CALIFICACIÓN DE IMDb
6.0/10
936
TU CALIFICACIÓN
Agrega una trama en tu idiomaThree struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruitio... Leer todoThree struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruition.Three struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruition.
- Dirección
- Guionistas
- Elenco
Bebe Allen
- Restaurant Patron
- (sin créditos)
Leon Alton
- Man at Ladder
- (sin créditos)
John Alvin
- Clerk
- (sin créditos)
William Bakewell
- Jaguar Owner
- (sin créditos)
Jack Boyle
- Call Boy
- (sin créditos)
Paul Bradley
- Diner
- (sin créditos)
- …
Charles Cane
- Sergeant
- (sin créditos)
Steve Carruthers
- Club Patron
- (sin créditos)
Opiniones destacadas
"Lucky Me" was the first musical to be shot in the then, new process, CinemaScope. It was also a picture that Doris Day, Hollywood's Golden Girl, did NOT want to make.
Because of contractual obligations, she decided to do the film and to give it 110% of herself in the role of 'Candy Williams'. Her co-star was Robert Cummings, long-time Hollywood leading man and television star. In support, she had Phil Silvers, Nancy Walker, who later gained fame as Ida Morgenstern in "Rhoda", and Eddie Foy, Jr.
It was reported that Martha Hyer, a blond, was forced to dye her hair red so as not to conflict with the star, Miss Day.
This film is famous for another reason. Judy Garland was on the Warner Brothers lot filming "A Star is Born". She and Miss Day visited each other's sets and became friends.
"Lucky Me" is a fun musical which opens with Doris Day's dynamite opening number, "The Superstition Song," which she sings while bouncing down the streets of Miami! A TRUE STAR PERFORMANCE! Only Doris could have gotten away with this, and she was brilliant.
She played Candy Williams, a singer/actress who was appearing in a travelling show, "Parisian Pretties" which bombed in Miami. Standed, she meets a New York songwriter, Cummings, who is casting a new Broadway show. He pretends to be someone else to court Candy, but falls in love with her.
During the proceedings, Doris Day sings most of the numbers including her chart hit, "I Speak to the Stars". The highlight is "I Wanna Sing Like an Angel" and "Love You, Dearly," a lovely ballad which should have been a hit.
Phil Sivers was wonderful and had a great number with Day called "Men!" The other actors gave Miss Day able support and everyone seemed to work well with each other.
Angie Dickinson made her film debut in a walk-on scene at the big party, but you probably won't recognize her (she had black hair). Bill Goodwin played the same role he played in many a film at various studios.
Again, Doris Day fans will just love seeing their favorite star do ANYthing. Even though Miss Day didn't like the picture, her fans seem to love every minute of it. I must admit, I liked it!
Because of contractual obligations, she decided to do the film and to give it 110% of herself in the role of 'Candy Williams'. Her co-star was Robert Cummings, long-time Hollywood leading man and television star. In support, she had Phil Silvers, Nancy Walker, who later gained fame as Ida Morgenstern in "Rhoda", and Eddie Foy, Jr.
It was reported that Martha Hyer, a blond, was forced to dye her hair red so as not to conflict with the star, Miss Day.
This film is famous for another reason. Judy Garland was on the Warner Brothers lot filming "A Star is Born". She and Miss Day visited each other's sets and became friends.
"Lucky Me" is a fun musical which opens with Doris Day's dynamite opening number, "The Superstition Song," which she sings while bouncing down the streets of Miami! A TRUE STAR PERFORMANCE! Only Doris could have gotten away with this, and she was brilliant.
She played Candy Williams, a singer/actress who was appearing in a travelling show, "Parisian Pretties" which bombed in Miami. Standed, she meets a New York songwriter, Cummings, who is casting a new Broadway show. He pretends to be someone else to court Candy, but falls in love with her.
During the proceedings, Doris Day sings most of the numbers including her chart hit, "I Speak to the Stars". The highlight is "I Wanna Sing Like an Angel" and "Love You, Dearly," a lovely ballad which should have been a hit.
