Ein altes Ehepaar, das sein ganzes Leben zusammen in ein und demselben New Yorker Apartment verbracht hat, wird plötzlich von persönlichen Angelegenheiten und Wohnungsproblemen überhäuft, so... Alles lesenEin altes Ehepaar, das sein ganzes Leben zusammen in ein und demselben New Yorker Apartment verbracht hat, wird plötzlich von persönlichen Angelegenheiten und Wohnungsproblemen überhäuft, sodass sie beschließen wegzuziehen.Ein altes Ehepaar, das sein ganzes Leben zusammen in ein und demselben New Yorker Apartment verbracht hat, wird plötzlich von persönlichen Angelegenheiten und Wohnungsproblemen überhäuft, sodass sie beschließen wegzuziehen.
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Diane Keaton and Morgan Freeman make for very pleasant company indeed, and, while the movie's insights into aging, relationships and end-of-life downsizing aren't exactly earth-shattering, they are certainly more than we customarily get from romantic comedies set at the opposite end of the age spectrum. Yet, while it acknowledges the troubles that come with aging, the film happily doesn't fixate on them to the exclusion of all else.
Above all, the movie shows how hard it can be to leave a home and a neighborhood after a lifetime spent setting down roots there.
And anyone who's ever endured the bureaucratic nightmare involved in buying and selling a home will find much to relate to in the movie.
For the two protagonists alone, I necessarily wanted to see this movie. Not that I'm a big fan of Diana Keaton, who usually plays a corny, traditional mother in some romantic comedy where someone is getting married once again (a film such as "The Big Wedding"). Although I could appreciate her performance in "The Family Stone", even though she played again the mother hen. But "5 Flights up" was perfect for her. A serene and formal older woman who even in the most hectic and stressful situations, remains calm. She's hardened by the past when she made the decision to marry an Afro-American. Compared to that every setback is just peanuts.
I was particularly curious about how Morgan Freeman would play his part. After a succession of meaningless roles in both brilliant films as soon-to-be-forgotten films, like "Olympus Has Fallen", "Oblivion", "Now you see me", "Last Vegas", "Transcendence", "Lucy" and "Last Knights", it was once again time for this brilliant actor to being featured in an entire movie. And he lived up to my expectations. Flawlessly he acquitted himself of his task : the spouse who's still in love with his wife after all these years, the cheerful artist who rather withdraws into his studio while strangers are wandering through his flat, the worried owner of a pet that needs medical assistance (no matter what it costs) and the resolute decision maker who ultimately decides about what's rightfully his. Formidable performance.
Only the script is kind of dull to keep things interesting. Admittedly, the situations arising from the sale are frequently humorous and engaging. But a whole film just about selling an apartment with on the one hand the financial advantage and on the other hand a pile of memories that needs to be left behind, is still only limited material to work with. The message that this film conveys is that money can't replace nostalgic musings and feelings. A sunrise is nowhere the same and you'll have to forget certain habits and situations from the past. It's beautifully imaged with flashbacks that don't seem to be disturbing, with a touch of melancholy and sadness on top. A smile and a tear. But just as in real life, selling a house isn't particularly exciting and entertaining. That was for me the only downside of it all. But Freeman starring back again like this after a long time, made it bearable.
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Briefly, long-time happily married couple Ruth and artist Alex Carver (Keaton and Freeman) who've spent their lives together in the same New York apartment become overwhelmed by personal and real estate-related issues when they plan to move away, having decided to cash in on their sought-after Brooklyn apartment. The story opens with one of the reasons they feel the need to move after 40 years in the '5 flights up' apartment with no elevator: their little dog Dorothy is having difficulty maneuvering the stairs and ends up with a slipped vertebral disc that requires a Vet's expertise and surgery. They engage Ruth's niece, real estate agent Lily (Cynthia Nixon, who is wonderfully, gushingly obnoxious) and the visits to the apartment begin – all manner of rather despicable lookie-loos traipse through and a decision must be made. Ruth and Alex find an apartment in Manhattan that is one the 9th floor and has an elevator, but issues arise that make them alter their initial decision.
Beautifully understated is the fact that Ruth and Alex are childless, entered an interracial marriage when it was not fashionable to do so, and have grown old together making every day count. They are wonderful and the film does them justice. It is such a pleasure to see two seasoned and gifted actors make such an impressive statement.
Recommended for all those who think happiness is dependent on social media based.
Wusstest du schon
- WissenswertesBased on a novel called "Heroic Measures," it was renamed "Life Itself," then "Ruth and Alex," then "5 Flights Up."
- PatzerThe central characters say (two times) that they are buying an apartment on 1st Avenue and 77th Street and when they enter the apartment (also two times) it's clearly off Amsterdam Avenue on Cathedral Parkway, which is around 110th Street in West Harlem/Morningside Heights - more than 2 miles from where they are supposed to be. These two neighborhoods don't look alike at all.
- Zitate
Alex Carver: Who would have thought that the whole of my life's work would be worth less than the room it was painted in?
- VerbindungenFeatured in Salut für ...: A Tribute to Diane Keaton (2017)
- SoundtracksHave I Told You Lately
Written by Van Morrison (uncredited)
Performed by Van Morrison
Produced by Van Morrison for Exile Productions Ltd.
Engineered and Mixed by Mitch Glossop
1980 Exile Productions Ltd.
© 1989 Exile Publishing UK
Top-Auswahl
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Details
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.020.921 $
- Eröffnungswochenende in den USA und in Kanada
- 238.491 $
- 10. Mai 2015
- Weltweiter Bruttoertrag
- 3.679.847 $
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1