Un ejecutivo contrata a una mujer tímida y sencilla como secretaria para que no lo desvíe de su trabajo, pero aun así ella está decidida a ganarse su corazón.Un ejecutivo contrata a una mujer tímida y sencilla como secretaria para que no lo desvíe de su trabajo, pero aun así ella está decidida a ganarse su corazón.Un ejecutivo contrata a una mujer tímida y sencilla como secretaria para que no lo desvíe de su trabajo, pero aun así ella está decidida a ganarse su corazón.
- Dirección
- Guionistas
- Elenco
Lilian Bond
- Girl at Bar
- (sin créditos)
Yola d'Avril
- Girl in Bath Tub
- (sin créditos)
Geraldine Dvorak
- Parisian Nightclub Dancer
- (sin créditos)
Harry Holman
- Hotel Manager
- (sin créditos)
Olaf Hytten
- Business Associate
- (sin créditos)
Barbara Leonard
- Girl with Dog
- (sin créditos)
August Tollaire
- Paris Hotel Guest in Hallway
- (sin créditos)
Polly Walters
- Ludwig's Girl
- (sin créditos)
Leo White
- Man in Elevator
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
...but you just can't help yourself. William is perfect here as an efficient German bank president and baron, totally consumed with business by day and with romancing the ladies -lots of them - at night. He only has problems when his two interests converge. This usually occurs because he has a beautiful secretary. His usual solution - to fire the secretary and get her out of his business life, and then make her one of his many mistresses.
The baron tires of this repetitive problem, and vows that his next secretary will be a plain practical woman for whom he will have no attraction. So into his life walks Susie Sachs (Marian Marsh), "the church mouse". The cutest scene of the film is where Susie tricks her way into see the baron and tells him about the plight of her class -"the mice" - the unemployed and hungry. The baron is quite interested in her story. You see, he is not such a bad guy. It just never occurred to him that there might be a girl of her age in Germany more interested in a good meal than a diamond bracelet. He's never seen that side of life and therefore not given it much thought. He hires her, and she works out quite well for him until a business trip to Paris brings the Baron quite a few surprises.
This film was really a delight with very good dialogue and animated performances. Charles Butterworth is really quite good as comic support in these early Warner Brothers talkies. He plays the baron's assistant who is constantly writing down instructions on his cuffs and seems to have no objections when he is told he will be working all night and won't be allowed time to eat. David Manners plays the baron's younger brother who sees the beauty in Susie even when she is playing the frump.
The baron tires of this repetitive problem, and vows that his next secretary will be a plain practical woman for whom he will have no attraction. So into his life walks Susie Sachs (Marian Marsh), "the church mouse". The cutest scene of the film is where Susie tricks her way into see the baron and tells him about the plight of her class -"the mice" - the unemployed and hungry. The baron is quite interested in her story. You see, he is not such a bad guy. It just never occurred to him that there might be a girl of her age in Germany more interested in a good meal than a diamond bracelet. He's never seen that side of life and therefore not given it much thought. He hires her, and she works out quite well for him until a business trip to Paris brings the Baron quite a few surprises.
This film was really a delight with very good dialogue and animated performances. Charles Butterworth is really quite good as comic support in these early Warner Brothers talkies. He plays the baron's assistant who is constantly writing down instructions on his cuffs and seems to have no objections when he is told he will be working all night and won't be allowed time to eat. David Manners plays the baron's younger brother who sees the beauty in Susie even when she is playing the frump.
Rapid fire dialog rips through this charming pre code gem so fast you'll have to put down your iPhone to enjoy.
Marian Marsh shines and Warren William is offensive and hilarious.
Although it betrays its theater-script origins in the rhythm of the performances and dialogue, this sparkling little formula comedy about a secretary who wins a rich Baron is chockablock with snappy retorts and racy rejoinders. Marian Marsh is adorable, charming and always convincing.
The surprising candor of the script is refreshing: despite the free modern use of more explicit language, this depression-era tale leaves nothing to the imagination. Its honesty is surprising and heightens the humor of the gentle jokes.
