Ein kürzlich arbeitsloser alleinerziehender Vater kämpft darum, sein abgeschottetes Haus zurückzubekommen, indem er für den Immobilienmakler arbeitet, der die Quelle seiner Frustration ist.Ein kürzlich arbeitsloser alleinerziehender Vater kämpft darum, sein abgeschottetes Haus zurückzubekommen, indem er für den Immobilienmakler arbeitet, der die Quelle seiner Frustration ist.Ein kürzlich arbeitsloser alleinerziehender Vater kämpft darum, sein abgeschottetes Haus zurückzubekommen, indem er für den Immobilienmakler arbeitet, der die Quelle seiner Frustration ist.
- Auszeichnungen
- 12 Gewinne & 24 Nominierungen insgesamt
- Officer Dudura
- (as Doug Griffin)
- Alex Greene
- (as Alex Aristidis Perdikis)
- Derek
- (as Albert Bates)
- Jeff
- (as Jayson Smith)
Empfohlene Bewertungen
*** (out of 4)
An unemployed father (Andrew Garfield) loses his home through a foreclosure but soon he starts working for real estate agent Rick Carver (Michael Shannon) who just happens to be the man who evicted him from his home. Pretty soon the man is learning how to make major cash but soon he begins having mixed emotions on his job of evicting people.
Ramin Bahrani co-wrote and directed this rather powerful and thought-provoking film that deals with the market crash of 2008. While everything here is very much fictional the director certainly gets his message across with some very realistic drama. It also doesn't hurt that you get two very good performances including one that ranks among the best of the year.
I will say that there are some flaws in the movie including the fact that the film pretty much is heroes and villains. I say this meaning that the entire foreclosure plot isn't really dealt with in a fair way but the point of the movie was to show how corrupt people can corrupt an already corrupt system. Some of the best moments in the movie deal with people being told they can no longer stay in their homes and these are the moments that work the best in the movie.
Bahrani does a very good job at keeping you caught up in the story being told, although the entire greed angle is something we've seen several times before. The cinematography, music score and all the technical stuff is quite good. Of course, it's the performances that make the film so memorable with Garfield turning in his best work to date. He has a lot of emotions to play here and perfectly nails them. Both Laura Dern and Clancy Brown are good in their small roles as well. With that said, the real star is once again Shannon who is remarkably cold as the snake Realtor who determines that his money is worth more than anyone's feelings.
Again, there are some very powerful moments in the film but the simple greed plot line kinda wore out towards the end of the picture. Still, it's technically very well-made and features a terrific performance by Shannon, which makes it worth watching.
Kudos to those involved with casting as every actor/actress, from the leading Andrew Garfield and Michael Shannon, right down to those who were only in one or two scenes, did a really good job. There were a lot of confrontational emotions in this movie and the actors/actresses did a great job of getting me to empathize with their characters. I had a hard time believing that Laura Dern's young-looking character was Garfield's character's mother, but she acted well.
I felt that Bahrani struck a good balance between showing the audience Garfield's character's life with his family VS his professional life.
I found the music throughout the movie to be pretty appropriate. The music chosen for each scene complimented the dramatic tone of what was happening.
There were two things about the movie that bothered me enough to pull me out of the tense drama temporarily: (1) There were a couple of big coincidental moments (one of which is directly related to the final scene) that seemed a bit too fate-like. For a movie with the very real backdrop of the US housing market crash, and such believable characters, these unrealistic occurrences seemed out of place. (2) At one point, a montage format is used to quickly show Garfield's character go through a bunch of different exchanges with other characters. This quick cutting from scenario to scenario is a missed opportunity to fully immerse us viewers in a couple of heart-wrenching moments. As a result, the mixed emotions that I recognized I was supposed to feel weren't as strong as they could have been.
Overall, this drama was well done. I think it could have been better in some areas, but it was still a nice watch.
This is an important point, buy your house, pay the mortgage off and the house is yours. Re-mortgage it, extend the loan for that extension you do not need, or go for that bigger house and you put that house at risk.
Dennis Nash (Andrew Garfield) is a single father working in construction but the post 2008 recession means hard times for him and he loses his house and has to quickly move with his mother to a motel.
Rick Carver (Michael Shannon) is the real estate agent who forecloses the properties on behalf of the bank. He runs a slick operation, he has the police on the payroll, he cares little about the financial situation of those fallen behind and he is greedy enough to make as much money as possible from the banks by alleging that the former occupants damaged the property and appliances when in reality he has taken it away and then puts it back but bills the bank for it.
