Agrega una trama en tu idiomaIn Victorian London the esteemed Dr. Pyckle uses himself as a guinea pig when he experiments with a new drug that changes him into a compulsive prankster.In Victorian London the esteemed Dr. Pyckle uses himself as a guinea pig when he experiments with a new drug that changes him into a compulsive prankster.In Victorian London the esteemed Dr. Pyckle uses himself as a guinea pig when he experiments with a new drug that changes him into a compulsive prankster.
The Wonder Dog Pal
- The Dog
- (as Pete the Pup)
Syd Crossley
- Townsman
- (sin créditos)
Dot Farley
- Townswoman
- (sin créditos)
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As an avid Laurel and Hardy fan, I have always been somewhat disappointed in the early solo comedies of both Stan and Ollie. They are just too much a throwback to the early films of Sennett and co., one physical gag heaped upon another with no attempt to vary the frenetic pacing or establish character. So it was with unexpected delight that I watched Dr. Pyckle and Mr. Pryde on the new Kino collection of Stan Laurel solo shorts. Once we dispense with the first ten minutes of generally desultory humor as he mixes his concoction, things get really funny. Laurel's transformation into the naughty Mr. Hyde is priceless. Hopped up (literally) on his potion, he gleefully runs amok, stealing ice cream from children, scaring women with popping paper bags, etc. He isn't the truly malevolent Hyde of Stevenson's story, but merely an unrepentant prankster
a naughty little boy. Later, when his dog laps up some of the spilled potion and starts nipping at Stan's backside while sporting the same fright wig as Mr. Hyde
well, you have to see it to truly appreciate it.
Stan Laurel (pre-Hardy) appeared in several short comedies that were parodies of big-budget Hollywood dramas. Although most of these are quite funny, all (with one exception) are seriously weakened by extremely low budgets. 'Dr Pyckle and Mr Pryde' is the exception; not only is this movie hilarious, but it benefits from some elaborate exterior and interior sets evoking Victorian London. In the early 1980s, when I interviewed Joe Rock (this movie's producer), he recalled that he had obtained access to sets on the Universal Pictures lot, and costumes from Universal's wardrobe department.
By 1925, there had already been several film versions of 'Dr Jekyll and Mr Hyde', including the bootleg 'Der Januskopf' and at least one parody. Modern audiences, who know Jekyll and Hyde from films rather than from literature, usually miss an important point: in Stevenson's original novel, Mr Hyde is clearly much shorter and much younger than Dr Jekyll, making it truly a shock when we learn that they are the same man. In film adaptations, Jekyll is usually played as a comparatively youthful man, and nearly always portrayed by the same actor who also plays Hyde ... so we find it implausible that the other characters fail to guess they're the same person.
Although Stan Laurel is playing for comedy here, his performance as Mr Pryde is a revelation. Rather than wearing elaborate make-up, he merely puffs out his expressive face, dons a wig and hunches his head into his shoulders. There's also some extremely subtle padding under Laurel's coat, making Mr Pryde a slightly bulkier man than Dr Pyckle. At this point in his pre-Hardy career, Laurel was learning that he'd get bigger laughs by underplaying rather than by chewing the scenery. Here, though, he still has a couple of hand-to-brow moments ... acceptable because he's guying a serious story.
There's a dog here cried Pete the Pup, who may or mayn't be the same canine who appeared as Pete the Dog in some Our Gang comedies. I've never understood why it's allegedly so funny that a dog in the movies has a ring painted round one eye ... did any real dog ever have such a mark? Still, I was intrigued here to see a packet labelled 'Dog Cakes', a phrase one doesn't see very often these days.
I was delighted to spot the London-born Syd Crossley in this film, under Victorian side-whiskers. Two decades later, Crossley would be back in his native England and working with George Formby and Cicely Courtneidge. Joe Rock told me that Crossley had been his assistant in Los Angeles, and supplied entree to British film circles when he accompanied Rock to England in the 1930s.
'Dr Pyckle and Mr Pryde' is hilarious from start to finish. If all of Stan Laurel's early comedies had been this good, he would never have needed to team up with Oliver Hardy. I'm certainly glad it happened, though. My rating for this one: 9 out of 10. I wonder if this hilarious movie influenced the classic Two Ronnies sketch 'The Phantom Raspberry Blower of Old London Town'.
By 1925, there had already been several film versions of 'Dr Jekyll and Mr Hyde', including the bootleg 'Der Januskopf' and at least one parody. Modern audiences, who know Jekyll and Hyde from films rather than from literature, usually miss an important point: in Stevenson's original novel, Mr Hyde is clearly much shorter and much younger than Dr Jekyll, making it truly a shock when we learn that they are the same man. In film adaptations, Jekyll is usually played as a comparatively youthful man, and nearly always portrayed by the same actor who also plays Hyde ... so we find it implausible that the other characters fail to guess they're the same person.
Although Stan Laurel is playing for comedy here, his performance as Mr Pryde is a revelation. Rather than wearing elaborate make-up, he merely puffs out his expressive face, dons a wig and hunches his head into his shoulders. There's also some extremely subtle padding under Laurel's coat, making Mr Pryde a slightly bulkier man than Dr Pyckle. At this point in his pre-Hardy career, Laurel was learning that he'd get bigger laughs by underplaying rather than by chewing the scenery. Here, though, he still has a couple of hand-to-brow moments ... acceptable because he's guying a serious story.
