Verbrechen ist Familiensache

I don't typically write reviews, but I felt compelled to after spending $10 to rent this on Xfinity-a transaction that really pisses me off as I hate giving them money. While listening to Joe Rogan, Bill Murray discussed his three upcoming movies, saying Riff Raff stood out as a banger. I strongly disagree - it's anything but a banger. In fact, it's among the most worst films I've seen in a while. With a solid cast, I'm at a loss for how trash it turned out. If you're inclined to spend your time on it, go for it, but wait until it's free to watch - the storyline and overall execution was tired.

Ultra Violence, psychopathy and cruelty as entertainment.

Psychopaths are funny, see the brain splatter....

Yeah, nah, this is so 30 years ago, we've grown out of this shock phase and are demanding more intellect and smarts in our films and Dito Montiel gives us this.

The cast is of good quality, setting is good etc but, nasty piece of work crime boss long winded intricate but boring story, and a cast of loser characters just doesn't cut it anymore, and to be honest it never should have. Why are we putting this rubbish in our heads and letting our standards drop.

Instead of a quality work of drama (was it supposed to be funny?) these actors at the long end of their career are turning in this. It's all a bit sad.

Riff Raff (2024) has many good qualities, but also a few gaps. Acting is solid, with credible performances by Ed Harris, Bill Murray, Pete Davidson, and other less familiar actors. The plot offers layers of complexity. Production values are adequate for a mid-budget film. It's watchable, but not thoroughly enjoyable. I liked Ed Harris's Vincent, but couldn't identify with him. It was nice to see Bill Murray playing against type. However, I never truly identified with or cared about any of the characters.

Some scenes seemed familiar and predictable. There was possibly an overreliance on flashbacks. It seemed a bit awkwardly politically correct with an interracial romance that laced passion. The ending was a bit noir, but spoiled by a Hollywood denouement and a climatic scene that seemed contrived and improbable. The filmmakers offer exposition on family that doesn't quite fit the action, but leave the viewer wondering what it all meant.

Long, drawn out and cringe.

I almost feel sorry for Pete Davidson, but he's a dope that does dope.

A bunch of non engaging characters are cruel to each other and most of the people that they encounter. This is just bad wanna be Tarantino and Bill Murray's schtick is old and so is he. Trying to figure out what the point was. And Ed Harris getting it on with gorgeous Gabrielle Union made the skin on my body want to crawl off. Lots of drawn out scenes and Harris's character is such a dried up jerk I don't get what his appeal was. The dough black kid had a few funny lines, and the Italian gal was stunning, but this thing was 20 minutes too long. And twist I figured out in the first 15 minutes.

This is kind of a farcical, black comedy. The characters have some life to them, but little depth or context It is reminiscent of a Fargo type story with the banal, the ordinary, sharing the story with extreme violence.

Because of the substantial lack of EARNED back story, most of the characters flat. Surprisingly, Ed Harris' new family dynamic comes across as flat and hollow. Jennifer Coolidge and Lewis Pullman steal the show with their performances. Bill Murray gets honorable mention...because he's Bill Murray, and I'd watch him read the dictionary. But, he's not that funny here, and is trying to play a straight character...who is put into black comedy situations.

If you're going to see a "Bill Murray movie" then you're going to be disappointed on many levels. But, it's not a complete waste. Although, I'm not sure it was worth his gonzo promotion campaign that included eating super hot chicken wings on First We Feast (although that interview was pretty good).