The Moonstone

Those who have read the classic book by Wilkie Collins should not expect anything similar. Other than a jewel called the Moonstone, that is. The 1933-34 years saw movies that still suffered from the silent film hangover, and some that showed more naturalistic acting. This has some of both, leaning towards the stiffness of the silents. As noted by others, the actress playing the lead is so foolish that it's difficult to care that she's had her jewel stolen. And then there's the scene where she refuses to have her belongings searched for the jewel, which is never explained. And the reveal comes out of nowhere, with no 'detecting' at all. Watch 1933's The Kennel Murder Case for far superior acting and plotting. This movie just doesn't have the right pieces in the right places. It tries, but never really pays off. Still, I did watch it to the fast-arriving end, so I can't complain too much. Worth watching as long as you don't expect too much. Watch it on a dark and stormy night when you have nothing else to do.

In spite of a short 45 minute run time I really enjoyed THE MOONSTONE based on the book by Wilkie Collins. Reginald Baker directs a tight knit collection of performers in this mystery that takes place in a crowded house during a rain storm. Anne Verinder(Phyllis Barry)inherits a priceless gem the Moonstone necklace. Her fiancée Franklin Blake(David Manners)is bringing the precious diamond to England from India. He arrives at the Verinder's countryside home and finds a house full of guests that includes a notorious money lender Carl Von Lucker(Gustav Von Seyffertitz). While everyone is assembled the storm causes the lights to go out and the necklace is snatched from Anne's neck. It was grabbed by a maid for "safe keeping". Anne puts the stone under her pillow and when she awakes the necklace is gone. Scotland Yard Inspector Cuff(Charles Irwin)is to figure out which one of the guests is a jewel thief. The loud rain storm provides great atmosphere. Also in the cast are: Herbert Bunston, Evalyn Bostock, John Davidson and Jameson Thomas.

Veteran director Reginald Barker -- whose career included several superior William S. Hart Westerns and Thomas Ince's landmark CIVILIZATION -- directed this near the end of his career and he tells the story with a fluid camera and many visual grace notes. Unhappily, the dialogue is not up to the camerawork, but this first sound version of Wilkie Collins' classic mystery is well produced and well worth your time.

David Manners and Phyllis Barry star in Moonstone, one of the last pictures directed by Reginal Barker. Part of the Reelmedia/Treeline Murder Mystery Collection, the sound and picture quality are pretty rough. IMDb shows original length of 62 minutes, but the Reelmedial version is only 46 minutes... hmmmm... it was already short to begin with... wonder if the missing minutes were cut due to poor quality of the film. It has the usual murder-mystery ingredients - creepy characters, dark and stormy night, lights going out, the man from Scotland yard. The case gets conveniently solved in short order (since this version is so short to begin with) and there are no plots turns or twists. My favorite character is Betteredge, the mouthy old housekeeper, played by Elspeth Dudgeon (born in 1871!) I'd be quite interested to see the 62 minute version sometime.

The only similarity I see between this and its namesake is the jewel. The rest is a pretty typical drawing room mystery. It has a pretty decent set of eccentric characters, a love interest, a man in a turban (very exotic, right), and a lot of shenanigans. The carelessness with which the stone, worth a fortune, is treated stops me. The female lead is totally unappealing. She is so dumb that I couldn't care less what happens to her. Her fiancé is a big lunk with no real character. There is some atmosphere of the mansion in the rain. The lights go out and there is a bit of a surprise. Overall, however, it lacks much development and ends in a rather far fetched way.