There's a dog here cried Pete the Pup, who may or mayn't be the same canine who appeared as Pete the Dog in some Our Gang comedies. I've never understood why it's allegedly so funny that a dog in the movies has a ring painted round one eye ... did any real dog ever have such a mark? Still, I was intrigued here to see a packet labelled 'Dog Cakes', a phrase one doesn't see very often these days.
I was delighted to spot the London-born Syd Crossley in this film, under Victorian side-whiskers. Two decades later, Crossley would be back in his native England and working with George Formby and Cicely Courtneidge. Joe Rock told me that Crossley had been his assistant in Los Angeles, and supplied entree to British film circles when he accompanied Rock to England in the 1930s.
'Dr Pyckle and Mr Pryde' is hilarious from start to finish. If all of Stan Laurel's early comedies had been this good, he would never have needed to team up with Oliver Hardy. I'm certainly glad it happened, though. My rating for this one: 9 out of 10. I wonder if this hilarious movie influenced the classic Two Ronnies sketch 'The Phantom Raspberry Blower of Old London Town'.
This is an entertaining parody feature in itself, and it is also of interest as one of Stan Laurel's more substantial earlier roles. Although it would probably work all right as a spoof of the basic story, it is particularly designed as a parody of the John Barrymore version of "Dr. Jekyll & Mr. Hyde", so if you see or have seen that particular version, there are many more amusing details and parallels that you can spot.
Laurel's character, like the original Dr. Jekyll, has an alter ego, but here it is merely a mischievous one. It's funny to see the light-hearted parallels to the much more serious scenes in the original story, and while the movie is rather unrefined overall, most of it is amusing.
Laurel's approach to the role reflects not so much his own style as a deliberate exaggeration of Barrymore's vigorous performance. Since Laurel also gets to play both the upright doctor and the disreputable alter ego, the role gives him quite a bit to work with. Laurel did a solid job in this kind of parody feature, and it's interesting to watch him perform with an approach that's different from the style that's so familiar from all the great Laurel & Hardy features.
Laurel's character, like the original Dr. Jekyll, has an alter ego, but here it is merely a mischievous one. It's funny to see the light-hearted parallels to the much more serious scenes in the original story, and while the movie is rather unrefined overall, most of it is amusing.
Laurel's approach to the role reflects not so much his own style as a deliberate exaggeration of Barrymore's vigorous performance. Since Laurel also gets to play both the upright doctor and the disreputable alter ego, the role gives him quite a bit to work with. Laurel did a solid job in this kind of parody feature, and it's interesting to watch him perform with an approach that's different from the style that's so familiar from all the great Laurel & Hardy features.
I've only seen a few of Stan Laurel's pre-Ollie movies and, truth be told, the ones I've seen aren't that great so I wasn't expecting much going into this one. However, this parody of John Barrymore's 1920 turn as the famous Dr. Jeckyll is fairly amusing. Laurel actually does a good imitation of Barrymore in monster mode, and wrings plenty of laughs out of the fact that his 'evil' deeds mostly consist of childish pranks. Laurel seems to be a good example of a talented actor needing to find the single role that's right for him in order to be successful. He's good here, but he isn't particularly memorable as an actor or comedian in his own right. It's sobering to think that, had he not been teamed with Oliver Hardy, Laurel's name might have been consigned to cinema's forgotten history along with the likes of Larry Semon and John Bunny.
It is really an amazing parody of Dr. Jekyll and Mr. Hyde. Stan Laurel at his best plays the goofy professor Dr. Pyckle who terns to Mr. Pryde! Mr. Pryde “terrorizes” the society by doing all kinds of evil deeds, like stealing Ice Cream from little kids and pulling lots of other pranks! The world is not safe from Mr. Prydes evil mischiefs. People will try to put an end to his games and bring back piece to the society. Can he really be stopped though? Or the world will never be a safe place again? Stan Laurel gives a great performance in this silent piece of comic art. Although it is only 20 min, it is enough for Stan Laurel to put Jekyll and Hyde in a new comic perspective. All this years I never had the chance to see Laurel alone. I only knew him from the Laurel and Hardy movies. I am really glad that I got the chance to see him perform alone and I must say I could't stop laughing. So if you are a fan and you manage to get your hands on this movie, by all means don’t be reluctant and give it a shot. You might be in for a surprise by the scary Dr. Pyckle!
¿Sabías que…?
- TriviaThe elongated fingers on Mr. Pryde (when he first transforms), are a clear homage to John Barrymore's famous 1920 version of Hyde. Ironically, the makeup and prosthetics are noticeably better in this spoof than they were in the original, possibly because five years had passed, giving special effects makeup time to progress.
- ErroresAt one point Mr. Pryde bumps into a lamppost which sways noticeably.
- Citas
Intertitle: [Introducing Dr. Pyckle's female assistant] A Dainty English Miss - Don't Blame England - We All Miss Occasionally...
- ConexionesEdited into Jekyll & Canada (2009)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Dr. Jekyll and Mr. Hyde Spoof
- Locaciones de filmación
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- Tiempo de ejecución
- 21min
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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