Ubicada en Japón, Isle of Dogs sigue la odisea de un niño en busca de su perro perdido.Ubicada en Japón, Isle of Dogs sigue la odisea de un niño en busca de su perro perdido.Ubicada en Japón, Isle of Dogs sigue la odisea de un niño en busca de su perro perdido.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 34 premios ganados y 95 nominaciones en total
Bryan Cranston
- Chief
- (voz)
Koyu Rankin
- Atari
- (voz)
Edward Norton
- Rex
- (voz)
Bob Balaban
- King
- (voz)
Jeff Goldblum
- Duke
- (voz)
Bill Murray
- Boss
- (voz)
Harvey Keitel
- Gondo
- (voz)
Tilda Swinton
- Oracle
- (voz)
Mari Natsuki
- Auntie
- (voz)
Opiniones destacadas
Super cute Japenese culture film of precious dogs and rescuing friends. Wes Anderson's masterpieces of ensemble cast deserves better; all his films are unique and lovable! This one especially is full of great vibes, incredible music, and a very heartwarming story! I originally saw Isle of Dogs in the theater with my mom cause she's a huge Wes Anderson fan so that was a blast, today watched with my sister in the living room that was cute.
Isle of Dogs (2018) Wes Anderson, I don"t know if you are like me you'll read Isle of Dogs to say "I love dogs" maybe it just me.
After a tedious discussion with a friend (acquaintance) who detests the work of Wes Anderson i have without realising become a big fan. This is similar to Fantastic Mr Fox in its animated style, featuring the big name voices of Bryan Cranston, Bill Murray, Scarlet Johnson etc etc etc, see if you can spot Yoko Ono, i did. The story is fairly straight forward, its a rescue mission akin to Escape From New York (not that ive seen that movie but I know of it) except its not the president of New York that needs to be rescued but a boys pet dog.
Do not listen to pretentious morons who detest Wes Anderson.
It is a great movie and a worthy 8/10.
After a tedious discussion with a friend (acquaintance) who detests the work of Wes Anderson i have without realising become a big fan. This is similar to Fantastic Mr Fox in its animated style, featuring the big name voices of Bryan Cranston, Bill Murray, Scarlet Johnson etc etc etc, see if you can spot Yoko Ono, i did. The story is fairly straight forward, its a rescue mission akin to Escape From New York (not that ive seen that movie but I know of it) except its not the president of New York that needs to be rescued but a boys pet dog.
Do not listen to pretentious morons who detest Wes Anderson.
It is a great movie and a worthy 8/10.
I've just seen this movie at Berlinale and it is exactly what you would expect from Wes Anderson. I wasn't sure how he would do with a non-Western setting but he managed well.
He keeps his unique style and it works very well with the futuristic, but still traditional Japanese art. It also incorporates some cartooning along with interesting ideas - the Japanese dialogue is not always translated and when it is, it's by interpreters or foreign exchange students. Anderson manages to merge his style with the Japanese and it works seamlessly.
It's a very quirky film with an all too relatable story. I enjoyed the visuals more than the plot, I'll admit, but it was still a good movie, with the usual quick dialogues, jokes, strange characters - Tilda Swinton being the weirdest, no surprise there - and altogether it's a great experience.
Without spoilers, if you like Wes Anderson, you will like this movie. If you don't, buckle up, because this is jam-packed with everything that is his style, the quirky music works now fused with Japanese, Bill Murray, Jeff Goldblum and the usual cast having very well fitting characters (watch out for the credits Anjelica Huston is there as a Mute Poodle) and the cinematography being interesting and stunning.
P.S. It's still not a children's movie, don't let the format fool you.
He keeps his unique style and it works very well with the futuristic, but still traditional Japanese art. It also incorporates some cartooning along with interesting ideas - the Japanese dialogue is not always translated and when it is, it's by interpreters or foreign exchange students. Anderson manages to merge his style with the Japanese and it works seamlessly.