Phil Sivers was wonderful and had a great number with Day called "Men!" The other actors gave Miss Day able support and everyone seemed to work well with each other.
Angie Dickinson made her film debut in a walk-on scene at the big party, but you probably won't recognize her (she had black hair). Bill Goodwin played the same role he played in many a film at various studios.
Again, Doris Day fans will just love seeing their favorite star do ANYthing. Even though Miss Day didn't like the picture, her fans seem to love every minute of it. I must admit, I liked it!
The first time I saw this film I was distracted for a few minutes and missed the intro credits. Being in a lazy mood I just sat down to watch and if it hadn't been for the setting (Miami) and the star (Doris), I'd have sworn this were one of the early MGM CinemaScope films, since someone was obviously emulating a certain kind of Arthur Freed approach. But while elaborate visually at times, no, it was Warner Bros., but for what it was, not bad. In fact, the only real debit I can make against LUCKY ME remains its very conventional and predictable plot conventions. That, and the one-note roles of Phil Silvers (a ham) and Robert Cummings (handsome but bland nice guy). Songs? Okay, nothing special, perhaps, but serviceable. So for anyone who simply wants an old, spiffy if brainless musical, they still can't go wrong here, even if someone like Howard Keel might have brought more to the Cummings role (for better and worse).
As for the film process itself, did this film really need such elaboration? Probably not, but Scope does continue to lend it a certain novelty.
As for the film process itself, did this film really need such elaboration? Probably not, but Scope does continue to lend it a certain novelty.
I found this movie on DVD at my local public library. I wanted to watch it for two stars of yesteryear, Doris Day and Martha Hyer.
The simple story involves four small time entertainers barely drawing audiences in Miami and wanting to hit it somewhat bigger. They find out famous songwriter Dick Carson is in town and make attempts to meet him. Quite by accident, a car accident that is, Candy (Doris Day) meets Carson (Robert Cummings) but assumes he is a mechanic for the loaner car he is driving from a prior accident. This goes on long enough that when she finds out who he really is, she vows that she will never talk to him again. But he is smitten with her and also wants her to play the lead in the show he is writing.
To complicate things Carson needs funding for his planned Broadway show and needs help from Ms Thayer's wealthy Texas oilman father. Ms Thayer (Martha Hyer) has a deep crush on Carson and threatens to sabotage the whole thing if he keeps pursuing Candy for the lead role.
It is a rather simple and silly rom-com but all the actors are in good form. Especially Cummings, the impact of the whole story depends on the way he plays Carson and he nails it. Phil Silvers has a role as Hap Schneider, very similar in style to the Sgt. Bilko character he started playing on TV shortly after this movie came out.
All in all a worthwhile 100 minutes to see some of the stars of yesteryear. Day and Hyer were about 30 and lovely. Day was quite a good singer, even better than I thought I remembered.
The simple story involves four small time entertainers barely drawing audiences in Miami and wanting to hit it somewhat bigger. They find out famous songwriter Dick Carson is in town and make attempts to meet him. Quite by accident, a car accident that is, Candy (Doris Day) meets Carson (Robert Cummings) but assumes he is a mechanic for the loaner car he is driving from a prior accident. This goes on long enough that when she finds out who he really is, she vows that she will never talk to him again. But he is smitten with her and also wants her to play the lead in the show he is writing.
To complicate things Carson needs funding for his planned Broadway show and needs help from Ms Thayer's wealthy Texas oilman father. Ms Thayer (Martha Hyer) has a deep crush on Carson and threatens to sabotage the whole thing if he keeps pursuing Candy for the lead role.
It is a rather simple and silly rom-com but all the actors are in good form. Especially Cummings, the impact of the whole story depends on the way he plays Carson and he nails it. Phil Silvers has a role as Hap Schneider, very similar in style to the Sgt. Bilko character he started playing on TV shortly after this movie came out.
