Drop - Tödliches Date

The whole premise of the movie seemed a little convoluted and as the movie goes on it gets messier and more ridiculous.

I think there are too many holes in the plot and the movie is simply seems like a waste of time. It does not get better and only gets worse.

If the plot was better and more realistic than maybe it could be a good movie but the ridiculous and unbelievable plot is what really harms this movie.

On the positive the actors seem capable, the set design and cinematography was good but it's just hard to get over the ridiculous plot. There are too many gaps and I found I was waiting for the move to end. The ending is not worth the wait.

Drop was one of the most unexpected Thriller movies watching in 2025. Drop is a thriller movie about a single mother getting threatened by a killer. To start off the premise is pretty stupid but funny. The plot is very simple but very generic. For a low budget of 11m$ the visuals of the movie are immaculate. The directing is one of the biggest positives, Christopher Landon did a good job into making us guess the person threatening the main character.

One of my negatives is that critically the movie is not great. The characters are bland and generic with no character development. The dialogue is kinda awful. In the 2/3 act it got pretty boring and kind of ruined the point of the movie.

In conclusion I give it a 6.4/10, its fun but mediocre.

The trailer seemed to give too much away but the clever dialog made it refreshing to watch. Only complaint is that almost every man in the cast is brown haired with a beard so keeping track of many of the characters was confusing. Overall an enjoyable movie and very cleverly written. A great use of tying in what was being delivered via text messages with the images on the screen. So glad to be out of the dating scene now that I'm reminded of what first dates are like. You do feel for all the characters And the view from the restaurant is pretty fantastic. A great small space view with a lot going on.

Although admittedly fairly forgettable, 'Drop (2025)' is a really solid thriller that benefits from a lack of self-awareness and a stylistic execution. Set mostly in a single location, the narrative mixes the anxiety of a first date with the horror of a hostage situation (the former can often feel like the latter, am I right?). Having the lead character be a survivor of domestic abuse adds another layer of cruelty to the lack of control she has over her situation, while also allowing for catharsis if she's able to work through her trauma and emerge victorious. The theme is dealt with gently but directly, never feeling exploitative because it ultimately seems like an attempt at healing rather than a cheap way to increase the suspense of the central situation. Said situation is undeniably silly, but the film treats it with enough sincerity that you don't feel strange about doing the same. It has comedic moments, some of which are genuinely funny, but its humour never undercuts its narrative. It never feels embarrassed of itself, never feels the need to crack wise to let us know it knows it's actually rather absurd. It remains tense and engaging for its relatively brisk duration, even if it does feel like it spins its wheels a bit in its midsection. Christopher Landon directs the heck out of it, playing with focus and lighting to convey stress and hopelessness, using controlled but chaotic camerawork to compound violence, and splashing text across the screen to make its virtual elements feel as real as everything else that threatens to tear its protagonist's world apart. Add to that a delightfully classic yet pulpy score from Bear McCreary, and you get an atmospheric and absorbing little thriller that keeps you hooked for its duration. Its characters are well-rounded, portrayed by charismatic actors who all understand the assignment, and its plot escalates in a satisfying way. It's tightly written, with a couple of crowd-pleasing one-liners and an escalating sense of suspense, and confidently crafted, with crisp cinematography and convincing set design. It isn't the sort of thing that sticks with you for too long, but it does exactly what it needs to and keeps you on the edge of your seat for its majority. It's an enjoyable experience that does quite a lot with quite a little. It's pretty darn good.

The first half of the movie is alright. It builds up a bit of a mystery and it's fun to work through possible answers. I sat there in the theater thinking who might have done what, in what order, and to what end, and I enjoy this sort of thing. It's suspenseful when the main character is put in a stressful situation and you can see her try to work through it at the same as you. But then, when things finally start to get resolved... my reaction was something like the guy in that "Son, I am disappoint" meme. To say the script has plot holes is an understatement. It's utterly nonsensical. All you can do is laugh. At the script and at yourself, for thinking this was a case for the Lone Gunmen, when in fact it had been an episode of Scooby Doo all along.