The Hateful 8

The film is too well crafted to get the really low scores, the cinematography is too good, the acting too high caliber, the direction too solid, the score too nice, and the flick too engaging for such ratings.

This also applies to the other end. The "twists" are unimportant and add no spice, the pacing just slogs along, the joy too nonexistent, the characters evoke too little emotion either way, the story too light on satisfaction, the story telling too inconsistent, the length too needless,the magic (other than on the technical side) too absent, and the rewatchability too minimal for me to see greatness but maybe a second viewing will change my perspective but it will definitely be on video for me, only the lure of a hot date fixated on going could get me into the theater again other than maybe just for the experience a 70mm screening.

I'm a pretty avid Tarrentino fan but I didn't overly enjoy this effort. I more appreciate it and can't say I wasn't engaged but I also can't say that I'm eager to see it again and worse for the first time I have little inclination to do so with a flick by Q.

A generous 7/10 (rounding up from 6.5) for me but I could see ceiling of 8 and a basement of 4 at the lowest.

I never saw this film back when it was released in 2015. But, I did manage to buy a copy of Blu-Ray. Now, when I first saw it, I thought this movie was flawless/perfect. I now know that no movie despite what anyone may say, is perfect. But I am firm believer that this is in fact Quinton Tarantino's most underrated and under-appreciated film. Everyone I've talked to, says the Hateful Eight isn't Tarantino's most re-watchable film. I disagree. With a phenomenal cast that really gets into their characters. Each one stands out and not one is forgetful. Samuel L. Jackson and Kurt Russell are the stars of this film and it shows. Their performances (in my opinion) were Oscar worthy. Don't even get me started on the story. This is basically a Who-Done-It play turned into a film. The complexity of this story should make the audience feel confused and turn their heads going, "what the hell is happening?". But it does the exact opposite. Everything flows perfectly. The pacing of this film, while it is almost 3 hours, it doesn't feel like it. The cinematography is great. The score brings tension and makes the audience uneasy. But I think my favorite thing of this film, is the scenery. Having these 8 characters who all hate each other, trapped by a blizzard. Really builds up the tension of the catastrophe that is coming. The only thing that is working against this film is the lengthy setup shots at the beginning of the movie. The first five minutes of the film is plagued by it and those tend to drag on. Beyond that, everything about this film is great.

You Guys Need To Watch This Masterpiece.

There are too much dialogue and slow movie but after the first half you will enjoy the movie. Kurt And Jackson's Oscar Worthy Performance 🔥

Some kind of uniqueness in every dialogue such a brilliant piece of work.

Thanks Quentin. Looking Forward For Your Next Movie.

I saw Quentin Tarantino's 8th film on opening night in 70 mm, intermission and all. It was pretty big and fantastic, if not a little bit exhausting. Thankfully, the intermission allowed for a bathroom break.

I just watched it again, now 4 years later, as the extended edition on Netflix, broken into four episodes, and in UHD 4K.

The snowy vistas in high def digital are as epic and beautiful as you'll see in any film. The majority of the story happens indoors, though, in Mimi's Haberdashery, which provides a more intimate feel, as if you are alone with these characters with the blizzard outside, and the noisy footsteps on the wooden floors inside (You need two boards!)

The featured racism of Tarantino's films, and liberal use of the "N" word, doesn't age well with time. It jars. It seems less funny, and even a little sad. But it is what it is, and will stand the test of time in its quality, and what it tried to say as an adjunct to entertainment. What cannot be denied are the performances that Tarantino brings out of his eclectic mix of characters. Walter Goggins still is a standout performance, and thankfully, a redemptive one.

I look forward to seeing Once Upon a Time in Hollywood, knowing that QT will once again bring together time, music, set pieces, gore, dark humor, pulpy dialogue, and more - and would also like to see how his take on the more regrettable aspects of our culture has (or hasn't) evolved over the last few years.

There's a bounty hunter ploughing through the snow, wherever he moves Daisy Domergue moves too, but they need a place to stay, until the storm has gone away, Minnie's cabin's quite close by, so there they go. Before arriving they encounter men adrift, a Major and a Sheriff cadge a lift, but there is tension in the air, mistrust, suspicion and despair, chains are attached; and shackled round loose wrists. At the cabin there are others taking cover, four lone strangers it transpires don't know each other, but they settle for the night, although you know there'll be a fight, and more than one will be impaired, and truly suffer.

Plenty of hate spews forth as well as a number of other less palatable projectiles, but you'd be disappointed if they didn't from the master of magnificent movies.