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Anatomy of a Love Seen

  • 2014
  • Not Rated
  • 1 Std. 20 Min.
IMDb-BEWERTUNG
4,7/10
2814
IHRE BEWERTUNG
Sharon Hinnendael and Jill Evyn in Anatomy of a Love Seen (2014)
Two young actresses fall in love with each other while filming a lesbian love scene, then break up months later, and then are forced to reunite in order to re-shoot the love scene for the movie's distribution.
trailer wiedergeben1:37
1 Video
23 Fotos
DramaRomanze

Füge eine Handlung in deiner Sprache hinzuTwo young actresses fall in love with each other while filming a lesbian love scene, then break up months later, and then are forced to reunite in order to re-shoot the love scene for the mo... Alles lesenTwo young actresses fall in love with each other while filming a lesbian love scene, then break up months later, and then are forced to reunite in order to re-shoot the love scene for the movie's distribution.Two young actresses fall in love with each other while filming a lesbian love scene, then break up months later, and then are forced to reunite in order to re-shoot the love scene for the movie's distribution.

  • Regie
    • Marina Rice Bader
  • Drehbuch
    • Marina Rice Bader
  • Hauptbesetzung
    • Sharon Hinnendael
    • Jill Evyn
    • Constance Brenneman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,7/10
    2814
    IHRE BEWERTUNG
    • Regie
      • Marina Rice Bader
    • Drehbuch
      • Marina Rice Bader
    • Hauptbesetzung
      • Sharon Hinnendael
      • Jill Evyn
      • Constance Brenneman
    • 39Benutzerrezensionen
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:37
    Official Trailer

    Fotos22

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 19
    Poster ansehen

    Topbesetzung8

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    Sharon Hinnendael
    Sharon Hinnendael
    • Zoe Peterson
    Jill Evyn
    Jill Evyn
    • Mal Ford
    Constance Brenneman
    Constance Brenneman
    • Anne Pasternak
    Marina Rice Bader
    Marina Rice Bader
    • Kara Voss
    Kieran Valla
    Kieran Valla
    • Kieran Scardovi
    Alexandria Storm
    • Alex Smith
    Justin Kane
    Justin Kane
    • Justin da Silva
    Edward Salerno Jr.
    Edward Salerno Jr.
    • Eddie
    • Regie
      • Marina Rice Bader
    • Drehbuch
      • Marina Rice Bader
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen39

    4,72.8K
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    Empfohlene Bewertungen

    10RaynarRogers

    Don't just watch... See.

    Earlier I read a review that basically warned viewers about this movie but since the Director was so kind as to personally message everyone who queried about the film on Youtube strands and the trailer was done so beautifully, I decided that it was worth the $5 and went ahead and watched it anyway. Now can I just say that this is not a 'typical' movie and if you are a plot based person who gets bored easy and needs the car chase or the lonely montage or any other Hollywood film tricks to fill your 90 minutes, you may not be prepared for this and may even have words as strong as the previous reviewer who claimed that it was slow and self indulgent. But if you can be open to seeing something very different and raw, it is really something unique and special. Realism to me often comes in a slightly art house package, with a slow narrative mimicking reality. You know. Those long look-out-of-the- window-of-a-train sequences or how the film sometimes gets taken over by silence. And somehow, even with a narrative, these films will so often lose me. However, this movie is clever in that it is absolute realism without the extended narrative, in fact, the whole film is set up within a short space of time, literally almost mimicking time itself which absolutely gripped me like I was living those moments with them. The four lead actresses were fantastic and the chemistry between Zoe and Mal was nothing short of Real. I can talk about how great the pace was or the shots but art isn't always meant to be picked apart by its roots. For me, seeing a film that is not dragged down by plot but puts all of its cards on letting a situation and a relationship run its course throughout a difficult day, a film thats core focus is to express just... love, is refreshing and honestly exciting. With this and Blue is The Warmest Colour... I am feeling pretty confident that particularly lesbian relationships are started to be represented well within the film industry. Despite that we were removed from so much of the context and history,I was so emotionally invested because it wasn't about exposition and it wasn't about knowing, it relied on feeling. That in-the-middle-of-a-complicated-break-up-and-now-I-don't-know-how- to-function feeling that leaves us completely vulnerable and if you've never had anything like that or never felt sick when you're around a person, like your body doesn't feel like its you anymore or you've never had a first fight or a last fight or a relationship ultimatum moment or you've never stopped yourself before you risk getting hurt, then maybe, just maybe you might be like meh, a film about love with no plot. Otherwise, this is a gem and you will not be sorry for putting money into this film. Commendation to the team!
    meritcoba

    Parents protect your daughters!(for it is very boring)

    This movie has a great idea in that it is supposed to be about two young actresses who fall in love for real when they play as lovers in a movie.

