Ein unerbittlicher Hai verwandelt den Traumurlaub eines Paares in einen Albtraum, als sie auf dem Meer gestrandet sind und um ihr Leben kämpfen müssen.Ein unerbittlicher Hai verwandelt den Traumurlaub eines Paares in einen Albtraum, als sie auf dem Meer gestrandet sind und um ihr Leben kämpfen müssen.Ein unerbittlicher Hai verwandelt den Traumurlaub eines Paares in einen Albtraum, als sie auf dem Meer gestrandet sind und um ihr Leben kämpfen müssen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Daniel Macedo
- Hotel Staff
- (as Daniel Galaviz Macedo)
Paola Rojas
- Hotel Staff
- (as Paola Lopez Rojas)
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The movie is really bad. Don't lose your time. Even but the usually shark movie standards this is really a bad one. I'm. Willing to pin the other way about the special effect and CGI but the plot is absurd. The acting is mediocre at best and the characters don't make any sense. And don't get me started about the shark. Is mightiest than Thor. I now this kid of movies are made to just pass the time but in this case it falls short my a milestone. Watch 47 meters down. It way better, the budget of the too is very similar but the movie is far superior. This one is just bad. Even taking into account the director is the same one from sharkanado don't expect anything enjoyable.
After heading out onto the ocean, a couple looking into the environmental effects on sea-life in the area are soon stranded in the water when a ravenous shark traps them at sea with dwindling supplies forcing them to deal with the creature with a sketchy survivor until they're rescued.
This was a fairly underwhelming genre effort. One of the few positives featured here comes from the simplistic setup that provides a decent enough excuse for the attacks to occur following their trip out on the water. Featuring the two looking forward to their study of the local marine life and his secret quest to make it a potential proposal opportunity, the resulting shark attack is a fine way to set up their need to survive in the water long enough to be rescued which is what ensures a solid series of antics following up on the first encounter. These attacks featuring the couple trying to utilize their sunken ship and supplies to their advantage not just getting out of the water but off of the island with the other shifty survivor that come off rather nicely, leading to some rather fun attacks and decent enough gore to be somewhat worthwhile. There are some issues to be had with this one that hold it back. The main problem with the film is the highly underwhelming and decidedly sluggish pacing that doesn't have much in the way of interest for quite a while. The structure here is the main culprit, making a series of odd decisions that leave the structure here quite uneven with some bizarre choices. The idea of taking the couple out to the reef as a secondary storyline with the stranger hitching a ride with the fisherman couple and then going through the relationship drama that transpires with them out there leaves the film's first half not knowing what storyline you're supposed to be following, to then bring the shark out as soon as it does leads to the rushed series of attacks leading to the spate of injuries that seem completely unrealistic as to how they would survive and continue to keep fighting with the wounds that they suffer here because the attacks are so early in the film. As well, the other problem here is that there's way too much going on with the inclusion of a human villain to try to overcome that feels unnecessary in the final half. Featuring the victim in the first place is a weird choice since he takes away from the fight to get away from the sharks circling the island with them so everything is suddenly drained of the type of suspense and action that's usually featured in these types of scenarios as there's now a need to try to deal with this threat which keeps the sharks away during this section of the film. Adding in the injuries that are still a prominent part of what's going on here, this only ends up allowing everything to get stretched out far longer than it needed to be making for a film that's way too long for its own good. These end up dragging the film down overall.
Rated Unrated/R: Graphic Violence and Graphic Language.
This was a fairly underwhelming genre effort. One of the few positives featured here comes from the simplistic setup that provides a decent enough excuse for the attacks to occur following their trip out on the water. Featuring the two looking forward to their study of the local marine life and his secret quest to make it a potential proposal opportunity, the resulting shark attack is a fine way to set up their need to survive in the water long enough to be rescued which is what ensures a solid series of antics following up on the first encounter. These attacks featuring the couple trying to utilize their sunken ship and supplies to their advantage not just getting out of the water but off of the island with the other shifty survivor that come off rather nicely, leading to some rather fun attacks and decent enough gore to be somewhat worthwhile. There are some issues to be had with this one that hold it back. The main problem with the film is the highly underwhelming and decidedly sluggish pacing that doesn't have much in the way of interest for quite a while. The structure here is the main culprit, making a series of odd decisions that leave the structure here quite uneven with some bizarre choices. The idea of taking the couple out to the reef as a secondary storyline with the stranger hitching a ride with the fisherman couple and then going through the relationship drama that transpires with them out there leaves the film's first half not knowing what storyline you're supposed to be following, to then bring the shark out as soon as it does leads to the rushed series of attacks leading to the spate of injuries that seem completely unrealistic as to how they would survive and continue to keep fighting with the wounds that they suffer here because the attacks are so early in the film. As well, the other problem here is that there's way too much going on with the inclusion of a human villain to try to overcome that feels unnecessary in the final half. Featuring the victim in the first place is a weird choice since he takes away from the fight to get away from the sharks circling the island with them so everything is suddenly drained of the type of suspense and action that's usually featured in these types of scenarios as there's now a need to try to deal with this threat which keeps the sharks away during this section of the film. Adding in the injuries that are still a prominent part of what's going on here, this only ends up allowing everything to get stretched out far longer than it needed to be making for a film that's way too long for its own good. These end up dragging the film down overall.
Rated Unrated/R: Graphic Violence and Graphic Language.
