Una mujer en entredicho

A great cast and performance by some of Britain's best 50s-60s headliners, including Dirk Bogard and Susan Shaw. Hermione Baddely as usual, gave a great convincing performance..

An intriguing suspense murder mystery, with a dialogue that twists and turns, beginning with the discovery of a womans murder.. The narrative is then told to the police inspector individually, through the recollections of those acquainted closest to the victim (which there are many) I really enjoyed this style of whodunit murder mystery, as it gives the storyline so much more depth into each character, and creativity on different levels..

Jean Kents performance was exillerarating, authentic and believable.! I'm an avid fan of British B movies, especially the crime genre but, this is quite in a class of its own.!

I did however guess the killer (it was obvious) but for those never having seen this movie before, I recommend you take time to watch it. It'll keep you guessing until the end :) I have watched 'A Woman In Question' over the years numerous times and I still enjoy watching it whenever shown, immensely..!

They don't make them like they used to...!!!

A Woman in Question (recently IMDb lists it as Five Angels on Murder) is a Rashomon like story told in flashback. The story develops after a women is found dead and police detectives question witnesses, each of whom provides a different account of events leading to the murder. Until the very end, the ulterior motives of each of the characters remain unclear.

It is a greatly underrated movie that is not easily accessible. Anthony Asquith handles the material really well and masterfully builds the suspense. In addition, solid performances are provided by the cast.

If you get an opportunity to watch this movie, do not miss it. Hopefully the movie will become more accessible in the years to come.

When a fortune teller named Astra (Jean Kent) is found murdered, the police investigate and hear several versions of the kind of woman she was in "The Woman in Question," a 1950 British film directed by Anthony Asquith. Besides Kent, the film features the excellent Hermoine Baddeley and Dirk Bogarde, still in the early part of his career.

The police interview five women and therefore, get five different stories. To her neighbor Mrs. Finch (Baddeley), Astra was pure class, gracious and sophisticated with questionable taste in men.

To Pollard, the owner of the pet store who was crazy about her, she was pretty, quiet, and sweet (though the audience can see how manipulative she is); to Baker (Bogarde) who wants to do a nightclub act with her, she is a tart; to her sister, she's a slovenly drunk.

Finally, from a violent sailor, Mike Murray, she's a faithless woman who cheats on him while he's away. We do learn that Astra's husband is in a hospital, badly injured in the war and not expected to live, yet she doesn't visit him. She also lets Pollard do things for her for free and must realize he has a crush on her.

All in all, an interesting and sometimes funny film. Kent is excellent in all of Astra's manifestations, and, since I am a Dirk Bogarde fan, I loved seeing him and hearing him with an American accent (which he actually did pretty well). Baddeley, always excellent, is a riot.

"Five Angles on Murder" or "The Woman in Question" is not the most exciting film you'll ever see, and like a lot of British films, it's a bit slow in the beginning, but it's enjoyable.

'The Woman in Question's' potential was enormous. Love murder mysteries, Anthony Asquith often was a very reliable director and Jean Kent, Dirk Bogarde and Hermione Baddeley have all been great in other films.

After seeing it, 'The Woman in Question' is solid and has some inventive elements. It mostly lives up to its potential but doesn't entirely, there are a few short-comings that bring it down from a potentially great film to just a good one worthy still of more credit. 'The Woman in Question' doesn't get into high gear straight away, it's a little too slow to begin with. Was also one of those people who found the ending abrupt, though the solution was clever and unexpected still.

Most of the performances are fine, but for my tastes Duncan Macrae is a little pallid and John McCallum much too hammy.

However, 'The Woman in Question' is atmospherically produced and shot. Asquith directs with a lot of engagement and command of the material, helped by that it's good stuff to work from, and the film is hauntingly scored without intruding too much.

Script is thought-provoking and does a wonderful job with the development and writing of the titular character, a complex and juicy one. The story is not perfect but is mostly tense and suspenseful with some inventive elements, especially in its treatment of the titular character and what we find out about her.

With the exception of two, the performances are very good. The best of the lot is Jean Kent, who is also the best thing about the film and is simply incredible with some of the widest range of emotions ever seen on film. Dirk Bogarde is charismatic in an early role and his accent, which was a good attempt to stretch his acting chops, wasn't an issue to me.

In support, Hermione Baddeley in particular has a ball and Charles Victor has some fine moments, especially in the final third.

Overall, good and solid film that could have been more. 7/10 Bethany Cox

This British mystery is clever in showing us the varying perspectives of five people connected to a woman who has been murdered, one flashback after another, as the police question them. It's amusing to see how each remembers their own behavior as better than others do, sometimes in subtle ways, and other times with larger distortions, and wonder how much of it they believe vs. Knowingly spin in their accounts. This is how it is in life; each of us are the stars of our own little shows, and our views of people or events can be wildly different, despite underlying commonality.

While many are quick to point out the parallel to Rashomon, released just a couple of months earlier, it's important to note that Kurosawa's film had its characters telling almost completely different narratives, whereas in The Woman in Question it's more of a matter of different perspectives. In Rashomon, there is no ultimate, objective truth, and it remains elusive. In this film, there is clear truth, and we are unsurprised when the detective gets things sorted.

The concept to this film was intriguing, and allowed the actors to show off their range, Jean Kent especially (the woman who gets murdered), but also Hermione Baddeley (the neighbor) and Dirk Bogarde (the sister's boyfriend), among others. The film is not quite as strong as the mystery is unraveled, though Duncan Macrae brings that classic British approach I'm fond of. Unfortunately, the final clue and killer's instant confession upon being confronted felt rather hokey, and the ending just a little too quick and tidy to feel completely satisfying. Not bad though.