Añade un argumento en tu idiomaIn the 1890s, Trottie True moves from bit theatre parts to stardom, and from balloonist Sid Skinner to more prominent men. She later wonders if Sid wasn't better after all, and seeks to find... Leer todoIn the 1890s, Trottie True moves from bit theatre parts to stardom, and from balloonist Sid Skinner to more prominent men. She later wonders if Sid wasn't better after all, and seeks to find out.In the 1890s, Trottie True moves from bit theatre parts to stardom, and from balloonist Sid Skinner to more prominent men. She later wonders if Sid wasn't better after all, and seeks to find out.
- Dirección
- Guión
- Reparto principal
Tony Halfpenny
- Perce True
- (as Anthony Halfpenny)
Dilys Laye
- Trottie as a Child
- (as Dylis Lay)
Reseñas destacadas
Jean Kent rises from being a child performer in Camden Town in the 1890s to a member of the Gaiety Theater chorus, to the Duchess of Wellwater in a storm-in-a-teacup tumultuous marriage. It's a slight programmer, eked out by Jean Kent's lively performer as a too-candid good girl and by good set and color design. The way cinematographer Harry Waxman shoots the movie, it winds up looking like a series of color rotogravures.
It's derived from one of the eccentric novels of S.J.Simon and Caryl Brahms. While it is not a great movie, Miss Kent's performance is excellent. She had gone on the stage at the age of ten (with her mother) and later worked in the chorus at London's famed Windmill Theater. Doubtless she based her performance on close observation.
It's derived from one of the eccentric novels of S.J.Simon and Caryl Brahms. While it is not a great movie, Miss Kent's performance is excellent. She had gone on the stage at the age of ten (with her mother) and later worked in the chorus at London's famed Windmill Theater. Doubtless she based her performance on close observation.
Tottie True is a famous singer set in this late 19th century British film. She's not only very popular but beautiful...and lots of men are interested in her. But two are standouts....a poor guy who loves ballooning and a rich Marquess. Both ask her to marry and she agrees to marry the poor guy but then the rich guy offers...and she accepts again. This means letting down the poor guy gently. As the film progresses, you can't help but wonder if she might have been happier with the poor balloonatic.
This film looks nice and I have no major complaints. I just found the message to be a bit predictable. Otherwise, worth seeing and I found a high quality color copy of this on YouTube.
This film looks nice and I have no major complaints. I just found the message to be a bit predictable. Otherwise, worth seeing and I found a high quality color copy of this on YouTube.
Jean Kent had everything, real acting ability, a lovely singing voice, and a beautiful face and figure. Only the British Film Industry was short sighted enough not to recognise a Lady who should have been our Number one Star. She was at her best in Trottie True, and I cannot understand why she wasn't snapped up by Hollywood. Only 8 years after this film she was supporting Marilyn Monroe in The Prince and the Showgirl, and still looking ravishing. She is the last surviving Gainsborogh Girl and it is shocking that she seems to have been totally forgotten by the Industry. I saw her at the National Film Theatre in 1999 when they showed Trottie True, and she talked about her career. After the film she came out into the foyer and signed every autograph and posed for photo's, a lovely Lady and a true star.
I was fortunate enough to be at the BFI Southbank in 2011 at a showing of Caravan starring Jean Kent in the presence of Jean Kent in what sadly was to be her last public appearance.Here she appears in a rather slight musical set in Victorian times.She shines through the material.
I first saw Trottie True when it was released . I was already a member of Miss Kent's fan club and she had a magazine full of English stars news.Trottie True was the second film I had seen in colour starring Miss Kent the other one being The Man Within .I am only sorry we still dont see her.
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- Duración1 hora 36 minutos
- Relación de aspecto
- 1.37 : 1
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By what name was Trottie True (1949) officially released in Canada in English?
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