All in all a worthwhile 100 minutes to see some of the stars of yesteryear. Day and Hyer were about 30 and lovely. Day was quite a good singer, even better than I thought I remembered.
Candy (Doris Day) and her friends are all talented but out of work stage performers. Because they can't find work, they all get jobs at a local hotel bussing tables and working as dish washers. However, they haven't given up on their show biz dreams and they want more than anything else to meet with a famous Broadway showman, Dick Carson (Bob Cummings), to show him their skills. But again and again their attempts are thwarted. Oddly enough, when Candy accidentally meets Dick, he doesn't tell her who she is and they fall in love. But when she realizes that he's been lying about who he is, they break up. In fact, again and again, the pair seem to have breakups only to quickly reunite...to the point where it sure felt predictable.
Despite the predictable and cliched plot, the film had some very nice song and dance numbers. It was catchy and enjoyable....and also a bit brainless. In other words, if you think too much about the plot, you cannot enjoy the film. My recommendation is that you turn off your brain and just enjoy.
Despite the predictable and cliched plot, the film had some very nice song and dance numbers. It was catchy and enjoyable....and also a bit brainless. In other words, if you think too much about the plot, you cannot enjoy the film. My recommendation is that you turn off your brain and just enjoy.
I thought LUCKY ME from Warner Bros in 1954 was not the first Cinemascope musical as some comment says.. possibly the 1953 FOX musical ? HOW TO MARRY A MILLIONAIRE. Fox patented Cinemascope and hired the process to other studios. The first WBs musical was A STAR IS BORN. But I might be wrong... anyone?
On my Australian market DVD this really silly Doris Day musical has opening credits in cinemascope and the rest of he film in ..horror of horrors! pan and scan TV presentation. On the box it says hooray for Cinemascope but the film itself is not in Cinemascope if anyone from WB DVD office bothers to check. The color and art design is terrific, the musical numbers well staged (as I could tell, as I only saw half of the image), the 50s style and modernity snazzy and Doris Day was beautiful. Its trite script is embarrassing ... a bit like any of the Columbia musicals with Jack Lemmon or Betty Grable of the same year. I was keen to enjoy but the badly presented cropping, down to TV from cinemascope ruined the experience... so I took the DVD back to the store, complained to the bemused 19 year old goth chick behind the counter and got a refund. She seemed to spark to life when I pretended to be interested in a box set of BUFFY Vampire Slayer, but I tricked her and took the money instead.
On my Australian market DVD this really silly Doris Day musical has opening credits in cinemascope and the rest of he film in ..horror of horrors! pan and scan TV presentation. On the box it says hooray for Cinemascope but the film itself is not in Cinemascope if anyone from WB DVD office bothers to check. The color and art design is terrific, the musical numbers well staged (as I could tell, as I only saw half of the image), the 50s style and modernity snazzy and Doris Day was beautiful. Its trite script is embarrassing ... a bit like any of the Columbia musicals with Jack Lemmon or Betty Grable of the same year. I was keen to enjoy but the badly presented cropping, down to TV from cinemascope ruined the experience... so I took the DVD back to the store, complained to the bemused 19 year old goth chick behind the counter and got a refund. She seemed to spark to life when I pretended to be interested in a box set of BUFFY Vampire Slayer, but I tricked her and took the money instead.
¿Sabías que…?
- TriviaIn her autobiography, Doris Day reported that she was suffering from nervous exhaustion following the strenuous production schedule for "Calamity Jane" (1953) and did not feel sturdy enough to begin work on "Lucky Me" (1954). When her husband-manager Martin Melcher and Warner Bros. strong-armed her into moving forward, she suffered what she termed a "nervous breakdown" during filming.
- Citas
Candy Williams: There's 13 people in the audience.
Hap Schneider: This is no time to be superstitious. It's bad luck.
- ConexionesReferences Retaguardia (1954)
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- How long is Lucky Me?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 40 minutos
- Relación de aspecto
- 2.55 : 1
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By what name was La dicha de amar (1954) officially released in Canada in English?
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