Me casé con un monstruo del espacio exterior

Another thinly veiled reference to the Communist witch hunt, 'I Married A Monster From Outer Space' is a movie with a cheesy title and a decent story. Aliens have come to Earth to impersonate American men while using a ray-gun on the women (they really don't like hookers). The flip here is that while they ARE taking over the bodies & lives of the men they capture, they're trying to live the way we do. Are they also trying to love? It's almost touching. Even though the classic paranoia sci-fi flick 'Invasion Of The Body Snatchers' is an obvious influence, the second half is where the two movies diverge. You can almost root for the body snatchers in 'I Married A Monster'.

The B cast never humiliate themselves, but none of them are particularly memorable either. Gene Fowler Jr. (longtime editor, sometime director) leads his actors through the paces in competent fashion. Tom Tryon and Gloria Talbott don't cause too many sparks, but they're not really supposed to. Along with the actual subversion of humanity, this is also an allegory for how newlyweds can quickly grow apart and---okay, I'll say it---alienated. And although this movie is classified as horror/sci-fi, the American Film Institute saw fit to nominate it for their list of 400 great American love stories.

Filled with subtext and double-meanings (as so many overlooked B movies are), the flick accomplishes more by saying less. The F/X are about as dated and obvious as such things get, but they weren't perfect in other '50s genre films either. You might laugh at 'I Married A Monster', but you could do much worse for 78 minutes. This can't be said for half the modern movies out there, but you SHOULD look closer at this one.

Despite the fact that this film has a ridiculous title, it really is quite a little gem. During the 1950's the spread of Communism was the great fear in America and many films reflected this through the analogy of aliens infiltrating society. This movie is one of them....aliens taking over the population without being noticed....the guy next door may be a Communist (or a monster from outer space). Gloria Talbot,who appeared in a score of 50's movies (whatever happened to her?) does a good job as the suspicious wife but she wears one of the strangest pointed bras you've ever seen and even wears it in bed! Tom Tryon sleepwalks through the part of the husband, which in this film is appropriate for the role. He was a very bland actor and eventually went on to a sucessful career as a novelist. The black and white cinematography is well done and the film evokes a sense of impending doom. The special effects, which are limited, are not too bad...remember this was 1958. This film is a standout in a series of lower budget movies of the time but the awkward title may cause some to pass it by. Recommend it to a friend.

Despite the dreadful title, this is a well made, thought provoking Sci-fi film. A young bride discovers that her husband is not the man she fell in love with, but a hideous alien in a specially constructed shell. The thought provoking part, is the ambiguous character of the aliens. At first you are convinced that these ugly creatures are on earth for evil intent. as the film progresses, you are aware of their desperation to survive, even if they have to kill to do it. In one excellent scene, a hooded alien stares longingly at a doll in a shop window, and then ruthlessly kills one of the locals without a second thought. this stimulates both compassion and revulsion. Both Gloria Talbott and Tom Tryon as the leading actors, give good understated performances, and in the final scene, Tryons' alien becomes a terribly pathetic creature whose only desire was to see the continuation of his race. Are the aliens good or evil? the jury is still out.

This has to definitely be one of the better science fiction films of the mid to late 1950's. The only thing that hurts this film is the lousy title. The thing that really impressed me about it is the fact that this film isn't a typical B-movie. In fact, this film gives you a very thought provoking story as well as what another person said, a kind of poignancy that you never would expect from this type of film. In fact, you pretty much feel that towards the end of the film that Marge is actually falling for the alien posing as her beloved Bill. Also, you pretty much feel sorry for the impostor at the end as he is beginning to experience the emotions that he never had, especially love. Unfortunately, the film is undone by its typically lousy 1950's B-movie title. However, once you look past the title and look at how good the story is, you will see that this film is a pretty decent film.

This was such a great time to be a kid. We had a constant ration of these cold war movies. We were taught to duck and cover if we saw a nuclear flash. My sister and I went to see this as part of a double feature with "The Blob" about four times. Like "The Invasion of the Body Snatchers," there were aliens who were up to no good. Since they were the incarnation of the communists, they had no soul. They were there to force their ideology on us all, turn us into zombie like automatons. The danger in this movie came from the authorities who had been absorbed by the space critters. You just couldn't trust the police. The good thing was that if you knew who they were, you could kill them pretty much like other humans. And, when they died, they turned into pudding or applesauce or something that flowed out of their sleeves and pants legs. The hard part was like in "Invasion." You had to get the word out and convince people that what you were saying weren't the rantings of a lunatic. Nevertheless, we can take solace that good will out and the good old American way will turn those suckers into pudding.