Der junge Aren wird in eine geheime Gesellschaft magischer Schwarzer aufgenommen, die ihr Leben einer äußerst wichtigen Sache widmen: den Weißen das Leben zu erleichtern.Der junge Aren wird in eine geheime Gesellschaft magischer Schwarzer aufgenommen, die ihr Leben einer äußerst wichtigen Sache widmen: den Weißen das Leben zu erleichtern.Der junge Aren wird in eine geheime Gesellschaft magischer Schwarzer aufgenommen, die ihr Leben einer äußerst wichtigen Sache widmen: den Weißen das Leben zu erleichtern.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
- Patron
- (as James Welsh)
- Antoine
- (as Isayas J. Theodros)
- Guard
- (as Greg Cohan)
Zusammenfassung
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If you're looking for something good that will scratch this itch, rewatch the Harry Potter films. Take another turn with Lord of the Rings and then, of course, the Hobbit. Heck, even the Merlin show on BBC would be a solid choice. This film is part of the problem.
How unbelievably inappropriate.
Do they not realize that in order to MAKE this movie they needed access to the ACTUAL magic of FILM and cinema? Technology and methods that were invented in Europe. The actual real life magic of cinema HAS improved EVERYONE'S lives. It is something to be shared and appreciated by ALL. Movies like this serve to, once again, separate and divide. Tragic.
The absolute hypocrisy of this movie is honestly astounding. This will gain ZERO support for the cause it's trying to validate. If anything, this is counter intuitive.
We need more of Jordan Peele and less of these ridiculously self serving fabricated fantasies of toxic filmmakers.
One of the primary issues with TASOMN is its lackluster storyline. The plot is riddled with clichés and predictable twists, making it difficult for viewers to stay engaged. The film attempts to tackle 'sensitive' themes but it does so in a superficial and often clumsy manner. The lack of depth in exploring these themes leaves much to be desired and results in a film that feels more like a missed opportunity than a meaningful commentary.
The performances in the film are another area where it falls short. While the cast may have had potential and if they did their talents are not utilized effectively. The characters are one-dimensional and lack the complexity needed to make them relatable or memorable. This is particularly disappointing given the film's attempt to address significant social issues. The lackluster performances fail to evoke any response making it challenging to connect with the characters or their struggles.
Furthermore, the film's pacing is inconsistent, with some scenes dragging on unnecessarily while others feel rushed. This uneven pacing disrupts the flow of the narrative and further detracts from the viewing experience. The dialogue often feels forced and unnatural, which, combined with the subpar performances, makes the interactions between characters unconvincing.
In terms of technical aspects, TASOMN does not fare much better. The cinematography is uninspired. The film's score is forgettable, failing to enhance the mood or add any emotional depth to the scenes.
TASOMN is a film that fails to deliver anything of value. Its attempt to address 'social issues' is undermined by a weak storyline, poor performances, and lackluster execution.
Any sort of movement forward has been pushed back by decades thanks to the 'brain trust' that came up with this garbage. It's 2024 - we're better than this, aren't we?
The premise of this whole film is insulting to our people - in ALL regards. The fact that it bombed at the box office is of no shock - nor should it be to anyone who saw it. Thank goodness we have American Fiction; at least that spectacular film made its point w/o being ridiculous .
The 'American Society' Journey From Script to Screen
The 'American Society' Journey From Script to Screen
Wusstest du schon
- WissenswertesThe film was pulled from theaters after three weeks.
- PatzerA man in the background exits a building and begins walking toward the foreground. He sees the filming in progress and runs back into the building.
- Zitate
Aren: You're not my friend. And you don't want to be friends, because if we were actual friends, you would have to talk to me and listen to me and make space for the reality that I live in a country that makes me feel like it wants me dead. Where if I get shot today, there is an army of people ready to explain how it was probably my fault. And I feel that every day, in every glance, in every movie that's supposed to be uplifting. And that changes everything. That changes how I walk and how I talk and how I take up space! Or don't! It changes what risks feel reasonable and which ones are insane. And it's taken me my whole life to realize that this is a weight that I walk around with all the time. And after this lifelong journey of figuring out that maybe this shit impacts everything I do, you want to turn around and act like I'm crazy for acknowledging it. No, no, no, no. No, no, no, no. You don't get to put me in danger just because you don't want to feel like an asshole. Be the asshole. Because the shame that you feel like you did something wrong just by being yourself, that is my whole life. And this place, this country has been so deeply indifferent to whether or not I exist that on some level, I don't think I have the right to. And what I am saying to you that you so steadfastly refuse to hear is fuck that! I do! I deserve to be here, not just on this stage but in this world. And that, believe it or not, is a revelation to me. So you want to know about my-my "diverse experience"? I have been on this planet for 27 years, and I just figured out this week that I deserve to be alive.
- SoundtracksGames People Play
Written by Joe South
Performed by Johnnie Taylor
Courtesy of Craft Recordings, a Division of Concord
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Amerikan Büyülü Zenciler Birliği
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.480.645 $
- Eröffnungswochenende in den USA und in Kanada
- 1.304.270 $
- 17. März 2024
- Weltweiter Bruttoertrag
- 2.496.248 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1