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The only similarity I see between this and its namesake is the jewel. The rest is a pretty typical drawing room mystery. It has a pretty decent set of eccentric characters, a love interest, a man in a turban (very exotic, right), and a lot of shenanigans. The carelessness with which the stone, worth a fortune, is treated stops me. The female lead is totally unappealing. She is so dumb that I couldn't care less what happens to her. Her fiancé is a big lunk with no real character. There is some atmosphere of the mansion in the rain. The lights go out and there is a bit of a surprise. Overall, however, it lacks much development and ends in a rather far fetched way.

In spite of a short 45 minute run time I really enjoyed THE MOONSTONE based on the book by Wilkie Collins. Reginald Baker directs a tight knit collection of performers in this mystery that takes place in a crowded house during a rain storm. Anne Verinder(Phyllis Barry)inherits a priceless gem the Moonstone necklace. Her fiancée Franklin Blake(David Manners)is bringing the precious diamond to England from India. He arrives at the Verinder's countryside home and finds a house full of guests that includes a notorious money lender Carl Von Lucker(Gustav Von Seyffertitz). While everyone is assembled the storm causes the lights to go out and the necklace is snatched from Anne's neck. It was grabbed by a maid for "safe keeping". Anne puts the stone under her pillow and when she awakes the necklace is gone. Scotland Yard Inspector Cuff(Charles Irwin)is to figure out which one of the guests is a jewel thief. The loud rain storm provides great atmosphere. Also in the cast are: Herbert Bunston, Evalyn Bostock, John Davidson and Jameson Thomas.

David Manners and Phyllis Barry star in Moonstone, one of the last pictures directed by Reginal Barker. Part of the Reelmedia/Treeline Murder Mystery Collection, the sound and picture quality are pretty rough. IMDb shows original length of 62 minutes, but the Reelmedial version is only 46 minutes... hmmmm... it was already short to begin with... wonder if the missing minutes were cut due to poor quality of the film. It has the usual murder-mystery ingredients - creepy characters, dark and stormy night, lights going out, the man from Scotland yard. The case gets conveniently solved in short order (since this version is so short to begin with) and there are no plots turns or twists. My favorite character is Betteredge, the mouthy old housekeeper, played by Elspeth Dudgeon (born in 1871!) I'd be quite interested to see the 62 minute version sometime.

Although it frequently gives evidence of its low-budget status, this is still a decent adaptation of the Wilkie Collins novel. The original novel "The Moonstone" makes pretty good use of some generally familiar themes of the genre, with its main strength probably being the atmosphere. This movie version does a solid job with limited resources in setting the atmosphere and in telling the basic story developments.

David Manners and Phyllis Barry head up the cast, as a group of characters come together in a remote mansion on a stormy night, with a legendary and very valuable diamond the focus of everyone's attention. It's a familiar setup, but the story adds some touches of science and some extra background to the characters, to go along with the mood and the setting.

The cast and the production are usually solid, if unspectacular, and most of the time things move at a good pace. A larger budget could have made the movie more enjoyable to watch, but as far as the basic story goes, this one does a solid job, and for its time it's a pretty good job.

Those who have read the classic book by Wilkie Collins should not expect anything similar. Other than a jewel called the Moonstone, that is. The 1933-34 years saw movies that still suffered from the silent film hangover, and some that showed more naturalistic acting. This has some of both, leaning towards the stiffness of the silents. As noted by others, the actress playing the lead is so foolish that it's difficult to care that she's had her jewel stolen. And then there's the scene where she refuses to have her belongings searched for the jewel, which is never explained. And the reveal comes out of nowhere, with no 'detecting' at all. Watch 1933's The Kennel Murder Case for far superior acting and plotting. This movie just doesn't have the right pieces in the right places. It tries, but never really pays off. Still, I did watch it to the fast-arriving end, so I can't complain too much. Worth watching as long as you don't expect too much. Watch it on a dark and stormy night when you have nothing else to do.

Veteran director Reginald Barker -- whose career included several superior William S. Hart Westerns and Thomas Ince's landmark CIVILIZATION -- directed this near the end of his career and he tells the story with a fluid camera and many visual grace notes. Unhappily, the dialogue is not up to the camerawork, but this first sound version of Wilkie Collins' classic mystery is well produced and well worth your time.

Considering that Monogram Pictures had a rather huge novel according to some of the other reviewers to work with, the fact that they cut it down to a 62 minute programmer, 46 minutes in the version I've seen, they came up with a coherent version of The Moonstone. The problem was that at least here the suspense seems to have been drained from it.

David Manners and Phyllis Barry head the cast, he as sweetheart and solicitor and custodian of The Moonstone, she as the recipient of both Manners affections and the jewel. A cast of usual suspects supports them, but if you can't figure out who the culprit might be on this dark and stormy night, you don't even need to have seen too many of them.

There is an interesting gimmick in the story involving one of the leads, but I won't go further lest you want to see the film. Still it might have been done better by a major studio.

The story is a slightly updated story of the legendary Moonstone gem coming into the possession of a young girl and then disappearing as thieves and assorted others try to make off with it.

The two prints that I've seen of this movie run only 45 minutes, so I'm not certain what the full running time is, or was, but film while seeming rushed at the end, seems to have everything in it. But the biggest problem is that it is rushed. After almost a half a hour of slow building set up the gem disappears and it races through to the end as a police procedural to find the culprit.

