Acontecimientos espectaculares trastornan una convención de jóvenes astrónomos.Acontecimientos espectaculares trastornan una convención de jóvenes astrónomos.Acontecimientos espectaculares trastornan una convención de jóvenes astrónomos.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 84 nominaciones en total
Steve Park
- Roger Cho
- (as Stephen Park)
Opiniones destacadas
I saw 'ASTEROID CITY' yesterday...and I have a
mixed feelings about it....
As usual, stylistically very impressive, with strong emphasis on ensemble work of actors, as it's usually happens in Wes Anderson's movies.
When movie is considered ensemble piece the pressure of a film success falls on the shoulders of the director. In a normal narrative film the protagonist and antagonist often take the burden of film success on themselves, hoping that the audience will emphasize with our lead characters and their character arc, to be immersed in the story during the full running time.
There is a risk however if the audience doesn't connect with performances the status of leading man or a woman is in jeopardy, with producers in the future not wanting to green light another film with actors, which were unable to handle the "weight" of the movie.
This is why plenty of actors like to work on movies which offer ensemble feel. They don't have to spend many months on filmset, instead they come for few days, shoot their scenes and can move on to the next project. If their performance didn't work they are always supported by other quality actors, so it doesn't ruin the whole film. In ether way Wes Anderson's style always comes on top, as actors who work with him understand the particular speed of lines delivery, as well as dryness of the dialog.
Stylistically it's very much what we expect from Anderson. Cinematography is more interesting then usual with a strong emphasis on production and costumes design. The camera movement feel bit more free then usual and yet the composition is always full of symmetry, which is the calling card of Wes. He even included few inserts (close ups of objects, which normally make thinks appear more cinematic) which for his filmmaking style is rather unusual. As well as few "Dutch angles", which make the audience feel sense of distorted reality in moments of surrealism.
The color correction ranging from black and white to colorful over saturation is rather visually interesting.
There is a lot of quality here, but I am afraid 'ASTEROID CITY' might not be everyone's taste, although fans of Anderson know what to expect and should have a good time.
More casual viewers might feel like this film is a little stylistically disjointed.
For me I appreciate what Wes was trying to accomplish and always admire his stylistic consistency, which has its benefits (you know what to expect), but also it's throwbacks, when Wes just like in this case is trying to explore a new filmmaking narrative techniques.
Recommend! 👍
When movie is considered ensemble piece the pressure of a film success falls on the shoulders of the director. In a normal narrative film the protagonist and antagonist often take the burden of film success on themselves, hoping that the audience will emphasize with our lead characters and their character arc, to be immersed in the story during the full running time.
There is a risk however if the audience doesn't connect with performances the status of leading man or a woman is in jeopardy, with producers in the future not wanting to green light another film with actors, which were unable to handle the "weight" of the movie.
This is why plenty of actors like to work on movies which offer ensemble feel. They don't have to spend many months on filmset, instead they come for few days, shoot their scenes and can move on to the next project. If their performance didn't work they are always supported by other quality actors, so it doesn't ruin the whole film. In ether way Wes Anderson's style always comes on top, as actors who work with him understand the particular speed of lines delivery, as well as dryness of the dialog.
Stylistically it's very much what we expect from Anderson. Cinematography is more interesting then usual with a strong emphasis on production and costumes design. The camera movement feel bit more free then usual and yet the composition is always full of symmetry, which is the calling card of Wes. He even included few inserts (close ups of objects, which normally make thinks appear more cinematic) which for his filmmaking style is rather unusual. As well as few "Dutch angles", which make the audience feel sense of distorted reality in moments of surrealism.
The color correction ranging from black and white to colorful over saturation is rather visually interesting.
There is a lot of quality here, but I am afraid 'ASTEROID CITY' might not be everyone's taste, although fans of Anderson know what to expect and should have a good time.
More casual viewers might feel like this film is a little stylistically disjointed.
For me I appreciate what Wes was trying to accomplish and always admire his stylistic consistency, which has its benefits (you know what to expect), but also it's throwbacks, when Wes just like in this case is trying to explore a new filmmaking narrative techniques.
Recommend! 👍
People were laughing in the quaint historic theater I watched this film in. But I was not. I laughed one time, when you watch it you'll know the time.
The striking thing about these last couple of Wes Anderson movies is how they're becoming a parody of themselves. I can appreciate film as art vs film as entertainment. This takes entertainment disguised as art and commercializes it to a degree I find distasteful.
It was a pretty film. I loved the colors. I can respect it's aesthetic and that's where all the stars came from. I also love Schwartzmann.
The way the story was told as some kind of slowly unfolding meta-melodrama of a play within a film managed to completely chop the film into indigestible pieces. Ive rarely been that disinterested in the plot of a film.
