Eine Afghanistan-Veteranin, die eine geheimnisvolle Beziehung zu ihrem toten besten Freund aus der Armee unterhält, trifft am angestammten See der Familie auf ihren Großvater, einen Vietnam-... Alles lesenEine Afghanistan-Veteranin, die eine geheimnisvolle Beziehung zu ihrem toten besten Freund aus der Armee unterhält, trifft am angestammten See der Familie auf ihren Großvater, einen Vietnam-Veteranen.Eine Afghanistan-Veteranin, die eine geheimnisvolle Beziehung zu ihrem toten besten Freund aus der Armee unterhält, trifft am angestammten See der Familie auf ihren Großvater, einen Vietnam-Veteranen.
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- 7 Gewinne & 1 Nominierung insgesamt
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This movie is absolutely positively not
even in the slightest bit a comedy or a dark comedy. It is incredibly sad. And very boring for the first 55 minutes (i fell asleep multiple times, i never do that). That being said, the movie recruits real veterans to play the roles of the veterans in the support group. The movie as a whole shines a light on some incredibly important (and often forgotten/overlooked) topics. I cried for the last 1/3 of the movie. Veteran or not, anyone who suffers from PTSD/SI, or even knows
someone who does, will relate to this movie. And if that's not you, you'll still most likely appreciate the significance of the themes in this film. I'd categorize this movie as (in this order): drama, tragedy, war.
These are the kind of thoughtful movies that are now shoved aside by blockbuster franchises and empty tripe like Mickey 17. Sonequa Martin- Green is an Army veteran still speaking to her dead friend Natalie Morales for unspecified reasons while dealing with the early onset Alzheimer's of her grandfather (Ed Harris). The film meanders, and a possible romance with a jovial nursing home worker doesn't really amount to anything, but the film has important things to say about issues plaguing our country's veterans, and with Trump trying to erase all evidence of women in uniform, Green appearing in khakis is a powerful statement unto itself. A movie that will stay with you.
"Think very seriously about whether living in the past is worth it." Dr. Cole (Morgan Freeman)
Anyone who has ever lost a close relative or friend can identify immediately the signs of sorrow, be it enhanced by post-traumatic syndrome disorder or just monumental grief. Throw in some gallows humor, and you have an intellectually-rich and entertaining experience.
Merit (Sonequa Martin-Green), an ex-GI out of Afghanistan, needs to heed the doctor's advice, for remembrance of her best friend, Zoe (Natalie Morales), from that war haunts her constantly, therefore, the title, My Dead Friend Zoe. The film is a testimony to first-rate filmmaking with a topic that sometimes leads to dark comedy and at others deeply-felt universal angst.
The humor comes mostly from Zoe, often in scenes where she appears only to Merit with gallows humor that might be merited from a dead vet. When she calls Merit's court-ordered group therapy "kumbaya" nonsense and requests watching M*A*S*H again but not as a drinking game, writer/director Kyle Hausmann Stokes (who partially cites his own experience) and co-writer A. J. Bermudez emphasize the personal therapy Zoe applies through sarcasm and disrespect, a regimen Merit accepts no more than therapy and the doctor's wisdom.
A change agent is Merit's Vietnam vet uncle Dale (Ed Harris), a no-nonsense, retired-Lt.-Colonel also on the downslide from early-onset Alzheimer's disease. Both need each other to become whole, but this change does not happen easily or early. The slow pace of the film matches the slow pace of both heroes' rehab.
Like his broken birdfeeder and the war machines she repaired in the service, rehab is the dominant motif, where even the minor characters, like Merit's potential love interest, Alex (Utkarsh Ambudkar), who discovers her amid the restrictive social world of his family-owned retirement home. While her family's lake house in Oregon is the perfect place Zoe characterizes as starter for a horror film, it turns out to be a heavenly spot to grow, sans the distractions of modern displacements.
My Dead Friend Zoe is an enjoyable start to the post-Oscars season-let's hope for more elegant small films like it in the next few months.
Anyone who has ever lost a close relative or friend can identify immediately the signs of sorrow, be it enhanced by post-traumatic syndrome disorder or just monumental grief. Throw in some gallows humor, and you have an intellectually-rich and entertaining experience.
Merit (Sonequa Martin-Green), an ex-GI out of Afghanistan, needs to heed the doctor's advice, for remembrance of her best friend, Zoe (Natalie Morales), from that war haunts her constantly, therefore, the title, My Dead Friend Zoe. The film is a testimony to first-rate filmmaking with a topic that sometimes leads to dark comedy and at others deeply-felt universal angst.
The humor comes mostly from Zoe, often in scenes where she appears only to Merit with gallows humor that might be merited from a dead vet. When she calls Merit's court-ordered group therapy "kumbaya" nonsense and requests watching M*A*S*H again but not as a drinking game, writer/director Kyle Hausmann Stokes (who partially cites his own experience) and co-writer A. J. Bermudez emphasize the personal therapy Zoe applies through sarcasm and disrespect, a regimen Merit accepts no more than therapy and the doctor's wisdom.
A change agent is Merit's Vietnam vet uncle Dale (Ed Harris), a no-nonsense, retired-Lt.-Colonel also on the downslide from early-onset Alzheimer's disease. Both need each other to become whole, but this change does not happen easily or early. The slow pace of the film matches the slow pace of both heroes' rehab.
Like his broken birdfeeder and the war machines she repaired in the service, rehab is the dominant motif, where even the minor characters, like Merit's potential love interest, Alex (Utkarsh Ambudkar), who discovers her amid the restrictive social world of his family-owned retirement home. While her family's lake house in Oregon is the perfect place Zoe characterizes as starter for a horror film, it turns out to be a heavenly spot to grow, sans the distractions of modern displacements.