It's a very quirky film with an all too relatable story. I enjoyed the visuals more than the plot, I'll admit, but it was still a good movie, with the usual quick dialogues, jokes, strange characters - Tilda Swinton being the weirdest, no surprise there - and altogether it's a great experience.
Without spoilers, if you like Wes Anderson, you will like this movie. If you don't, buckle up, because this is jam-packed with everything that is his style, the quirky music works now fused with Japanese, Bill Murray, Jeff Goldblum and the usual cast having very well fitting characters (watch out for the credits Anjelica Huston is there as a Mute Poodle) and the cinematography being interesting and stunning.
P.S. It's still not a children's movie, don't let the format fool you.
Wes Anderson's the Isle of Dogs is a creatively made, character driven comedy story, with a melancholic and satirical undertone.
The animation, editing and sound design are the main brass here, and are used to great effect to communicate much of the story.
The Isle of Dogs is on the nose about its storytelling, obligatory moments such as flashbacks and story structure are highlighted as to get necessary information communicated as quickly as possible, so the film can get back to living in the moment, exploring its quirky characters and scenery. There is an air of self awareness about the story that, rather than disengaging, is used to draw the viewer more into the inherently ridiculous story. There is an artistry to suspending disbelief, and this is an endlessly creative way to get the audience to do so. To make them aware they're getting conventional information or that certain things are ridiculous plot details, even tropes, and highlighting such details to actually enhance the storytelling rather than distance the viewer. After a point you accept the strange pacing and rapid editing style as part of the universe of this film, and when you do , The Isle of Dogs is an audio-visual experience so cathartic you won't want it to end.
The animation, editing and sound design are the main brass here, and are used to great effect to communicate much of the story.
The Isle of Dogs is on the nose about its storytelling, obligatory moments such as flashbacks and story structure are highlighted as to get necessary information communicated as quickly as possible, so the film can get back to living in the moment, exploring its quirky characters and scenery. There is an air of self awareness about the story that, rather than disengaging, is used to draw the viewer more into the inherently ridiculous story. There is an artistry to suspending disbelief, and this is an endlessly creative way to get the audience to do so. To make them aware they're getting conventional information or that certain things are ridiculous plot details, even tropes, and highlighting such details to actually enhance the storytelling rather than distance the viewer. After a point you accept the strange pacing and rapid editing style as part of the universe of this film, and when you do , The Isle of Dogs is an audio-visual experience so cathartic you won't want it to end.
10ajr93
I had very high expectations going into Isle of Dogs, being a great admirer of Wes Anderson's work, and especially off the fumes of his previous film, The Grand Budapest Hotel (2014). If you look at Wes' filmography, you will notice that each of his films progressively become more focused, detailed, and "Wes Anderson-ey". It feels as if his films have been building to a culmination of sorts, which can be represented with Isle of Dogs.
The story revolves around a young boy, Atari, who is seeking his lost dog with help from a pack of dogs on Trash Island, right outside of Megasaki City (word-play on Nagasaki), a fictional future city of Japan that is exiling dogs due to a "canine flu" outbreak.
From a filmmaking viewpoint, Isle of Dogs has it all in spades, and more. The characters are well rounded and relatable, even though the majority of them are dogs. The presentation of the story is very fresh and unique, and the humor is always smoothly intertwined with the narrative and visuals. With a runtime of an hour and 40 minutes, it flies by, always keeping your attention and further engaging you. The stop-motion animation is very well done, and the way it is contrasted with beautiful Japanese imagery is stunning. The soundtrack is also excellent, and aids in telling the story. There are many nods towards Japanese cinema, chiefly Akira Kurosawa's films, which you can tell that Wes has a passion for. The voice cast is star-studded and wonderful as always. There are plenty of twists and surprises, and the film leaves the viewers with some important messages/themes to ponder over. It is best to go into the movie knowing as little about the story as possible, and let it take you on its journey.
