Das Vater-Tochter-Duo Riley und Elliot überfährt mit seinem Auto ein Einhorn und bringt es in die Wildnis zum Rückzugsort eines mega-reichen Pharma-CEOs.Das Vater-Tochter-Duo Riley und Elliot überfährt mit seinem Auto ein Einhorn und bringt es in die Wildnis zum Rückzugsort eines mega-reichen Pharma-CEOs.Das Vater-Tochter-Duo Riley und Elliot überfährt mit seinem Auto ein Einhorn und bringt es in die Wildnis zum Rückzugsort eines mega-reichen Pharma-CEOs.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
- Tapestry Video Narrator
- (Synchronisation)
- Dr. Song
- (as Stephen Park)
- Mercenary #2
- (as Max Draskóczi)
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The Rich Family: take your typical evil greedy rich family and that's all you get here. They're ready to make a buck. That's their entire drive. There were hints of depth that were destroyed by misplaced comedy. When the father is standing, the son's immediately reaction was great. Then they went hokey.
In the end, this is a forgettable movie. The premise should carry it better, but the characters ruin it. The CGI is bad. But, you can let it pass if the characters are relatable. This movie fails here.
I compare it to Cocaine Bear (2023) because they are both marketed to be a silly comedy with violence, but this was way better than Cocaine Bear. It's aiming to be a cult classic film but missed the mark a bit. Also, not that funny which was disappointing but it had some jump scares and gruesome deaths so I was still engaged the whole time.
If you like dark humor, jump scares, and a bit of gore, I'd recommend it to you. The characters are more caricatures. The satire is not subtle. The humor is low brow. And I say all of this as QUALITIES of the movie.
The level of writing is very much like that of 80s or 90s era sitcoms. The performances are fine - adequate. I left the theater understanding that I saw a "bad" movie by most standards. But I didn't regret spending money on the ticket. To me, it's one of those "so bad, it's good" kind of movies.
If I have the opportunity to see it again, maybe on a streaming service, I will.
The comedy side is strong but inconsistent. Some attempts I found hilarious while others fall flat, but not to the point of cringe. I enjoyed the entire cast as well as the visually unique characters.
I do want to point out a couple standouts. One is, to no one's surprise, Jenna Ortega. She has become a full-blown star and has taken the mantle of horror queen like none other. And Will Poulter, once known as the weird eyebrows dude from We're the Millers, continues to impress with vastly differing characters.
I had a fun time with this movie and think most fans of the subgenre will as well.
(1 viewing, opening Thursday Dolby Cinema 3/27/2025)
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
Wusstest du schon
- WissenswertesThe sensors used by the scientists to detect the presence of the creatures make the same sound as the motion trackers in Aliens: Die Rückkehr (1986).
- PatzerNear the end just before they go outside for the last time, it goes from night time to bright daylight, even though only 10 or 15 minutes have passed.
- Zitate
Shepard: What exactly are we saying this is though?
Ridley: I think we know exactly what this is.
Shepard: What I can say with total confidence is that Elliot here, has hit a... a horse like Mammalia vertebral. Would that be the correct classification?
Belinda: Ya. No. But it is horse shaped. With some sort of protrusion or a growth.
Shepard: Oh, right.
Elliot: That's my working theory too. Feral Horse. Mad. Tumor ridden. Jumps in the middle of the road. Not the fault of any one driver per say.
Ridley: It's a fucking unicorn!
- Crazy CreditsDuring the credits we see images from a tapestry that depict incidents from the film that affected each character.
- VerbindungenReferenced in kuji: Lado Kvataniya: Analysis of Mechanisms (2025)
- SoundtracksCherry-Coloured Funk
Performed by Cocteau Twins
Written by Simon Raymonde (as Simon Philip Raymonde), Robin Guthrie (as Robin A. Guthrie), Elizabeth Fraser
Courtesy of 4AD
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Смерть єдинорога
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.899.252 $
- Eröffnungswochenende in den USA und in Kanada
- 5.787.425 $
- 30. März 2025
- Weltweiter Bruttoertrag
- 16.422.485 $
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1