    But that is not what is advertised. Instead we are told that it is the lesbian love scene itself that actually turns them into lovers. It was why I was reluctant to go and watch. To make the most of the advertised sex scene the movie opens with the scene itself and it is on the cover and in the trailers. Yes, we are promised a hot spicy lesbian love scene that will turn two women into lovers. Two scenes even, for the movie is actually about a reshoot of the first scene. And the effect is more or less the same. You see, that is what lesbian sex does to girls. Perhaps even to straight girls? Parents protect your daughters!

    What would be next is a guy who will tell them that a real guy(he himself) will turn them into straight girls again because all they need is some good straight hanky panky to make them see the error of their ways. It never hurts to have a good old straight shag to fix things.

    The problem however isn't this misused promise of a lesbian sex scene, but the incredibly slow pace of the movie. You see, the two lovers had a falling out, but darn now they have to reshoot that particular scene! Drama ensues... very slowly. Very very slowly.

    It could have been a great movie, but instead we get long slow scenes in which the crew is followed setting up for the scene where such things are discussed as why the wall is missing or that the movie needs to be less heavy. It was probably interesting for the movie crew to see themselves in action but I found it irrelevant for the story and boring to boot.

    Even worse however is the bemoanings and recriminations of the two actresses. Like little spoiled brats they have to be talked to by the director all the time to get them to do the bleeding scene. But no, their interpersonal struggles cannot be set aside but have to be addressed and solved right there and then by the director turned relations councilor. Of course, none of the actresses ever thought of taking a friend or otherwise trusted person with them or deal with the thing in a professional or grownup manner. No, no no. We have to see this drama unfold.

    If you like very slow drama that has people bemoaning their plight, this is the movie for you. If you instead had hoped to see a movie about a lesbian relation that develops with it's up and downs, as was promised, you might be disappointed by the result. It would have been great to allow people some insight and understanding of lesbians, but this isn't that movie. In fact it wouldn't have interested anyone if this love scene had been a straight one. Making a love scene lesbian does not make a movie less boring or better.
    8musical_lover1986

    Have tissues handy

    This movie is so powerful. If you are a person that has been abandoned by someone you loved, who you thought loved you, without explanation, this movie will have an affect on you. Maybe you are the person who did the abandoning. You can identify with one, if not both, of these women. Some have complained about it being slow or no plot. I will say, you must have some depth to you to enjoy this film. It has very quiet moments, but that is where the intensity lies. These quiet moments are where you are going to feel and remember your old wounds. I have watched this movie several times since the first time, and it sticks with me for hours afterwards. Not many movies these days that have that effect. The two lead actresses did such a good job with their roles. I cared so much about Mal & Zoe by the end. If you are able to watch a movie without aliens/disasters/high speed car crashes, please give this movie a chance. xoxo
    9tfeiman-1

    Yes, its ideal, but very pretty, and well thought.

    This film is a a witty undertaking of a subject, that could be easily viewed as trite, or an idealized fantasy of what might be, especially with two very attractive female leads as well as supporting cast(both genders). The character realizations could appear, as contrived, but their is a sense of honesty, and hopeful behavior that rings true to the two lead characters. Specifically referencing those of true intimacy of being alone in public sphere.

    The film moves quickly, and provides a fanciful imagination of what love and love lost could look like between these two ladies, and delves into intimate, while quick similar to that in life, moments of what it feels like to have love, loose it, want to retain it, and maybe win again. Yes, there is something familiar about the plot, and the characters, what is refreshing is the execution, and understanding that it is a bit of a show.

    Yes, the ending is a bit tidy, however the question that is effective is that of the audience. Is this real? or is this an ideal? Luckily, the films producers and directors provide a clean line of sure, but its really up to the viewer.
    2jenlewis923

    Shallow and Horrid

    I am not normally one to write reviews. In fact, I had to create an account just to review this movie. I despised this movie so much that the effort it took to warn others not to waste their money (or time) in order to view this movie was worth it. Let me be clear. I am a lesbian, so I was excited at the prospect of a potentially good/appealing lesbian-focused film. This was not that film. In fact, it was the opposite of a good/appealing movie. The film only has a running time of 80 minutes, and yet there were many points when my partner and I considered turning it off...but kept hoping it would get better. Let me assure you, it does not get better. There is no plot except for shallowness and self-absorption, if you can call that a plot. I don't actually want to spend more time writing about/thinking about this movie, but consider yourselves warned.

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    Handlung

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    • Soundtracks
      Shine Bright
      Written by Sarah Smith / Tim Thorney

      Produced by Kevin Doyle

      Performed by Sarah Smith

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    Details

    Ändern
    • Erscheinungsdatum
      • 18. Juli 2014 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Görünen Bir aşkın Anatomisi
    • Drehorte
      • Glendale, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Soul Kiss Films
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    Technische Daten

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    • Laufzeit
      1 Stunde 20 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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