This film will greatly reward repeat viewings. The attention to detail in every frame is incredible, and there is always so much on the screen to absorb and process, in the best way possible. I believe that Wes Anderson has the most distinct and easily discernible style of any filmmaker to ever live, and this quality alone is something to be praised very highly.
If you love dogs, Japanese cinema/culture, stop-motion, and animation in general, then you will love this film all the more so. Isle of Dogs, shows Wes at his full unfiltered creative power, stretching his capabilities, and giving us something truly remarkable.
Ineffable Films: http://www.imdb.com/list/ls052767730/
The story revolves around a young boy, Atari, who is seeking his lost dog with help from a pack of dogs on Trash Island, right outside of Megasaki City (word-play on Nagasaki), a fictional future city of Japan that is exiling dogs due to a "canine flu" outbreak.
From a filmmaking viewpoint, Isle of Dogs has it all in spades, and more. The characters are well rounded and relatable, even though the majority of them are dogs. The presentation of the story is very fresh and unique, and the humor is always smoothly intertwined with the narrative and visuals. With a runtime of an hour and 40 minutes, it flies by, always keeping your attention and further engaging you. The stop-motion animation is very well done, and the way it is contrasted with beautiful Japanese imagery is stunning. The soundtrack is also excellent, and aids in telling the story. There are many nods towards Japanese cinema, chiefly Akira Kurosawa's films, which you can tell that Wes has a passion for. The voice cast is star-studded and wonderful as always. There are plenty of twists and surprises, and the film leaves the viewers with some important messages/themes to ponder over. It is best to go into the movie knowing as little about the story as possible, and let it take you on its journey.
This film will greatly reward repeat viewings. The attention to detail in every frame is incredible, and there is always so much on the screen to absorb and process, in the best way possible. I believe that Wes Anderson has the most distinct and easily discernible style of any filmmaker to ever live, and this quality alone is something to be praised very highly.
If you love dogs, Japanese cinema/culture, stop-motion, and animation in general, then you will love this film all the more so. Isle of Dogs, shows Wes at his full unfiltered creative power, stretching his capabilities, and giving us something truly remarkable.
Ineffable Films: http://www.imdb.com/list/ls052767730/
Wes Anderson Films as Ranked by IMDb Rating
¿Sabías que…?
- TriviaWriter and director Wes Anderson hosted a competition for someone to be a member of the voice cast for this film. The only requirement was that they donated ten dollars or more to the Film Foundation, a non-profit founded by Martin Scorsese, which specializes in the preservation and restoration of film around the world.
- ErroresIn a lot of the scenes that feature simultaneous interpretation, the interpreter will begin to say something in English before it has been said in Japanese. In fact, because the verb comes at the end of a Japanese sentence, it is impossible to interpret in the manner depicted in the movie. Even the very best interpreters will be a few seconds behind the Japanese.
- Créditos curiososAt the end of the movie Anjelica Huston, who is a long time collaborator with Wes Anderson, is credited as the "Mute Poodle".
- ConexionesFeatured in Conan: Jeff Goldblum/Sebastian Maniscalco/Nothing But Thieves (2018)
- Bandas sonorasKosame No Oka
Music and words by Ryôichi Hattori (as Ryoichi Hattori), Hachirô Satô (as Hachiro Sato)
© 1940 by Ryoichi Hattori & Hachiro Sato
Administered by Nichion, Inc. for rights of Ryoichi Hattori
International Copyright Secured. All Rights Reserved.
"El ángel borracho (1948)" © 1948 Toho Co., Ltd. All Rights Reserved.
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
24 Frames From Wes Anderson Films
24 Frames From Wes Anderson Films
Explore the memorable career of Wes Anderson through 24 stills from his movies.
- How long is Isle of Dogs?Con tecnología de Alexa
- Is this a movie meant for children?
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Isle of Dogs
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 32,015,231
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,620,294
- 25 mar 2018
- Total a nivel mundial
- USD 72,674,843
- Tiempo de ejecución1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the streaming release date of Isla de perros (2018) in Canada?
Responda