Un ejecutivo contrata a una mujer tímida y sencilla como secretaria para que no lo desvíe de su trabajo, pero aun así ella está decidida a ganarse su corazón.Un ejecutivo contrata a una mujer tímida y sencilla como secretaria para que no lo desvíe de su trabajo, pero aun así ella está decidida a ganarse su corazón.Un ejecutivo contrata a una mujer tímida y sencilla como secretaria para que no lo desvíe de su trabajo, pero aun así ella está decidida a ganarse su corazón.
- Dirección
- Guionistas
- Elenco
Lilian Bond
- Girl at Bar
- (sin créditos)
Yola d'Avril
- Girl in Bath Tub
- (sin créditos)
Geraldine Dvorak
- Parisian Nightclub Dancer
- (sin créditos)
Harry Holman
- Hotel Manager
- (sin créditos)
Olaf Hytten
- Business Associate
- (sin créditos)
Barbara Leonard
- Girl with Dog
- (sin créditos)
August Tollaire
- Paris Hotel Guest in Hallway
- (sin créditos)
Polly Walters
- Ludwig's Girl
- (sin créditos)
Leo White
- Man in Elevator
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Although it betrays its theater-script origins in the rhythm of the performances and dialogue, this sparkling little formula comedy about a secretary who wins a rich Baron is chockablock with snappy retorts and racy rejoinders. Marian Marsh is adorable, charming and always convincing.
The surprising candor of the script is refreshing: despite the free modern use of more explicit language, this depression-era tale leaves nothing to the imagination. Its honesty is surprising and heightens the humor of the gentle jokes.
Watching scenes played out between Marsh and Warren William with such genuine engagement would be impossible in the modern era of frenetic jump-cutting. What a treat to see talented performers do such naughty and giggly scenes in a single take with hardly a cutaway or interruption in sight!
The surprising candor of the script is refreshing: despite the free modern use of more explicit language, this depression-era tale leaves nothing to the imagination. Its honesty is surprising and heightens the humor of the gentle jokes.
Watching scenes played out between Marsh and Warren William with such genuine engagement would be impossible in the modern era of frenetic jump-cutting. What a treat to see talented performers do such naughty and giggly scenes in a single take with hardly a cutaway or interruption in sight!
No big stars in this one but still a very entertaining little film. Marsh and Doran are two women who go after Warren William in very different ways. Butterworth is good in his usual comic relief role. A charming and fast-moving movie.
Beauty and the Boss was a delightful movie with some very subtle humor and frank interfacing between the competing beauties. The rapid dialog between the Count and his prospective secretary was a pleasure in wittiness and abstract humor. This movie promised a bright career.
Marian Marsh was a beautiful young lady, but what struck me was a resemblance to a later actress, Jane Powell when she was of that age. It was a shame the studios did not hold on to her for better roles but I guess it was the depression and they were interested in churning out low budget movies and constantly showing new faces. Ms. Marsh did show considerable talent, artistically before the cameras, at quite a young age. Considering her young age it seems the studios could have been more understanding when they did not pick up her contract while they were having disagreements over a bad performing movie.
Marian Marsh was a beautiful young lady, but what struck me was a resemblance to a later actress, Jane Powell when she was of that age. It was a shame the studios did not hold on to her for better roles but I guess it was the depression and they were interested in churning out low budget movies and constantly showing new faces. Ms. Marsh did show considerable talent, artistically before the cameras, at quite a young age. Considering her young age it seems the studios could have been more understanding when they did not pick up her contract while they were having disagreements over a bad performing movie.
About a bank president who talks about putting a new rule into the company: "all females must wear long sleeves and high necks". Seems he is easily distracted by women, particularly his attractive and flirtatious secretary who he thinks is a "playgirl" rather than working girl, good for after hours only. He actually fires her - and she doesn't mind, 'cause she apparently agrees with this after hours concept, and becomes one of his new girlfriends (there seem to be many others too, judging by the office visits and phone calls from bathtubs he keeps getting). Soon a young waif arrives - hungry and oddly dressed in an outfit that includes black umbrella and flat black hat with a big white feather in it (why do these poor waif girls in old movies always seem to wear an odd feathered hat?). Well, seems she's an out-of-work stenographer looking to get hired - and turns out she's a whiz who loves work too, spending her free time toning her secretarial skills rather than dating men, she takes shorthand at 150 words a minute! He hires her on the spot since she's "plain" - seems even though she is clearly very pretty, he for some reason (like often seen in movies) can't see her beauty through the odd outfit. Well, she falls for him and soon blooms!
This is a thoroughly entertaining, fast paced, fun-to-watch film with lots of amusing pre-code banter and top-notch performances adding to the mix - I loved it. Warren William, one of my favorite actors from this time period, is just perfect as the rather handsome but stiff "girl crazy" boss, and Marian Marsh as the waif (who I thought looked like Reese Witherspoon in the earlier scenes) is just SO cute and charming - I really enjoyed her performance. Cute scene where she gets "taught" by the previous secretary how to seduce a man via accidentally-on-purpose leaning against him, and she tries it out on the boss. Really excellent film.
This is a thoroughly entertaining, fast paced, fun-to-watch film with lots of amusing pre-code banter and top-notch performances adding to the mix - I loved it. Warren William, one of my favorite actors from this time period, is just perfect as the rather handsome but stiff "girl crazy" boss, and Marian Marsh as the waif (who I thought looked like Reese Witherspoon in the earlier scenes) is just SO cute and charming - I really enjoyed her performance. Cute scene where she gets "taught" by the previous secretary how to seduce a man via accidentally-on-purpose leaning against him, and she tries it out on the boss. Really excellent film.
Rapid fire dialog rips through this charming pre code gem so fast you'll have to put down your iPhone to enjoy.
Marian Marsh shines and Warren William is offensive and hilarious.
¿Sabías que…?
- TriviaThis film was based on a 1928 Hungarian play by Ladislas Fodor about a secretary who eventually marries her boss. The original play opened in Budapest, Hungary, on 2 December 1927. According to Variety, Paul Frank was a co-author of the Hungarian play.
- Errores(at around 41 mins) Ollie's black gown goes from being open and undone, (where her undergarments can be seen) to suddenly closed and fastened tightly.
- Citas
Reporter at Airport: How did you find the American women?
Ludwig Pfeffer Jr.: I took a taxi cab.
- ConexionesRemade as The Church Mouse (1934)
- Bandas sonorasVienna
Music by Leo F. Forbstein
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Detalles
- Tiempo de ejecución
- 1h 6min(66 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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