Death Proof - Todsicher

You people are crazy who are giving this such a low review. This is cinema classic - fantastic, witty dialog, lots of humor, two amazing action scenes, one consisting of an outstanding car stunt that always gives me chills in the stomach, and a great "women's revenge" ending. I could watch this anywhere, any time and be thoroughly entertained. This movie has two distinct halves to it, and both are great. But you have to enjoy the buildup of we'll crafted dialogue. If all you want is mindless crap, don't watch a Tarantino movie.

It all started as an homage to old exploitation cinema and double feature screenings. It was meant to be one of the most shamelessly entertaining films of the year. Sadly, after flopping in the US, Grindhouse has been chopped in two, with Quentin Tarantino's segment, Death Proof, being the first to be released on its own after competing at the Cannes Film Festival. It is not presented in its Grindhouse version, which included scratches, dirt, missing reels and other visual aging techniques; instead, we get the full cut, containing additional information regarding certain plot points and a few "juicy" bits that were left out first time around (a hot lap dance being the best new scene). And while it certainly would be fun to see the entire double-bill in all its glory (hopefully it will get a worldwide DVD release), I must say I really enjoyed QT's half as a separate picture.

As this is intended to be Tarantino's answer to '60s and '70s B-movies, the plot of Death Proof is extremely simple: there is a psychopath, named Stuntman Mike (Kurt Russell), who enjoys killing women with his car, a virtually indestructible vehicle ("This car is 100% death proof. Only to get the benefit of it, honey, you REALLY need to be sitting in my seat!"). Whenever he arrives in a new town he selects a group of girls and sets his perverse plan into motion. And unless he runs into someone who is as crazy or drives as well as him, there is no way to stop him.

Those expecting QT's usual stream of film references will be disappointed: apart from a hilarious restaurant scene that sort of spoofs the opening of Reservoir Dogs and a couple of nods to similarly themed horror flicks (and, of course, the casting of Russell, which is a deliberate homage to John Carpenter), the director is not interested in exposing his absolute knowledge of this kind of cinema. This time, he delivers a straightforward genre movie, albeit with his trademark tough women at the center. The trailer promised a wildly fun B-movie, and that's exactly what Death Proof is: a movie like they don't make anymore, old-fashioned, irony-free and exciting as hell.

However, this does not mean Tarantino has set his visual or verbal obsessions aside: the dialogue is as imaginative and surreal as it has always been, and there are enough shots of bare female feet to keep fans happy. Naturally, being this a QT flick, those feet belong to a quality cast: the only real star in the film (apart from the villain, that is) is Rosario Dawson, but she is part of a talented ensemble, which includes Vanessa Ferlito (CSI: NY), Rose McGowan (Scream) and stunt-woman Zoe Bell (who doubled for Uma Thurman in Kill Bill). The mention of honor, though, goes to Russell, who finally has the opportunity to go all bad again, and boy, does he go bad: even when he is pretending to be a friendly chap who offers you a ride home, he exudes a sense of menace that doesn't leave until the end of the picture. Also worth praise are Michael Parks, reprising his role of foul-mouthed sheriff Earl McGraw (of From Dusk till Dawn and Kill Bill fame) and tying the two halves of the film together, and Tarantino himself, popping up as smug, ridiculously likable bartender Warren. The latter is particularly charming because, unlike other times (From Dusk's Richie Gekko is a good example), QT does not try to prove he can act (although he pulled off a remarkable job in Alias). He's just there for the sheer fun, like everyone else.

Pure, unadulterated fun and excitement: that's the key to appreciating Death Proof. Do not expect a smart, unusual take on an overused genre, like the director has done in the past: this time around, he sticks to the rules, delivering a loud, silly, sexy, violent piece of Entertainment with a capital "e". It may not be the best film of 2007, but it sure as hell is one of the most purely enjoyable.

As a complete film, I'm not sure this one quite comes off, but in terms of being a love letter to grindhouse cinema, it's filled with wonderful touches throughout that make it an absolute treat for fans of 1970s exploitation flicks (which I came to love in the 80s on VHS). Touches that I loved in "Death Proof" were the faux scratched up print, the costumes that looked both contemporary and period, the missing scenes, the film's title change ("Quentin Tarantino's Thunder Bolt" that appears on screen for a split second), bad rack focusing, the film title font choice, the subtle reference to other classics like "Gone in 60 Seconds" in the film's opening title sequence or references to cheerleader and muscle car movies or to voyeuristic giallo films or even dialogue references to classics like "Vanishing Point" or "Big Wednesday," and then there's the casting of Kurt Russell, which that in and of itself is enough to evoke nostalgia from 80s Gen-Xers who should be thrilled to see Russell getting to play a badass once again. The story is one of the film's weak points, which is unusual for a Tarantino film. The story follows two separate sets of beautiful women being stalked by serial killer Stuntman Mike (Russell) and his Death Proof car, but maybe the implausible story and gaps in logic are part of Tarantino's homage to exploitation cinema. Another complaint is that some of the dialogue, particularly in the first half of the film, although entertaining didn't seem to serve either the story or character development, which Tarantino usually does so well. But again, Tarantino may just have been riffing and having fun with this freewheeling film. But for all it's flaws, this is still a highly entertaining film and it's impossible not to enjoy the badass showdown between Stuntman Mike and the second set of women, who happen to include amazing stuntwoman Zoe Bell. This film should have made Zoe Bell an action star, but that may not have happened since there are so few female action roles in Hollywood. Tarantino really knocks it out of the park with the film's final chase and action sequences, which are greatly aided by Tarantino's excellent choice of music (though the music choices throughout the film are great). If you had any misguided belief that this was a throwaway film on Tarantino's part, he again proves himself as a true "cinema guy" and does deliver some moments of pure cinema (moments that could not be captured in books, animation, comics, or any medium outside of film). Besides any scene with Russell, I think my favorite moment of the film is was when Zoe Bell is on the hood of the Dodge Charger and Tarantino has the camera go into close-up on Rosario Dawson's face, who is at first terrified by Bell on the hood and then slowly comes to the realization that Bell is loving it, as Dawson breaks out into a smile. It's a great performance by Dawson, but Tarantino's slow zoom and patience to hold on Dawson are just brilliant. Like most Tarantino films, this one features a deliciously eclectic cast, that besides Russell and Bell includes Rosario Dawson, Rose McGowan, Jordan Ladd, the underrated Mary Elizabeth Winstead, Eli Roth, Michael Parks as Earl McGraw and James Parks as Edgar McGraw, Marley Shelton, and Nicky Katt. Although this film is likely Tarantino's weakest film, it's still a solid film and well worth watching.