My Dead Friend Zoe is an enjoyable start to the post-Oscars season-let's hope for more elegant small films like it in the next few months.
The positive reviews and the unique general concept intrigued me enough to convince me to see "My Dead Friend Zoe." What could go wrong with a dramedy about a war veteran who sees her dead army friend? I knew nothing would go wrong, but I'm surprised it's way more complex, thought-provoking, emotionally moving, and mesmerizing.
First, the performances were incredible. Legends Morgan Freeman and Ed Harris were almost guaranteed to deliver, but the central duo - Sonequa Martin-Green and Natalie Morales as Merit and the titular Zoe - bring outstanding work. Merit is a tragic figure attempting to move on with her life post-war, which is uprooted by the simple fact that she sees the movie's namesake. Who I expected to be a hilarious character was to an extent, but Zoe's more than just that. That said, Morales outshines Martin-Green by being incredibly entertaining.
Next, Kyle Hausmann-Stokes does fantastic work directing- and script-wise alongside A. J. Bermudez and Cherish Chen. Their work makes the narrative much more simultaneously heartwarming and heartbreaking than it had any right to be, and it's more the latter. They didn't mess around in developing the seemingly silly premise into a strong piece that covers topics like PTSD. Even Zoe's inclusion and ensuing backstory are more shocking than I ever anticipated. I can't spoil it, as not knowing it beforehand will enhance the gut punch hinted at throughout the film.
Though it inarguably is a dramedy, it's more of a drama than a comedy. Admittedly, there are many solid jokes, mainly from Zoe, but the drama makes this movie what it is. Completely leaning into the comedic qualities would've lessened its overall impact.
Finally, the 1-hour and 43-minute runtime never wastes or bores. Every moment enriches the already rich narrative and its effect on others, which I appreciate immensely.
"My Dead Friend Zoe" should've made the Top 10 during its opening weekend because it deserved it. It's worthy of your attention for its uniqueness alone, but its unanticipated direction will grip you.
Technically, the acting, directing, and screenplay make for a 10/10 technical score.
For the enjoyment score, I loved it! It's far from an easy watch, but it's worth it for its authentic heart and earnest depiction of PTSD. As a bonus, Sonequa Martin-Green and Natalie Morales are so exceptional as Merit and Zoe that they make this a must-watch alone. For those reasons, "My Dead Friend Zoe" gets a 10/10 enjoyment score! Please check this gem out in theaters!
First, the performances were incredible. Legends Morgan Freeman and Ed Harris were almost guaranteed to deliver, but the central duo - Sonequa Martin-Green and Natalie Morales as Merit and the titular Zoe - bring outstanding work. Merit is a tragic figure attempting to move on with her life post-war, which is uprooted by the simple fact that she sees the movie's namesake. Who I expected to be a hilarious character was to an extent, but Zoe's more than just that. That said, Morales outshines Martin-Green by being incredibly entertaining.
Next, Kyle Hausmann-Stokes does fantastic work directing- and script-wise alongside A. J. Bermudez and Cherish Chen. Their work makes the narrative much more simultaneously heartwarming and heartbreaking than it had any right to be, and it's more the latter. They didn't mess around in developing the seemingly silly premise into a strong piece that covers topics like PTSD. Even Zoe's inclusion and ensuing backstory are more shocking than I ever anticipated. I can't spoil it, as not knowing it beforehand will enhance the gut punch hinted at throughout the film.
Though it inarguably is a dramedy, it's more of a drama than a comedy. Admittedly, there are many solid jokes, mainly from Zoe, but the drama makes this movie what it is. Completely leaning into the comedic qualities would've lessened its overall impact.
Finally, the 1-hour and 43-minute runtime never wastes or bores. Every moment enriches the already rich narrative and its effect on others, which I appreciate immensely.
"My Dead Friend Zoe" should've made the Top 10 during its opening weekend because it deserved it. It's worthy of your attention for its uniqueness alone, but its unanticipated direction will grip you.
Technically, the acting, directing, and screenplay make for a 10/10 technical score.
For the enjoyment score, I loved it! It's far from an easy watch, but it's worth it for its authentic heart and earnest depiction of PTSD. As a bonus, Sonequa Martin-Green and Natalie Morales are so exceptional as Merit and Zoe that they make this a must-watch alone. For those reasons, "My Dead Friend Zoe" gets a 10/10 enjoyment score! Please check this gem out in theaters!
Yes it is a movie about veterans but it is not just about that, for me till the first half it was like omg not this same old story again specially I was watching the movie in a film festival but secondly half movie started to reveal more details and it was ooohhh thats different and nice, director made an amazing job you will feel his touches in a lot of things. Big shout out for Natalie Morales amazing acting, I loved every scene she was in. I would have loved if the movie main characters was males just because of the stereotype of men should be strong and control feelings bla bla bla which lead eventually men not revealing there emotions, but director had a fair point of why main characters were women.
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- WissenswertesUtkatdh Ambudkar (Alex), stars on the CBS TV show Ghosts where his character's wife also see ghosts like Merit in this movie.
- VerbindungenFeatures M*A*S*H (1972)
- SoundtracksUmbrella
Written by Jay-Z (as Shawn Carter), The-Dream (as Terius Gesteelde-Diamant), Kuk Harrell (as Thaddis Harrell), & Christopher Stewart
Performed by Rihanna featuring Jay-Z
Courtesy of Def Jam Records under license from Universal Music Enterprises
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.250.703 $
- Eröffnungswochenende in den USA und in Kanada
- 740.088 $
- 2. März 2025
- Weltweiter Bruttoertrag
- 1.265.163 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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