Añade un argumento en tu idiomaPolice detective Roy Hargis falls for night club singer Ilona Vance, but his partner Sgt. Lackey is convinced she fatally shot mob lawyer Frank Hobart. Hargis has his doubts, until he learns... Leer todoPolice detective Roy Hargis falls for night club singer Ilona Vance, but his partner Sgt. Lackey is convinced she fatally shot mob lawyer Frank Hobart. Hargis has his doubts, until he learns that Ilona once owned the murder weapon.Police detective Roy Hargis falls for night club singer Ilona Vance, but his partner Sgt. Lackey is convinced she fatally shot mob lawyer Frank Hobart. Hargis has his doubts, until he learns that Ilona once owned the murder weapon.
- Dirección
- Guión
- Reparto principal
- 'Whitey' Pollock
- (as Elisha Cook)
- Parking Attendant
- (sin acreditar)
- Police Officer
- (sin acreditar)
- Nightclub Patron
- (sin acreditar)
- Nightclub Patron
- (sin acreditar)
Reseñas destacadas
Thoroughly forgettable crime drama (not noir). Two reasons for watching might be to catch evil-eye Lee Van Cleef as a cop, of all things, and still early in his unusual career. Then there's Vera Hruba Ralston often mocked as Hollywood's worst actress. She's not too bad here as a lounge singer. Can't help but sympathize with her fruitless effort to become the Hollywood queen Republic's head honcho Herbert Yates insisted upon. And that's despite her not speaking English and having little talent. She does show some accomplishment here, however. Note, in passing, the spiffy suits the men wear, even the cops. Like maybe, they just came off the studio rack, which I expect they did. Too bad pedestrian Joe Kane directs without a single imaginative touch, while actor Brian literally walks through his cop part. Anyway, the cars are clean and shiny, the candy-box colors near perfect, and the run- time fairly brief. So it all swallows down easily if unmemorably.
1-baby blue Continental automobile was a separate "make" from the Ford Motor Company for just the 1956 and 1957 model years.
2-Virginia Gray sweating profusely, and her bright blue eyes.
3-the almost matching (different color jackets) blackamoor lamps at the ends of the bar in the nightclub.
And a color picture from Republic in 1956 because the studio boss' wife was the singer.
It's wide screen and color and from a story by W.R. Burnett and shows promise, but director Joseph Kane doesn't know how to direct the scenes for the sexual heat that Burnett's story demands, so the abrupt changes are a bit cringeworthy. Still, there's a good scene with Elisha Cook Jr. as a sweaty alky and Frank Puglia is rather sweet as a sympathetic night club owner. There's not a spot of chemistry between the leads, however, and the result is a sub-par time waster.
It is almost a noir, but, aside from Virginia Grey, must of the cast don't really register very well.
A supporting turn by Lee Van Cleve, among others (David Brian, Sidney Blackmer, etc.) keep the movie moving along.
And there is Vera Ralston, singing ersatz cafe songs, and the glory of TruColor.
Still, why Eddie Muller hasn't championed the movie is beyond me, as he has justified far worse.
For some reason, I stumbled across the movie on The Criterion Channel, which keeps surprising me, as one of the best movie streaming services available.
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- Citas
Chad Bayless: Alright. Reasoning gets us no place. Take care of him for good.
- Banda sonoraYOU'RE IN LOVE
Music by Buddy Bregman
Words by Herb Newman
Arranged by R. Dale Butts (uncredited)
Sung by Vera Ralston (dubbed)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Schach dem Mörder
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 14 minutos
- Relación de aspecto
- 2.35 : 1