In 2007, Quentin Tarantino and Robert Rodriguez joined forces to create the Grindhouse film experience: a double feature intended to emulate the thrilling grittiness and distinctive roughness of 1970s exploitation cinema.

Tarantino's contribution to the Grindhouse project is Death Proof: a weird combination of car-chase action and serial-killer terror. If nothing else, Death Proof does everything that Tarantino loves doing. It has characters who act really cool, always talking with sharp wit and dirty language. It has wild camera work, including some slick black-and-white shots and shots intentionally damaged to give everything a rough, old-fashioned texture. It has an abundance of oldies rock 'n roll, it has oodles of references to other films (including some references to Tarantino's own Pulp Fiction and Kill Bill). It even has dozens of foot-fetish shots, with barefoot characters strutting around, shoving their feet into the camera. And, of course, there's also plenty of pulpy blood and violence to satisfy.

The film has its share of cool parts and sharp dialogue. The last act is most worthwhile for its phenomenal car chase scene. It lasts for a good twenty minutes or so, featuring a pair of great muscle cars, ripping up the roads before ripping each other up. It's all intended to replicate the look, feel, and excitement of old-fashioned car chase films, such as Vanishing Point (which is referenced in the film, and the film even uses the same car).

The problem is, however, is that when the film isn't cool, it's totally uncool. In between the big standout scenes, the film drags a lot. A lot of time is spent on the characters hanging out at bars and restaurants, chatting inanely, and often times without progressing the plot all that much. These scenes still have a few standout scenes (such as the saucy lapdance scene), but a lot of it comes off as pointless.

The story is also pretty weird and mixed. It's essentially split in half, with some scenes set in the past and some set in the present. It's all intended to focus on the main villain stalking two different sets of victims, and the film takes its (damn) time to set things up for the big car wreck scenes. It also takes its time to dive deeply into the characters. Unfortunately, the pacing takes a huge hit in doing so, and the film overall feels uneven.

Fortunately, the film remains cool and slick, with fantastic photography and editing. Scenes set in the past have been scratched-up and damaged on purpose to replicate that old-fashioned 1970s film look, and it is pretty wild that way. Acting is quite appealing from the cast; especially from Kurt Russell, playing the bad guy for a change, and he is strikingly effective as Stuntman Mike. Writing is very sharp and witty, although not always effective. This production uses some very cool and distinctive sets, props, costumes, and cars. Music is really neat too.

The film is pure Tarantino, and I can't help but to think that the man must have had too much fun making this picture, because it encompasses all of his signature trademarks. Unfortunately, it's also quite a mixed experience that's not always palatable. Fans should check it out and see what they think, and it's recommended as part of the Grindhouse double-feature experience, but otherwise it's best left as a rental if you're interested.

3.5/5 (Entertainment: Average | Story: Pretty Good | Film: Good)

I honestly think Death Proof is one of the most underrated films at the time I'm writing this (2015). A lot of people on this board seem to complain about the dialogue or the delivery of some of the actors. I personally think this movie has a lot of punch with a strong car chase sequence, very good actors, well-written script....and a perfect soundtrack!

I really like how the first part of the movie is a classic slasher/horror movie and the second part is a great throwback to "car movies".

Death Proof came out in 2007 and I remember watching this movie with my friend and having a really good time. I watched the movie another time a few years later and really enjoyed it to for other reasons, especially the classic car chase sequence.

Now it's 2015, I've just watched Death Proof for a third time and it's still a blast to watch. The music is perfect, the movie is very funny, and I love the performance from Kurt Russell, Sydney Poitier (Jungle Julia) and all the other supporting characters.

R.I.P. Sally Menke, I really love her work on this movie...not only for the great grindhouse "jump cuts" but also for one of my favorite scene halfway through the movie that I won't mention and the awesome 11-min well edited car chase.

I gave the movie a strong 9/10 and I hope this movie will have a better reputation 5-10 years from now. Great work from Quentin Tarantino!