Füge eine Handlung in deiner Sprache hinzuArmy veteran Timothy McVeigh hatches a deadly plan after the Waco siege. A psychological thriller depicting the deadliest act of domestic terrorism in U.S. history.Army veteran Timothy McVeigh hatches a deadly plan after the Waco siege. A psychological thriller depicting the deadliest act of domestic terrorism in U.S. history.Army veteran Timothy McVeigh hatches a deadly plan after the Waco siege. A psychological thriller depicting the deadliest act of domestic terrorism in U.S. history.
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This movie was marketed as a "psychological thriller", yet there was nothing "psychological" or "thrilling" about it.
The film did very little to explain McVeigh and Nichols' backstory, and show us who they were and what they believed. Instead, it stumbles along from scene to scene, almost like they made things up as they went along. And then it just ends.
Overall I found the movie unengaging, uninformative, and boring. It was a half-assed hollow shell of what it should have been. Makes you think they were trying to be "first" instead of "best"
I did think that Anthony Carrigan's performance of Andreas Strassmeir was very good. Too bad the writers couldn't do a better job of telling the whole story, though.
The film did very little to explain McVeigh and Nichols' backstory, and show us who they were and what they believed. Instead, it stumbles along from scene to scene, almost like they made things up as they went along. And then it just ends.
Overall I found the movie unengaging, uninformative, and boring. It was a half-assed hollow shell of what it should have been. Makes you think they were trying to be "first" instead of "best"
I did think that Anthony Carrigan's performance of Andreas Strassmeir was very good. Too bad the writers couldn't do a better job of telling the whole story, though.
Was really hoping this was cut from the same script-pages as Tony Stone's exceptional "Ted K" (2021), but make no mistake, this is the Lifetime Channel Presents or Edward James Olmos (á la AMERICAN ME) version of the Oklahoma City Bombing and its principal architect. Totally controversy-free, favoring theatrics and creator's liberties (w source material) with the goal of producing conventional, feature-length bio-pic. DNF.
Found out the guy who directed this is seemingly a DailyWire MAGA type which checks out because it's hard to see what actually drew this guy to this story given how little he has to say about it. Weirdly Brett Gelman probably the most compelling presence here which is crazy because he's an unbearable POS (unanimously).
Found out the guy who directed this is seemingly a DailyWire MAGA type which checks out because it's hard to see what actually drew this guy to this story given how little he has to say about it. Weirdly Brett Gelman probably the most compelling presence here which is crazy because he's an unbearable POS (unanimously).
Very predictable. I knew how it would end before the title card.
OK, jokes aside, this movie was super flat. It left everything very 2 dimensional. Nothing felt really explored.
I remember these incidents, and honestly, I feel I could have written a better movie, with more insight into the events based solely off of my recollection of the news from the event when it happened.
It didn't really answer anything, and felt like it didn't even know what to ask. It was honestly boring, slow, and uninspired.
I didn't go into it with high expectations, but DID know there was a rich bit of storytelling to be had here. Instead, it was barely paint by numbers regurgitation of the story.
OK, jokes aside, this movie was super flat. It left everything very 2 dimensional. Nothing felt really explored.
I remember these incidents, and honestly, I feel I could have written a better movie, with more insight into the events based solely off of my recollection of the news from the event when it happened.
It didn't really answer anything, and felt like it didn't even know what to ask. It was honestly boring, slow, and uninspired.
I didn't go into it with high expectations, but DID know there was a rich bit of storytelling to be had here. Instead, it was barely paint by numbers regurgitation of the story.
"McVeigh" (2024) attempts to chronicle the descent of Timothy McVeigh into domestic terrorism, but ultimately fails to provide a compelling or insightful portrayal of its subject. Directed by Mike Ott, the film had the potential to explore the psychological and ideological motivations behind one of the most infamous crimes in American history. Instead, it delivers a hollow, underdeveloped narrative that neither informs nor engages.
One of the film's biggest flaws is its lack of character development. McVeigh's disillusionment with the U. S. government-particularly his anger towards the federal response at Waco-is a crucial aspect of his radicalization, yet the movie barely touches on it. Without a deeper look into his beliefs and frustrations, McVeigh comes across as a one-dimensional figure, reducing the film's impact. The supporting characters are similarly neglected, existing only to move the plot forward rather than adding any real depth or nuance.
As a thriller, McVeigh is disappointingly flat. There's little tension, and the pacing drags, making it a struggle to stay engaged. The lack of emotional weight or psychological insight leaves the film feeling empty, as though it merely goes through the motions without saying anything meaningful. Even Alfie Allen's performance as McVeigh feels restrained, likely due to the script's failure to provide any real substance for him to work with.
Overall, McVeigh squanders its potential. Instead of offering a gripping or thought-provoking look at its subject, it settles for a superficial retelling that neither informs nor captivates. A film tackling such a disturbing and complex event should leave an impact-this one doesn't.
One of the film's biggest flaws is its lack of character development. McVeigh's disillusionment with the U. S. government-particularly his anger towards the federal response at Waco-is a crucial aspect of his radicalization, yet the movie barely touches on it. Without a deeper look into his beliefs and frustrations, McVeigh comes across as a one-dimensional figure, reducing the film's impact. The supporting characters are similarly neglected, existing only to move the plot forward rather than adding any real depth or nuance.
As a thriller, McVeigh is disappointingly flat. There's little tension, and the pacing drags, making it a struggle to stay engaged. The lack of emotional weight or psychological insight leaves the film feeling empty, as though it merely goes through the motions without saying anything meaningful. Even Alfie Allen's performance as McVeigh feels restrained, likely due to the script's failure to provide any real substance for him to work with.
Overall, McVeigh squanders its potential. Instead of offering a gripping or thought-provoking look at its subject, it settles for a superficial retelling that neither informs nor captivates. A film tackling such a disturbing and complex event should leave an impact-this one doesn't.
Seen this and was stoked. With a good cast but man it was slow as molasses. And I understand slow burns and what not but the writing was just atrocious. That may be too much or too harsh because I've seen way worse but it just seemed that the writing was minimal to say the least. Long drawn out scenes trying to build tension but it just didn't work. Felt bad for the actors a few times because they are all good. Bummer. Six out of ten still because I watched it all.....barely.
Tracey Letts always is good and was able to lead his role, even though it was from a seat the majority of the time. Tough not too see ole Game of Thrones in Alfie.
Tracey Letts always is good and was able to lead his role, even though it was from a seat the majority of the time. Tough not too see ole Game of Thrones in Alfie.
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- WissenswertesAlfie Allen, who portrays Timothy McVeigh, is only average height 5,9 whilst the real life McVeigh was much taller standing at 6,2- 6,3 also there isn't much of a resemblance in the physical appearance of Allen either.
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