Die Polizistin Kat Crichton kehrt auf ihre Heimatinsel zurück, um in einem Fall zu ermitteln, in den ein reicher Tycoon verwickelt ist.Die Polizistin Kat Crichton kehrt auf ihre Heimatinsel zurück, um in einem Fall zu ermitteln, in den ein reicher Tycoon verwickelt ist.Die Polizistin Kat Crichton kehrt auf ihre Heimatinsel zurück, um in einem Fall zu ermitteln, in den ein reicher Tycoon verwickelt ist.
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Empfohlene Bewertungen
As someone said before, the lead acress is a miscast. Totally wrong for the role and makes everything else completely unbelievable. The lead actress is so wrong as a police and has the same confused and scared expression all the time.
Plot doesn't hold up and by episode 4 you never really care anymore.
With a better cast and a better script it might had a chance to be good but now it is just off.
It is boing and boring.
It's a no from me and I am Sorry to say that I do not recommend it...
I give it 4 stars because of the interesting and beautiful scenery and the gaelic languange being used.
Plot doesn't hold up and by episode 4 you never really care anymore.
With a better cast and a better script it might had a chance to be good but now it is just off.
It is boing and boring.
It's a no from me and I am Sorry to say that I do not recommend it...
I give it 4 stars because of the interesting and beautiful scenery and the gaelic languange being used.
Seems like an intriguing premise, but the lead actress is totally miscast. She looks like a scared high school student plus she can't act. She has only one facial expression, which is a childlike wide-eyed stare. It's also more than a bit strange how everybody switches between English and Gaelic as they speak. Perhaps this is real, but it makes watching it and reading subtitles rather challenging. Also, why is it that Brtish television wants so desperately to make lead characters gay? And they make a point of creating scenes where this is suddenly revealed through a same-sex kiss, as if to say to the audience, "aha, bet you didn't see that coming!" It's getting tired and old.
Beautifully shot, scripted and acted - a really fabulous and gripping 4 part series. Definitely worth watching. Warning - addictive and hard to watch only one episode at a sitting.
If you watch this you may feel sorry for the lack of joy emanating from some of the less effusive reviews . Each to their own of course - but if you enjoyed murder mystery series as a youngster, if you remember the early days of intrigue enjoying something like Agatha Christie, smiled at Bergerac or Inspector Morse - then this is the modern (better) equivalent.
Being shot in Gaelic and the subtitles adds something new and different to a non-Gaelic speaker and far from detracting, somehow adds authenticity and draws you in. Great watch. Well done the BBC for commissioning this.
If you watch this you may feel sorry for the lack of joy emanating from some of the less effusive reviews . Each to their own of course - but if you enjoyed murder mystery series as a youngster, if you remember the early days of intrigue enjoying something like Agatha Christie, smiled at Bergerac or Inspector Morse - then this is the modern (better) equivalent.
Being shot in Gaelic and the subtitles adds something new and different to a non-Gaelic speaker and far from detracting, somehow adds authenticity and draws you in. Great watch. Well done the BBC for commissioning this.
This is a rare flop in the otherwise dependable genre of 'tartan noir' police procedurals.
At first glance, it wound appear to have all the right ingredients of a satisfying spiel in the mould of 'Shetland'. The addition of Gaelic dialogue is an intriguing touch.
Unfortunately, the whole production is a major disappointment. The story is implausible, beset with tropes and cliches you'll have seen a hundred times before. The script is mechanistic, the characters boring and the acting wooden.
Even on catch-up, with the ability to recap the action (such as there is), the story is disjointed, confused and exhausting to follow. The editing in particular is a frantic machine-gun barrage of shots that make it impossible to keep up with the subtitles for the split-second they appear on screen. The frequent switches between English and Gaelic in the same conversation are an added struggle to follow.
Despite the copious drone footage, there is no sense whatsoever of place and we learn nothing about the unidentified locations we are flying over.
None of these criticisms would necessarily be a problem on their own, but taken together they add up to a series that is more effort than enjoyment and ultimately difficult to recommend.
At first glance, it wound appear to have all the right ingredients of a satisfying spiel in the mould of 'Shetland'. The addition of Gaelic dialogue is an intriguing touch.
Unfortunately, the whole production is a major disappointment. The story is implausible, beset with tropes and cliches you'll have seen a hundred times before. The script is mechanistic, the characters boring and the acting wooden.
Even on catch-up, with the ability to recap the action (such as there is), the story is disjointed, confused and exhausting to follow. The editing in particular is a frantic machine-gun barrage of shots that make it impossible to keep up with the subtitles for the split-second they appear on screen. The frequent switches between English and Gaelic in the same conversation are an added struggle to follow.
Despite the copious drone footage, there is no sense whatsoever of place and we learn nothing about the unidentified locations we are flying over.
None of these criticisms would necessarily be a problem on their own, but taken together they add up to a series that is more effort than enjoyment and ultimately difficult to recommend.
Why make a drama in Gaelic and set it in Harris unless you're going to get under the skin of the setting and the language and of what makes them unique? They just took a poor script that we've seen umpteen times before, translated it into Gaelic and stuck some beautiful scenery in between the scenes.
While the old "Cozy Crime" series (Midsummer Murders, Poirot etc) were lovely to look at, their plotting was precision-tooled; with their DNA traceable to the masterclass-level writing of Agatha Christie (and Conan Doyle). They could also draw compelling characters in a few subtle strokes.
In this series, the visuals are there to paper over the gaping plot holes and lack of interesting characters - none of whom have been developed beyond servicing the plot. None of the dialogue sounds like language that people actually use in reality, more like language copied from other old TV shows.
We live in hope of a Gaelic drama that can stand alongside the best minority-language programmes but sadly this effort suggests that's it's a long way off.
While the old "Cozy Crime" series (Midsummer Murders, Poirot etc) were lovely to look at, their plotting was precision-tooled; with their DNA traceable to the masterclass-level writing of Agatha Christie (and Conan Doyle). They could also draw compelling characters in a few subtle strokes.
In this series, the visuals are there to paper over the gaping plot holes and lack of interesting characters - none of whom have been developed beyond servicing the plot. None of the dialogue sounds like language that people actually use in reality, more like language copied from other old TV shows.
We live in hope of a Gaelic drama that can stand alongside the best minority-language programmes but sadly this effort suggests that's it's a long way off.
Wusstest du schon
- WissenswertesThe credits for the show in its original BBC Alba broadcast are in Scottish Gaelic, but the names of the characters within the show appear in both Scottish Gaelic and English (e.g. Mac'Illeathain and Maclean).
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- An t-Eilean
- Drehorte
- Harris, Outer Hebrides, Schottland, Vereinigtes Königreich(main location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 52 Min.
- Farbe
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