By a strange quirk, Dennis volunteers to work for Carver in a house his usual builders refuse to enter and starts a strange relationship where Dennis ruthlessly does Carver's dirty work and earn enough money to get a better house for his son.
However like Wall Street, the film is a morality play, Carver says in the course of the film along the lines that he tried to play by the book but it did not work out, you have to cheat the system. Dennis goes along with it but you know that he will soon realise that he has gone too far.
Parts of the film is moving and also infuriating as both Dennis and Carver ruthlessly evict people with the help of the compliant police. They stand no chance in court as the judges are against those in arrears and Carver is always one step ahead making sure any embarrassing paperwork disappears.
The film is a polemic, not very subtle even though it tries in places to make Carver appear human. The final showdown is maybe low key but it works, the film does not need a big contrived ending.
One big issue I had though was that part of the American foreclosure process was difficult to follow if you were outside of the USA, you get a gist of it but maybe the film needed to explain it more.
"99 Homes" has an intense beginning that absorbs me into the story. The circumstances it portrays is very real and relevant to people in lower income brackets, and their pain of losing their homes is piercingly recreated. I feel so sorry for Dennis because he appears to be such a hard-working, honest and amicable guy. As the story progresses, he is faced with various moral dilemmas. The story is captivating, and it's helped by the intensity of the marvellous performances of Michael Shannon and Andrew Garfield. It is a very good and thought provoking film, that leaves me wondering about the rights and wrongs of Rick and Dennis.
99 Homes is a solid film. It has two of the best actors in the business right now with Michael Shannon and Andrew Garfield. It's actually surprisingly how many people don't realize how good these two are. Both known primarily for the comic book roles respectively, but they have both down some tremendous indie work as well. The film does a good job of using both of their strengths and playing off each other to create a very intelligent screenplay. Shannon is perfect for this role, but in some ways he's also not. He's great at playing antagonistic characters but in this case its almost impossible to have any sympathy for his character. It makes for an unrealistic dynamic. The film never bored me, in fact I was engaged throughout the story, but I think at times it just became too unrealistic.
Garfield's character's arc was in particular the most unbalanced. It took a lot for me to get passed the fact that he gets hired by the same guy who evicted his home, but the actors made it intriguing enough for me to push it off to the side for awhile. But when you continue to build Garfield's character up to places that just aren't believable, it can take you out of the film. I think you could argue that the 'low' for Garfield just wasn't low enough for me to feel the heights of his 'highs'. It's one of the things Scorsese does so well is create arcs for characters that never feel hyper- realistic.
Laura Dern is also in the movie and does a fantastic job as Garfield's mother. She is the emotional weight that the film needed and brings his character back to the real world when it got too exaggerated. The film will definitely pull on your heart strings at times, especially when you see all sorts of people being ripped from their homes. I just think the structure of the story was unbalanced at times with arcs being a bit too unrealistic.
+Garfield & Shannon's dynamic
+Dern's emotional pull
+Heartbreaking story that's close to American's hearts
-Unrealistic at times
-Low wasn't low enough for Garfield
7.0/10
Wusstest du schon
- WissenswertesDirector Ramin Bahrani used a 24mm lens for close-ups of Andrew Garfield as it gave greater depth as to what was showing on his face.
- PatzerSimple admissions of guilt someone in a stressful situation is not going to cause the police to immediately arrest you. Nash was facing an armed man who clearly wasn't bent upon self injury or perhaps harming others. Even if he "admitted" his alleged guilt in a criminal matter, the police would have required more evidence (such as the event had actual occurred) before they could arrest him.
- Zitate
Rick Carver: Don't be soft. Do you think America give a flying rats ass about you or me? America doesn't bail out the losers. America was built by bailing out winners. By rigging a nation of the winners, for the winners, by the winners.
- SoundtracksLoco Loco
Written by Marlon Betancur
Performed by Mr. Kapri
Published by Edimusica USA
Courtesy of Miami Records Inc.
By arrangement with Ocean Park Music Group
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- 99 casas
- Drehorte
- New Orleans, Louisiana, USA(set as Orlando, Florida)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.411.927 $
- Eröffnungswochenende in den USA und in Kanada
- 32.253 $
- 27. Sept. 2015
- Weltweiter Bruttoertrag
- 1.828.232 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1