Vuelo a Marte

Flight to Mars was made in the hey-day of the Cold War, so perhaps it is not unreasonable that Monogram films chose not to advertise that the original story was "Aelita," by the Russian novelist Alexei Tolstoy.

Of course, the main character's name, Alita, does sort of give that away. The basic story line and character line up were retained, with the exception of the professional revolutionary who got dropped. In the book the reporter appears at the beginning and end of the narrative, and does not accompany the characters to Mars. In the book the engineer was married, not afianced. Of course, the Russians also filmed Aelita as a silent. What is interesting is that the American version is more faithful to the original plot.

Cheesy, shlocky and campy as it is, I suppose that 1951's "Flight to Mars" still has a claim to historical relevance. According to one of my film Bibles, "The Psychotronic Encyclopedia," it was "the first space-flight movie in color." But hey, wait a minute...what about "Destination Moon," made the year before? Better make that "one of the first..." Anyway, in this one, newsman Cameron Mitchell tags along with four scientists (one of them the obligatory hotty female scientist) on the first, uh, flight to Mars. The group's members wear bomber jackets and wide-brimmed hats, more suitable for a fishing expedition, and, during liftoff, strap themselves into blanketed cots. After toughing it out through a meteor storm (that looks like a bunch of orange dots), our Earth band finds the remnants of an underground Martian civilization, whose remaining members attempt to steal the Earth ship so as to evacuate their dying planet. Luckily, for the male Terran viewer, some of these Martians are leggy, miniskirted and babelicious; one of them is even named Aelita, in a not-so-subtle homage to the 1924 Russian sci-fi classic "Aelita, Queen of Mars." The sets and FX on display here, it must be said, range from imaginative and impressive to slapdash and laughable. (It's hard to believe that "Forbidden Planet," one of the real sci-fi champs, with its superb FX, was made a scant five years later!) The film's Cinecolor looks just fine on the DVD that I just watched, but the source print itself has been badly damaged, with many words missing. A somewhat tense finale, unfortunately, is also marred by a too abrupt ending. All in all, a mixed bag that should still be of interest to fans of '50s sci-fi. Oh, by the way: Cameron Mitchell reveals, in one of the DVD's extras, that this movie was filmed in just five days! Maybe they should have taken six.

An exploratory expedition to Mars crashlands on the planet and receive aid from an underground Martian civilization(which no the expedition are not at all surprised to discover living on the planet) but can these Martians be trusted?

Despite its flaws and low budget, I can't help loving the 1950s sci-fi style utilized in the film from the model rocketships to the leggy costumes worn by the Martian women to the predictable film climax. Any fan of films from the era should at least see this film. There are times this film tries to reach above its limitations and it succeeds in doing so just a little.

Four men and a lady blast off for the red planet Mars in this lean-budgeted but likable little yarn. The explorers find a thriving civilization of completely humanoid Matians. The leaders of the Martian government act friendly, but they secretly plot to kill the Earthlings and steal the secret of their rocket propulsion system.

Scientist Arthur Franz (`Invaders from Mars') is the leader of the expedition, Cameron Mitchell is the wisecracking newspaper man, and Virginia Houston is Franz's jilted fiancé'. Mitchell fall in love with Miss Houston, and Franz falls in love with a gorgeous Martian lady in a minidress, played by Marguerite Chapman, the heroine of `Spy Smasher' -- one of the Republic serials which Lucas and Speilberg patterned `Raiders of the Lost Ark' after.

Director Lesley Selander shot the picture in just 11 days, and admirable accomplishment in view of the results. After all, it was made in 1951 (the same year as `The Thing' and `The Day the Earth Stood Still') in glorious Cinecolor, and the set designs are remarkably similar to those used in `This Island Earth'. I read somewhere (`Starlog' magazine, I think') that the sets and special effects were by the same people.

The costumes are excellent, especially those worn by the attractive female stars (extremely short, `futuristic' dresses). Also noteworthy is the fact that we get to see Morris Ankrum in his second sci-fi role (the first was `Rocketship X-M'). He portrays a general, as he did in so many 1950s sci-fi films -- but this time he's a MARTIAN general who urges his people to invade the Earth!

A lovely irony for 1950s sci-fi fans.

The highly appealing rocket in `Flight to Mars' was reused in at least three other 1950s movies -- `Queen of Outer Space', `World Without End', and `It ! The Terror from Outer Space'. And that makes this rocket the most well-traveled interplanetary vehicle in film history, second only to the Millennium Falcon!

If you've got a soft spot for 1950s films, this one will warm the your heart if you can find it. Lemme' know if you do.

First saw this film when I rented it on VHS in 1985. Many years later, I purchased it and enjoy watching this film from time to time. It is typical of its era, although this was a honest attempt at a sensible depiction of what 1950 realities would have envisioned such a venture. Its a more positive vision than "Rocketship X-M", although the martian surface scenes are quite limited - and no where near as effective as the Death Valley shots in X-M.

I recommend it, if you appreciate these films for their time capsule value to 50+ years ago.