Last thought. What on earth makes all of these famous actors want to be in these films??? Is it money? Is it the desire to see your own face with some pretty symmetrical colors in the background? Wes Anderson hasn't made a good film in years. We can continue to respect him from afar for doing something unique. Far enough away we don't have to watch....
The striking thing about these last couple of Wes Anderson movies is how they're becoming a parody of themselves. I can appreciate film as art vs film as entertainment. This takes entertainment disguised as art and commercializes it to a degree I find distasteful.
It was a pretty film. I loved the colors. I can respect it's aesthetic and that's where all the stars came from. I also love Schwartzmann.
The way the story was told as some kind of slowly unfolding meta-melodrama of a play within a film managed to completely chop the film into indigestible pieces. Ive rarely been that disinterested in the plot of a film.
Last thought. What on earth makes all of these famous actors want to be in these films??? Is it money? Is it the desire to see your own face with some pretty symmetrical colors in the background? Wes Anderson hasn't made a good film in years. We can continue to respect him from afar for doing something unique. Far enough away we don't have to watch....
Wes Anderson drummed up a magnificent cast. At least ten of them could carry a triple A movie by themselves. Unfortunately, Wes forgot that a good movie needs a good plot as well.
The visuals are outstanding, almost every shot is also an award winning photo. The acting is superb. The setting is magnificent and almost everything about this movie is perfect.
Everything but the plot. If you like humor, you'll like this film. If you come for the visuals, you'll love this film. If you're into acting, you'll have an excellent time. But if you want to be engaged? Look elsewhere.
Dear Wes, your dialogues are hilarious and witty. Your plots lack substance. Work on your plots.
The visuals are outstanding, almost every shot is also an award winning photo. The acting is superb. The setting is magnificent and almost everything about this movie is perfect.
Everything but the plot. If you like humor, you'll like this film. If you come for the visuals, you'll love this film. If you're into acting, you'll have an excellent time. But if you want to be engaged? Look elsewhere.
Dear Wes, your dialogues are hilarious and witty. Your plots lack substance. Work on your plots.
This is by far the worst of his movies. Such an incredible cast and he did nothing with them, the acting is good but the lack of an interesting story is unbelievable. It's a pretty film, yes, but even visually, it's the least interesting from his work. French dispatch was his first strike, Asteroid city is his second, really hope there's not a third. Hope he hires a good writer or writers to help him with his next films. We know he can do art direction, photography, and a few funny bits, but he needs someone to help him with plots. Really, with such an amazing cast, to come up with this, is so so so sad. What a waste. Truly disappointed.
As much as I love the artistic visuals and whimsical charm of a Wes Anderson film, this one was mildly disappointing. There were long speeches that didn't land with humor, weird pacing issues, and a nested framing device of a TV broadcast, the play, and its real-world creators that didn't do anything for me. Maybe it would take a repeat viewing, because the intention behind this was confusing, and it overshadowed the fine little moments that were scattered throughout the movie. As with The French Dispatch, the cast is jam-packed with stars, but unnecessarily so, as many seemed underused, and it felt like there were too many characters. This one needed simplification, a better story, and more heart.
Wes Anderson Films as Ranked by IMDb Rating
¿Sabías que…?
- TriviaJason Schwartzman used the incomplete on-ramp freeway as a place to relax on set in between takes. "I would go up there all the time and sit up there. (...) Don't tell anyone. It's my secret spot. My secret spot in Asteroid City. It's kind of a hidden gem."
- ErroresThe newspaper shows a photo of the alien with a shadow, as if taken with a flashbulb, but Augie did not use a flash.
- Citas
Augie Steenbeck: I still don't understand the play.
Schubert Green: Doesn't matter. Just keep telling the story.
- Créditos curiososAt the very end of the end credits, over a black screen a voice whispers, "Wicked."
- Versiones alternativasTheatrically, the film is presented entirely within a 2.39:1 frame; the corresponding academy ratio 1.37:1 scenes are windowboxed within that frame. The Blu-Ray, DVD, and streaming version presents everything within a 1.78:1 framing, letterboxing the 2.39:1 segments and pillarboxing the 1.37:1 segments. The opening Focus Features and Indian Paintbrush logos are presented in full 1.78:1.
- Bandas sonorasLast Train to San Fernando
Written by Sylvester DeVere, Randolph Padmore, Kenneth St. Bernard
Performed by Johnny Duncan and the Blue Grass Boys
Courtesy of Columbia Records Nashville
By arrangement with Sony Music Entertainment
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24 Frames From Wes Anderson Films
24 Frames From Wes Anderson Films
Explore the memorable career of Wes Anderson through 24 stills from his movies.
- How long is Asteroid City?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 28,153,025
- Fin de semana de estreno en EE. UU. y Canadá
- USD 853,382
- 18 jun 2023
- Total a nivel mundial
- USD 53,857,743
- Tiempo de ejecución
- 1h 45min(105 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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