Piccadilly

Anna May Wong may have been one of the most beautiful women in film history. She should have been a huge star but obviously racial prejudices of the time prevented it and Hollywood certainly badly misused her. In this film,made in England by the great E.A.DuPont, she proves that she could act as well as look good. Notice her controlled facial expressions and body movements....they are very low key in a time when acting was often over the top and bordering on "hammy".

The story concerns the rise of Ms. Wong (Shosho) as a dancer and inamorata of nightclub owner, Valentin (Jameson Thomas)....much to the distress of Mabel (Gilda Gray) as the featured act at the Picadilly and also a lover of the owner. Ms. Gray looks fat and frumpy and the line "You're too old for him" spoken to her by Shosho rings true. Things go from bad to worse and lead to the scene in Shosho's apartment which is the highlight of the film. Ms. Wong is absolutely terrific. Murder happens and the mysterious Jimmy gets involved. The resolution of that murder is unsatisfying and the ensuing trial mirrors the racial stereotypes of the times.

But all that aside, if you want to see a gloriously stunning woman and a wonderful performance, see this film. And by the way.....if you can figure out exactly what the relationship between Shosho and Jimmy is, let me know!

An enjoyable film with some great characters and an interesting story. The version I saw has an inappropriate and often irritating score that sounds about forty years too modern, and drastically takes away from the flapper-age energy and dance scenes. The beginning of the film is tedious, choosing to dwell a bit long on setting the scene, but once the main characters are introduced and the story begins to unfold, it captures and holds your attention.

Anna May Wong contributes the film's best performance. She has that rare, powerful aura that illuminates the screen, like Greta Garbo or Louise Brooks. When her character, Sho-Sho, is in a scene, you can only focus on her, and she carries you away with intensity conveyed by only the merest subtle expression.

The other actors were "okay" but nothing special. The characters of Victor and Mabel, presumably popular and adored dancers, failed to convince me that they had any charisma whatsoever. Sho-Sho's scenes with Valentine, the club owner who wants to make her a star (and his lover) are mesmerising, showing passion and titillating innuendo. But the really interesting relationship is that of Sho-Sho with "Jim", a Chinese fellow who seems to live with her -- is he a brother? a lover? it is unclear, but he is totally submissive to her and proud and jealous at the same time. She treats him like a dog, but they obviously have a close bond and need each other.

As a film in general, "Picadilly" is lacking on a few levels, but it is completely redeemed by Anna May Wong's presence. I can't give it a high rating overall, but I highly recommend it to Anna May Wong fans.

London "Piccadilly Club" proprietor Jameson Thomas (as Valentine Wilmot) is having an affair with the female half of his star dancing duo "Mabel and Vic", shimmying Gilda Gray (as Mabel "Mab" Greenfield). When Ms. Gray's dancing partner gets too amorous with his lady love, Mr. Thomas fires the man. Alas, the departing Cyril Ritchard (as Victor "Vic" Smiles) was the nightclub duo's main attraction, and business tanks. But, Thomas has discovered a new dancer in his kitchen, sexy scullery maid Anna May Wong (as Shosho). Ms. Wong becomes an immediate sensation. Older Gray feels put out, especially when Thomas slips easily into the younger Wong's arms. Eventually, passion leads to murder.

Director E.A. Dupont and photographer Werner Brandes are superb, in their final collaboration; they give "Piccadilly" a great, artful style. Wong's performance, the last of her "silent" career, is almost revelatory; and, it's at least "Supporting Actress" award-worthy. Higher-billed Gray handles her less flattering role well, too. And, Thomas meets Wong's subtlety in wonderful ways; catch him admiring Wong's torn stockings. Small bits of business, like Mr. Ritchard slitting a deeper crease into his hat, suggest additional eroticism.

Charles Laughton has a delicious cameo as a "Piccadilly Club" patron more interested in his food than the dancers.

The film is not without its sour notes, however; for example, some characterizations/relationships are poorly defined; and, the ending could have been better. However, any attempt to improve "Piccadilly" might have encouraged the producers to fix things that weren't broken. Even the fly crawling up Wong's left arm as she reclines, during a seduction scene, seems magically planned.

Valentine Wilmot (Jameson Thomas) owns Club Piccadilly in England. He's in love with its leading dancer Mabel (Gilda Gray). However she's not pulling in the crowds and he hires unknown Shosho (Anna May Wong) to perform. She's a huge success and romances Valentine. Mabel gets jealous and leaves Piccadilly...but still wants Wilmot but he's falling for Shosho...

This movie is a showcase for Anna May Wong. Virtually unknown today she was the first Chinese-American star (and for a long time the only one). She's just great in this--beautiful, talented and can really dance. Thomas and Gray are also good in their roles. I'm really surprised they got this out--its made quite clear that Wilmot and Shosho have sex--interracial couplings like that must have been shocking at the time. This is beautifully directed by Arnold Bennett--there are many stunning sequences and most of the story is told by images--there are very few title cards. The only complaint I have is that it moves a little slow by today's standards. Still it's well worth seeing. I give it an 8.

This is the kind of film that would have made a great early sound movie. If you get the DVD release, you may be somewhat put off by the score - I know I was. There are two major musical numbers in the film, and it would have really accentuated them to have the music of the times in the film rather than the modern score that just doesn't seem to fit. Unfortunately, British films didn't convert to sound until 1930, so this film remains as a "silent musical".

It's a very good film that is basically about how life goes on, and today's celebrities and scandals are quickly forgotten tomorrow. It also shows the flimsy basis in many cases for being considered talented. The female headliner of the night club is basically there because she is the owner's girlfriend and is being carried to a large degree by her dance partner. When he decides to leave England and try to make it on Broadway, the owner knows the score and seeks a novelty to fill in what he has lost. He sees Anna May Wong's character dancing in the night club scullery and fires her for it, but later he realizes that maybe an exotic act is what he needs to draw an audience. He rehires her as a dancer. He is captivated by both the girl and her act, and at this point the film takes a sharp turn and becomes a bit of a crime drama and mystery.

Anna May Wong is probably the only performer most American audiences will recognize with one fleeting exception. At the beginning of the film there is a heavyset customer of the nightclub who is complaining about a dirty dish. That complaining customer is Charles Laughton in a very small and very early role.