Watching scenes played out between Marsh and Warren William with such genuine engagement would be impossible in the modern era of frenetic jump-cutting. What a treat to see talented performers do such naughty and giggly scenes in a single take with hardly a cutaway or interruption in sight!
The surprising candor of the script is refreshing: despite the free modern use of more explicit language, this depression-era tale leaves nothing to the imagination. Its honesty is surprising and heightens the humor of the gentle jokes.
Watching scenes played out between Marsh and Warren William with such genuine engagement would be impossible in the modern era of frenetic jump-cutting. What a treat to see talented performers do such naughty and giggly scenes in a single take with hardly a cutaway or interruption in sight!
Clearly a pun on "Beauty and the Beast".... this early talkie is so under-rated. It's just before the Hays code started being enforced, and the clever banter gets quite saucy. Warren William (from the Lone Wolf films) is the all-business, hardworking company president, who has no time for the flirtations of his secretaries, first Mary Doran, then Marian Marsh. It turns into a kind of competition between the two girls, after a confrontation. Doran is "Ollie", who uses her wit, wiles, and low-cut dresses to try to lure in the Baron. Susie (Marsh) tries to take the high road at first, but sees how easy it is to make men swoon with Ollie's naughty girlie ways. Charles Butterworth is here as the office manager, and has all the best lines. That dry, sarcastic wit, which he brought from his vaudeville days, usually muttered under his breath. He was only 36 in this film, but wow, he always looked old as dirt. Frederick Kerr is the Baron's sidekick, but doesn't really add much to the story. It's fun being an observer, to see who will "win" the prize. Story by Hungarian Ladislas Fodor, and the foreign currency and other words creep into the conversation. Directed by Roy Del Ruth, who had been around since the early days of silents, and successfully moved into talkies. This one is a lot of fun. Doesn't seem to have been shown often on TCM, with only 300 votes. Warner packed a lot into 66 minutes, and it moves right along. Recommended ! Catch it if you can. Warner Brother archives HAS released this on DVD...
I'm amazed this film isn't rated higher than 6.8! It's a fast-paced gem with snappy dialogue and terrific performances.
As another reviewer noted, this may be one of the first, if not THE first, film in which the big boss (played with dismissive invective and pure slime by the excellent Warren William) falls for his secretary (played with ultra-efficiency and rapid fire dialogue by ugly duckling Marian Marsh) by the end of the film.
The old boss-loves-secretary scenario plays fresh and funny here, setting a standard that subsequent films fail to capture.
I was surprised how much I truly enjoyed "Beauty and the Boss", and I highly recommend it. It is laugh-out-loud funny!
If you need me, I'll be working on some research!
As another reviewer noted, this may be one of the first, if not THE first, film in which the big boss (played with dismissive invective and pure slime by the excellent Warren William) falls for his secretary (played with ultra-efficiency and rapid fire dialogue by ugly duckling Marian Marsh) by the end of the film.
The old boss-loves-secretary scenario plays fresh and funny here, setting a standard that subsequent films fail to capture.
I was surprised how much I truly enjoyed "Beauty and the Boss", and I highly recommend it. It is laugh-out-loud funny!
If you need me, I'll be working on some research!
¿Sabías que…?
- TriviaThis film was based on a 1928 Hungarian play by Ladislas Fodor about a secretary who eventually marries her boss. The original play opened in Budapest, Hungary, on 2 December 1927. According to Variety, Paul Frank was a co-author of the Hungarian play.
- Errores(at around 41 mins) Ollie's black gown goes from being open and undone, (where her undergarments can be seen) to suddenly closed and fastened tightly.
- Citas
Reporter at Airport: How did you find the American women?
Ludwig Pfeffer Jr.: I took a taxi cab.
- ConexionesRemade as The Church Mouse (1934)
- Bandas sonorasVienna
Music by Leo F. Forbstein
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Detalles
- Tiempo de ejecución
- 1h 6min(66 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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