of her youthful charges, all of whom she considers 'marked' by their sublimated sexual desires. However, Palmer is quickly revealed as a hypocrite with an incestuous crush on her handsome teenage son (played as a child-like simpleton by John Moulder Brown), and the students are forced to endure a regime which fosters cruelty, rebellion and murder. Palmer dominates the film with effortless grace, and there's solid support from Mary Maude as the ice-cold beauty who makes life miserable for heroine Galbó. Memorable set-pieces include a slow-motion murder in the school's greenhouse, Galbó's doomed attempt to flee the building at midnight, and - believe it or not - an erotically-charged sewing circle! But the film reaches an apex of horror in its closing moments, when the killer is unmasked during a showdown in the attic, staged with stunning conviction by debut director Narciso Ibáñez-Serrador (¿QUIÉN PUEDE MATAR A UN NIÑO?).

But the *real* star of the show is cinematographer Manuel Berenguer (55 DAYS AT PEKING, KING OF KINGS, etc.), whose prowling camera-work makes a virtue of Victor María Cortezo's Gothic set designs, and the widescreen compositions are judged with startling clarity (indeed, Dario Argento's SUSPIRIA owes an obvious debt to the style and tone of Ibáñez-Serrador's movie). For all its virtues, however, THE HOUSE THAT SCREAMED is a little too leisurely in places, and the film's sumptuous visual aesthetic disguises a fairly routine plot line, spiced with 'subversive' trimmings. Flawed, but beautiful.

(English version)

I saw this on a double-bill with Murders in the Rue Morgue back in the early 70s. According to IMDb, it was released in America in 1971, but I think I saw it later. Anyway, that year saw the release (in the US, at any rate) of two of the absolutely BEST horror movies of the decade: Daughters of Darkness and The House That Screamed. The comments are right about House being about sexual repression: whew! If you've only seen this on TV, YOU HAVEN'T SEEN IT!!!! Not that there's anything especially graphic in the film, but you just won't be able to "get" it. I keep hoping it'll come out on DVD: it is, in Spain, but I don't understand Spanish, and it doesn't have subtitles! VSOM sells it on tape, but it's p&s and just too dark. Why don't we start a write-in campaign to Blue Underground??? I just wanted to add my two cents: RUNDBAUCHDODO's comments are right-on. I will say this about the greenhouse murder: it's pretty creepy when the girl enters, but it's a real shocker when the murderer STANDS UP RIGHT IN FRONT OF THE CAMERA!!!! Maybe it was done before, and it's probably been done since, but it's the first time I saw it and I've never forgotten it. In fact, it surprises me how much of this whole movie I remember -- and remember correctly!

The House That Screamed (1970)

** 1/2 (out of 4)

The setting is a French boarding school where Teresa (Cristina Galbo) arrives and soon realizes that there's just something that isn't right. The head mistress (Lilli Palmer) is an abusive woman who forces her will onto the girls of the school but she seems to be unable to control her young son (John Moulder-Brown). Before long some of the girls start vanishing.

Narciso Ibáñez Serrador's THE HOUSE THAT SCREAMED is a rather interesting Spanish horror film that became a hit back when it was originally released. The film did well throughout the world including its release in America but then it pretty much fell off the map. For years it was hard to find and it really became known for its story apparently inspiring Dario Argento and SUSPIRIA. The film certainly isn't a great one but if you're a fan of the genre then it's certainly worth watching.

For my money the best thing about the film was the atmosphere. I thought the director did a really good job at building up an atmosphere that worked a certain magic throughout the running time. I thought it managed to make you feel as if you were in the middle of this location and it certainly benefited the film. Another plus are the performances by the three leads. All of them are quite good in their roles and I especially liked Galbo and Palmer.

For me, the biggest issue with the film was the actual screenplay. Some have called this an early giallo but I really wouldn't considering the film that. The problem I had with the screenplay is that it never really builds up the mystery aspect. I mean, all the girls start to disappear yet there are only a handful of possible suspects and the film doesn't even try to play it up. It's as if the director just wanted a visual style and the before mentioned atmosphere.

Another problem is that there's really not too much that happens. There's not much of a story here and the film is extremely slow-moving at times. With that said, there are enough interesting moments to make the film worth watching.

In the Nineteenth Century, in France, the teenager Teresa Garan (Cristina Galbó) is the daughter of a single mother, who is a cabaret singer. She is brought to the boarding school owned by the headmistress Ms. Fourneau (Lilli Palmer) by a friend of her mother that pays one year tuition for her. Soon Teresa learns that the boarding school is also a prison for the girls since Ms. Fourneau keeps everything locked. Her protégé, the wicked student Irene Tupan (Mary Maude), keeps watch over the other girls and uses her power to bully and torture them. Ms. Fourneau has a teenager son, Luis (John Moulder Brown), who is a peeping Tom, and his mother secludes him from the girls. Ms. Fourneau tells that he needs to meet a girlfriend "like his mother" and that the students of the boarding school are worthless. Meanwhile the runaway students are vanishing and their school mates believe they are fleeing from the boarding school. What they do not know is that a serial-killer is killing them. When Irene discovers that Teresa is secretly meeting Luis, she tortures Teresa that decides to flee from the school in the middle of the night. What will happen to her?

'La residencia", a.k.a. "The House that Screamed", is a stylish Spanish horror film. The cinematography, lighting and art direction are impressive and gives a scary atmosphere. The screenplay keeps the attention of the viewer until the very last scene when the surprising identity and motives of the serial-killer are disclosed. My vote is eight.

Title (Brazil): "Internato Derradeiro" ("Ultimate Boarding School")

Generally speaking, the reviews on this film are in it's favor. After watching the movie I have to agree that this is a worthwhile older horror-thriller - it's good.

It's fairly easy to know whodunit and why but it's still interesting to watch how the film plays out. Knowing whodunit and why does not spoil the film.

Sexual repression, incest, murder, a sadistic boarding school owner/teacher, lesbianism, torture and mystery - this movie has all of that. It is reminiscent of the 60s/70s Hammer Horror films. If you like all that then you might enjoy this film. It's sorta a hidden gem.

8/10