The performances are very good and they make watching this brief mystery fun to watch. Definitely worth your time - especially if you're pressed for time. (If you come across the Alpha Video version pick it up since its paired with the equally good Murder at Midnight)

Monogram cheapie about the theft of the titular diamond during a dark and stormy night in an old dark house. A very familiar setting, even more so for the period in which this film came out. It's based on a creaky 19th century novel by Wilkie Collins. David Manners stars, playing one of the many drab parts he played during a short career that left a stronger legacy than his talent warranted. Elspeth Dudgeon of "The Old Dark House" and "Sh! The Octopus" fame is the closest thing the film has to a scene stealer, playing a feisty old housekeeper. The rest of the cast is full of familiar if unremarkable character actors. This is not an exciting movie. It plods along slowly throughout its thankfully short runtime. Still, it's an inoffensive use of an hour that will keep the kids out of the streets.

I'm leery of drawing hard and fast conclusions since I too saw the shortened 45-minute version. The editing appears choppy, especially the last, reveal section. That, plus a fuzzy sound quality didn't help. Anyway, from what I saw, the programmer's a fairly standard dark and stormy night, except no one gets murdered. Instead, it's a stolen gem that breeds the mystery.

Oddly, what I took away from the proceedings was not the plot nor the slam-bang thunder, but two of the greatest faces of the time—von Seyferttitz and Dudgeon. I wanted a scene where they could go nose to nose; that is, if the set were big enough to handle their majestic blades. In fact, to me, vS has an appearance that should have pushed him up the Hollywood ladder of intellectual villains. Then too, I'm surprised John Davidson's exotic Hindu didn't get more time. But his may have been a casualty of the shortened version.

At the same time, I should note the nicely fluid camera work that seems unusual for early talkies still struggling with sound. All in all, from what I saw, it's an interesting, if uneven, time-passer.

If you want to see an adaptation of The Moonstone, Wilkie Collins' great mystery story, you will be greatly disappointed by this standard country house whodunit, complete with posh accents to conform to American stereotypes. Collins was the originator of the genre (The Moonstone was the first detective novel in English) and also much better at it than those who followed (Dorothy L. Sayers called it "probably the very finest detective story ever written"). Collins' friend Charles Dickens, for example, though one of the greatest novelists, found it difficult to emulate him (never finishing The Mystery of Edwin Drood). The Moonstone includes elements totally absent from this B movie, including Hinduism, the Indian caste system, narcotics, etc., etc.. The best part of it is the opening with trains spelling out the film company name in a futuristic townscape.

The Moonstone, a valuable, possibly cursed gemstone, is in the possession of Franklin Blake, who arrives at the Vandier Manor to deliver the jewel to his fiancée Ann Verinder. He is accompanied by his Hindu servant Yandoo. Anne places the diamond under her pillow; as she sleeps, it is stolen.

Inspector Cuff arrives and begins to interrogate the various suspects such as Van Lucker, a notorious money lender who is demanding money from Ann's father, Sir John, Ann's cousin, Sir John's assistant, Gustav von Seyffertitz, Yandoo, a bloke with a turban, Mrs Betteridge, and maid with a shady past...

A stormy night, a secluded mansion, stolen Indian jewel, a batch of suspects and murder ... simply story executed with charm, theatrics, interesting characters, and a nice creepy atmosphere. This film adaptation differs from the book's Victorian setting with a modern one.

Nothing special about this one - it's a typical and rather boring whodunit. The film feels very stagy (like a made for TV movie and not one for the movie theaters) and the acting is lacking and stiff - including Patric Knowles (which I never expected)!

Everything happens over a stolen moonstone in a rather large mansion with several people visiting Sir John Verinder's home. The film is pretty predictable for the most part.

Well, I acquired this film in a 50-Mysteries Pack so it's not to bad for the pack deal but it's not a movie I'd watch over and over (one time watching is enough) - it's just one that is a part of the 50-pack.

3/10

Franklin Blake is the lawyer handling the affairs of the late Jason Horncastle. Blake has been away for a year from his fiance Anne Vennder. It is his task to deliver a yellow diamond known as the Horncastle Moonstone to Anne living in the wilds of Yorkshire. He arrives at the remote house on a stormy night along with other visitors who are all tantalized by the beauty of the diamond. The Moonstone is worth £30,000 but is believed to be a curse on anyone who owns it because it has been plundered from a Hindu temple.

A money lender Carl Von Lucker gives Anne's father Sir John 48 hours to repay a loan. Sir John is too poor to pay as he has invested all his time and money in producing a RTH drug as a labour of love for the medical profession. The outspoken housekeeper Betteredge has been in his employ for 40 years and she's a great character to look out for. Anne's cousin Godfrey is a rare book dealer and hobbyist who has gambling debts and clearly wants to take Anne away from Blake. Yandoo is from India but insists he has no interest in seeing the Moonstone return to it's Hindu temple as he has converted to Christianity.

This is the earliest talking adaptation of Wilkie Collins' Victorian intrigue 'The Moonstone' but here the story has been transferred to a contemporary 1930s setting. Although it does strip the mystery nearly down to it's bare bones I found this an interesting and atmospheric adaptation. The opening credits are presented on the turning pages of a copy of Wilkie Collins' book. Then comes a picture parade of the film's players individually accompanied by that same menacing mysterioso music so well known to the followers of Monogram thrillers of the 1930s and 1940s.

Despite the hackneyed premise and milieu, the stage was set for a pretty interesting murder mystery. It is a 'gloomy-mansion-on-a-dark-and-stormy-night' movie, which can be very absorbing if done right. It had a good collection of characters/suspects and got off to a good start.

All of sudden came the scientific-drivel denouement, the deus-ex-machina, which was both cynical and anti-climactic. This was the best the author could do? And why the rush to a conclusion? the story is short enough as is. Good performances all around and the production values were very adequate, considering this was a Poverty Row production.

Sorry I can't recommend this one, but I still have a lot of movies left in my DVD collection. On to the next case.