Die intelligente Annabelle beginnt in einem katholischen Elite-Mädcheninternat, nachdem sie von den beiden vorherigen Schulen verwiesen wurde. Sie ist offen dafür, lesbisch zu sein. Sie fühl... Alles lesenDie intelligente Annabelle beginnt in einem katholischen Elite-Mädcheninternat, nachdem sie von den beiden vorherigen Schulen verwiesen wurde. Sie ist offen dafür, lesbisch zu sein. Sie fühlt sich zu ihrer Lehrerin Simone hingezogen.Die intelligente Annabelle beginnt in einem katholischen Elite-Mädcheninternat, nachdem sie von den beiden vorherigen Schulen verwiesen wurde. Sie ist offen dafür, lesbisch zu sein. Sie fühlt sich zu ihrer Lehrerin Simone hingezogen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 10 wins total
- Senator Tillman
- (as Wendy Schall)
- Martha
- (as Lesli Andrews)
- Schoolgirl
- (as Austin Highsmith)
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What I liked about the film was that it was character-driven, and not plot-driven. The emotional growth of the characters took center stage to the possibly sensational aspects. I felt carried along the storyline without any forced-ness or jumps in thought. The plot line was smooth, and had enough twists and turns to keep me from knowing what would happen next. I totally identified with the main characters and cared about them (individually) very deeply besides my interest in whether or not they would get together.
The look of the film, the quality of the story, and the TERRIFIC acting (both Annabelle and Simone are perfectly cast) give Loving Annabelle the depth and sheen of a much higher-budget film. (Though the emotional resonance of the story makes talking about budgets almost crass.) The music is also terrific. The soundtrack would be great to listen to as its own entity. This is the film that I've most enjoyed in a long time and have recommended it highly to anyone who will listen to me since I first saw it.
I understand this type of movie making when you are talking documentaries or biographies or films based on real events. There you can't really make an interesting and captivating story because you have to stick to history, but not here, especially when the main story is the love between a literature teacher and her student in a classy and expensive private school. One just expects more subtlety, a more elaborate plot, some sort of moral.
Bottom line: one just gets bored watching it. The only way you could possibly enjoy this is if the film relates to a personal story of a similar category, like a crush on a teacher or some forbidden girl love episode. If this film meant something for the movie maker, it certainly did not manage to relay the same feelings to the viewer.
The one thing I find redeeming about this film is the tension that builds between the two leads. The filmmaker does a good job of teasing the audience time and time again, to the point where I just gave up any hope of them getting together. She successfully took the film to a point where she could take one of two routes: they end up together, or they never take that chance. The choice she makes works for the tone of the film, even if the ending is a tad abrupt.
All in all, the filmmaker definitely has talent, I just wish there was less ambiguity in the narrative and more character development.
Wusstest du schon
- WissenswertesIn the director's commentary, Katherine Brooks stated that she taught actress Erin Kelly how to remove "Simone's" bra with one hand so the choreographed sex scene would look natural.
- PatzerAfter Annabelle asks Simone if she would take her cross off, Annabelle turns to pick up her rosary. The microphone is visible on the inside of Annabelle's shirt collar.
- Zitate
Simone: [Having asked Annabelle to stay after class because Annabelle was a bit risque in giving an answer] I think you're trying to get a rise out of me.
Annabelle: [Slightly suggestively] And why would I want to do that?
Simone: Perhaps to get attention.
Annabelle: Perhaps I'm intrigued.
Simone: Ingrigued by what?
Annabelle: [Boldly] By you.
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- Budget
- 1.000.000 $ (geschätzt)