Un cazador psicótico se embarca en un yate de lujo en una isla remota, donde comienza a cazar a sus pasajeros por deporte.Un cazador psicótico se embarca en un yate de lujo en una isla remota, donde comienza a cazar a sus pasajeros por deporte.Un cazador psicótico se embarca en un yate de lujo en una isla remota, donde comienza a cazar a sus pasajeros por deporte.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados en total
- Tartar
- (as Steve Clemento)
- Captain
- (as William Davidson)
- Tartar Servant
- (as Dutch Hendrian)
- First Mate on Yacht
- (sin créditos)
- Passenger on Yacht
- (sin créditos)
- Bill - Owner of Yacht
- (sin créditos)
- Rainsford in long shot arrriving at Island
- (sin créditos)
- 'Doc' - Passenger on Yacht
- (sin créditos)
- Passenger on Yacht
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The story of a hunter having the tables turned on him is overly familiar to today's audiences. The basic premise of Richard Connell's short story "The Most Dangerous Game" has also been reinvented as a Game of Death, Run for the Sun, Hard Target, Surviving the Game, The Running Man, and even Predator (starring the Governor Ventura himself). But the irony and purity of the story are exercised best in this 1932 quickie, made by the King Kong team, using the same cast members and sets. It's legacy has been somewhat overshadowed by the popularity of Kong, but don't let it slip away, The Most Dangerous Game is a game worth playing.
Robert Rainsford (Joel McCrea) is a big game hunter who is shipwrecked somewhere off the east coast of South America. He washes up on a beach of a lonely island and makes his way through the jungle where he is greeted by the eccentric Count Zaroff who has settled in a restored Portuguese fortress. The Count escaped Russia before the revolution and travelled the world hunting animals. But having killed all of the most savage he has grown bored and needs an animal with wits, cunning, and intelligence. Man; the most dangerous game of all.
Finding his match with Rainsford, the Count releases him into the jungle, along with the screaming Eve Trowbridge (Fay Wray), and promises him freedom if he can survive the next 24 hours. The sets, the Gothic atmosphere, and even the loneliness creates a wonderful atmosphere. As one of the first "talkies" the film is backed-up by a score (in a time when music really had to carry wordless motion pictures) that really stands out to me for several reasons. It's certainly the earliest film I have seen with a recognizable melody and even goes as far as having the Count play the theme on his grand piano; a nice little in-joke. I never thought I'd recommend a score from a 1932 movie for being mysterious and action-packed but, if you excuse the pun, I suggest you hunt it down.
At 63 minutes the film doesn't outstay his welcome, but James Ashmore Creelman's screenplay was written as a film lasting no less than 85 minutes, so I'm curious to know what RKO Pictures cut out to keep the budget down.
Criterion did a good job with the DVD, but the film desperately needs a full HD restoration. I suppose the original camera negative is gone, but a 4k master from a complete 35mm print is what this film needs. No nicks, no scratches, no missing frames. If The Most Dangerous Game doesn't get this an overlooked classic may be lost forever.
The opening sequence is a little slow, but it does set up some of the themes of the rest of the movie. The first half of the movie is generally predictable, yet even so it builds up a good amount of tension. In the last half, the suspense is sustained quite well for an extended time, and though the last few scenes may lack plausibility, they work well dramatically because they were set up carefully. Overall, it is an effective and rather efficiently-made thriller.
¿Sabías que…?
- TriviaThe trophy room scenes were much longer in the preview version of 78 minutes; there were more heads in jars. There was also an emaciated sailor, stuffed and mounted next to a tree where he was impaled by Zaroff's arrow, and another full-body figure stuffed, with the bodies of two of the hunting dogs mounted in a death grip. Preview audiences cringed and shuddered at the head in the bottle and the mounted heads, but when they saw the mounted figures and heard Zaroff's dialog describing in detail how each man had died, they began heading for the exit - so these shots disappeared.
- ErroresCount Zaroff claims to be a Cossack. The Cossacks were famous for their equality within the ranks. They did not have titles.
- Citas
'Doc' - Passenger on Yacht: I was thinking of the inconsistency of civilization. The beast of the jungle, killing just for his existence, is called savage. The man, killing just for sport, is called civilized... It's a bit contradictory, isn't it?
Bob: Now just a minute... What makes you think it isn't just as much sport for the animal, as it is for the man? Now take that fellow right there, for instance. There never was a time when he couldn't have gotten away, but he didn't want to. He got interested in hunting me. He didn't hate me for stalking him, anymore than I hated him for trying to charge me. As a matter of fact, we admired each other.
'Doc' - Passenger on Yacht: Perhaps, but would you change places with the tiger?
Bob: Well... not now.
- Versiones alternativasThe film was colorized in 2007 in honor of its 75th anniversary. Ray Harryhausen worked on the color design of the film.
- ConexionesEdited from El ave del paraíso (1932)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Hounds of Zaroff
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 218,869 (estimado)
- Tiempo de ejecución1 hora 3 minutos
- Color
- Relación de aspecto
- 1.37 : 1