Lion: Der lange Weg nach Hause

It's the story of my life. I was born in Bangalore in 1983 and I was adopted by an Italian family when I was almost two years old. My father told me that the nuns found me on the street, and they took me to an orphanage in Solur. My father made a very difficult journey to come and get me and we stayed a month in India before returning to Italy. unfortunately I do not remember anything of that world and for me it will be very difficult to understand where I was born but one day I will come back. I have to go back This film change my life..

Lion is based on a true story that is both incredibly uplifting and heartbreaking. Don't watch any trailers - go in blind. This film is a must-see.

'Lion' showed a lot of promise. There was potential for a very powerful story, had heard a lot of good things about it (as seen from many positive reviews and a high rating here) and there is a lot of talent involved. A lot of my friends had said how much it touched them, as have many reviewers here, and it seemed like my kind of film.

Fortunately, 'Lion' was a film that had great potential and mostly lived up to it. Cannot say that for many recent viewings, with a few too many wastes of good concepts and potential (along with wastes of talent, that is a bugbear of mine because it feels like somewhat of a slap of the face) so that there was a film that did not waste it was refreshing and restored a bit of faith. It is a very good film, albeit it was very nearly a great film. That it wasn't the great film all the way through than when it started is something of a shame, but there are so many great qualities all the same.

It is an uneven film sure, starting with the negatives. The second half is not as strong as the first half, it is not as compellingly paced and the clarity of storytelling is less good, some of it feeling vague. That is not to say it is unwatchable, it is still touching in spots in a film that is quite the emotional experience.

Rooney Mara also came over to me as the cast's weak link. She didn't look very interested and her character felt like a misplaced and underwritten plot device.

However, 'Lion's' first half is wonderful. Hugely compelling and very emotional, and what is meant by why the film very nearly was great. The whole film though was poignant, and count me in as another film who has become tougher generally over the year but got through several tissues by the film's end.

Throughout, 'Lion' is beautifully filmed and complements the beautiful sceneries very well. Scoring and sound never come over as obvious or intrusive. The script provokes thought, charms and moves. The story is never dull and the emotional impact never feels forced or manipulative.

Garth Davis does a very good job directing. Aside from Mara, the cast are very good. Dev Patel's performance here is perhaps the best seen from him personally and David Wenham and Nicole Kidman are similarly excellent. The star here though is Sunny Pawar who is just outstanding, have not seen a child performance this good in a long time, it is perhaps among the best ever.

In conclusion, very good and very nearly great. 8/10 Bethany Cox

Just saw this at TIFF . I saw the trailer a few days before the screening and I have to admit the trailer alone made me a little emotional. I mean just the thought of a 5 year old separated from his family for 25 years is bad enough, add in the fact that he was lost in India, a country of over a billion people and was the child of an uneducated poor single mother and you are looking at a very stressful situation.

This happens there everyday..and most children never find their way back. They either end up dead or in the hands of heartless people who use children for various illegal / unethical operations. The fact that one boy survived this situation and went on to tell his story is very inspiring and this fantastic film did justice to showing it on screen.

There wasn't a single scene in the movie which doesn't suck you in. Hats off to Dev Patel. He managed to make you feel the character's pain just by the way he looked at a jalebi (indian sweet that his brother and him fantasized about back in India). Special shoutout to the young actor who played little Saroo. His performance blew me away. It would be difficult to watch any child go through what he did and the fact that he was absolutely adorable looking made it even harder.

The movie explores some great themes: What happens to lost children in developing countries? How do poor, illiterate citizens of a country go about finding their lost children...who helps them? What are the dangers faced by these lost children? Why do certain people choose to adopt? How do adopted children adapt to their surroundings? Especially when they're transplanted so many miles away from home where they do not even speak the language. Do children every fully recover from traumatic childhood experiences? Does one forget their original family if they never see them again after the age of 5? As an adopted child do you ever completely feel like you fit into your new life? What is the bond with your adoptive parents like? The film touches upon all these themes while primarily being about the physical and emotional journey of a young man finding his way back home with very few clues to work with.

I kid you not, I could hear the whole theatre crying during several parts of the movie and most people had tissues in their hands. So be prepared. If you're in the mood for a heart wrenching drama with an uplifting ending, go watch this one once its out! The lead cast as well as supporting members have all done a wonderful job. You will not be disappointed!

If film-art is the pursuit of visual pleasure, powerful storytelling and high emotional impact, then Lion (2016) is the year's high-water mark for Australian productions. Based on the novel A Long Way Home (2014), this film adaptation is a richly textured essay on the primal human need for belonging that will resonate with anyone who has ever wondered who they are.

This true story is told in two parts and filmed across two continents. Five year-old Saroo is a ragamuffin sidekick to his older brother Guddo, two poor boys who support their family by stealing coal and scavenging trains in their West Bengal village. They become separated one night and Saroo finds himself alone on a train heading to the other side of India. He he joins hordes of homeless children who must fend off predators while begging to survive. Eventually he is placed in a crowded orphanage, then adopted by two big-hearted and childless Tasmanians, Sue (Nicole Kidman) and John (David Wenham). Twenty years on, Saroo (Dev Patel) begins to have memory flashbacks of his native land. As they increase in intensity, he becomes obsessed with finding his family. With some luck and Google maps, the story comes full circle.

There is so much that makes this film stand out. The storytelling is more than engaging: it is so captivating that the two-hour run-time feels like an hour. Acting performances are outstanding: Nicole Kidman is at her best while the five year-old Saroo (Sunny Pawar) is the heart of the film and Dev Patel its soul. The cinematography is brilliant, especially the filming in India. The camera-work is both expansive and intimate, shifting often from sweeping aerial panoramas of mountainous Indian countryside and tranquil Tasmanian waterways to narrow winding alleys, village markets, and the inner-world of Saroo's turmoil. Some of the most powerful scenes are shot from the eye-level of a terrified lost boy jostled by masses of humanity and the close-ups of Saroo's painful face desperate to know home. The colour palette is exotic, sound track emotionally intense, and the directing finds a rhythm that is almost orchestral.

This film offers an immensely satisfying cinematic experience: visually stunning, narratively powerful, and an emotional whirlwind. It comes at the end of a very mixed year for Australian film, with some of the world's finest produced but many that are less than inspiring. Lion is one of those films that will appeal to everyone and it has a very long after-taste. It easily tops my film year.