Anthony Ferrante is now left to direct small scale shark movies in the aftermath of his Sharknado films becoming both the summit and pit of such things. That was all awhile ago now. Those films had larger and larger budgets and probably helped crasht the Science Fiction channelas they finally stopping making their lousy CGI ANIMAL attack movies. The fact that is over is something to be thankful for, but sadly Ferrante was unable to escape from the cheap but still clutching at him movie produced by The Asylum, a company that pays so little the State of California Labor board was actually after them for awhile.
In this one a too skinny girl and her too handsome boyfriend encounter a too much like BIlly Zane in Dead calm guy, rather well acted by Francisco Angelini. It'd be nice to see him have a real career, his take on the "Indianapolis" speech--if you dont' know what that is then you've never watched a shark movie before--is well done, though somewhat ruined by a sudden need, by the director, to shake the camera around, perhaps thinking this is the Blair Witch confessional/goodbye cruel work, mom I loved you, moment from that film. Hard to keep the iconic rip off moments straight I guess.
A couple of the cgi shark shots look okay, none of the shark attacks are convincing or scary or exciting. Some nice drone shots, which could be stock footage but probably aren't. A choppy ineffective music score credited to three people--probably just reused music from other Asylum produced movies.
It takes them 53 minutes to figure out they can use a cell phone to call for help and that's the least of the logic problems in the movie.
The movie is bits of other shark movies and basically runs out of ideas about an hour in so the lead gal then becomes more of less blind and we get back to a kind of Dead Calm plot for a bit. There are a numbe of soft focus shots supposed to be the point of view of our hapless lead gal, but none of them match what would be her natural perspective, the point of view shots aren't her actual point of view, though they often try to be. Someone kicks her and is aiming way off camera, this type of thing happens over and over.
It's just after so many years and so many shark movies you'd think Ferrante would have it down to an art or at least a craft, then again these are now made for so little money is so little time maybe there just isn't any art or craft that can escape. Ferrante is left to try to do what he can in the remains of Asyulm the production company. Too bad for him, but as viewers we can look elsewhere in this case.
This film is better than SWIM which Ferrante just wrote, to be even more terribly directed by Jared Cohnhead. Swim I believe was the first movie to bear the shame of the TUBI ORIGINAL brand, one we can only hope leaves behind what was done to death and badly a few years ago to do some films that can be more like Tubi's wide ranging titles. To be clear I like Tubi as a streaming network and I hope for better from this ORIGINAL BRAND, but I've not gotten it yet.
I suppose this film could be a drinking game with every time a character yells, "Faster." or "Swim," of or course "Shark."
In this one a too skinny girl and her too handsome boyfriend encounter a too much like BIlly Zane in Dead calm guy, rather well acted by Francisco Angelini. It'd be nice to see him have a real career, his take on the "Indianapolis" speech--if you dont' know what that is then you've never watched a shark movie before--is well done, though somewhat ruined by a sudden need, by the director, to shake the camera around, perhaps thinking this is the Blair Witch confessional/goodbye cruel work, mom I loved you, moment from that film. Hard to keep the iconic rip off moments straight I guess.
A couple of the cgi shark shots look okay, none of the shark attacks are convincing or scary or exciting. Some nice drone shots, which could be stock footage but probably aren't. A choppy ineffective music score credited to three people--probably just reused music from other Asylum produced movies.
It takes them 53 minutes to figure out they can use a cell phone to call for help and that's the least of the logic problems in the movie.
The movie is bits of other shark movies and basically runs out of ideas about an hour in so the lead gal then becomes more of less blind and we get back to a kind of Dead Calm plot for a bit. There are a numbe of soft focus shots supposed to be the point of view of our hapless lead gal, but none of them match what would be her natural perspective, the point of view shots aren't her actual point of view, though they often try to be. Someone kicks her and is aiming way off camera, this type of thing happens over and over.
It's just after so many years and so many shark movies you'd think Ferrante would have it down to an art or at least a craft, then again these are now made for so little money is so little time maybe there just isn't any art or craft that can escape. Ferrante is left to try to do what he can in the remains of Asyulm the production company. Too bad for him, but as viewers we can look elsewhere in this case.
This film is better than SWIM which Ferrante just wrote, to be even more terribly directed by Jared Cohnhead. Swim I believe was the first movie to bear the shame of the TUBI ORIGINAL brand, one we can only hope leaves behind what was done to death and badly a few years ago to do some films that can be more like Tubi's wide ranging titles. To be clear I like Tubi as a streaming network and I hope for better from this ORIGINAL BRAND, but I've not gotten it yet.
I suppose this film could be a drinking game with every time a character yells, "Faster." or "Swim," of or course "Shark."
Lemme start off with this. This movie is horrible never watch the movie. The sfx are bad the graphics are horrible the acting is even worse. 2nd of all they were both stranded and they find a random man and then they get the boat to work and the coast guard went to go help her when she was in the water and then fireworks come out of no where like what the hell man. 0/10 never watch. It's a waste of time i literally was screaming at the tv cause it was so bad. If you want to waste your time go ahead but not me im never watching that movie again. If i could talk to the actors i would criticize them on how bad they were. As you can see i gave it absolutely no stars.
Okay it was free to watch on Tubi, so I thought I would give it a go.
Yes most shark movies land in this lane where this movie is, I.e. Teeeible acting, terrible effects, terrible story been done to death a hundred times better, cliche riddled.
This was in the so bad it's not even good category.
The boyfriend in the film, well the girlfriend should have dumped him on the spot, talk about accident prone, drops the ring, his boat won't start and gets bitten by the shark.
The girlfriend goes blind halfway through the film and she turns into a shark kicking butt person by the end of the movie.
They couldn't even see that the bad guy was acting strangely for them to be put off by him.
Even though the effects were badly done, obviously the film was cheaply done. If the story and attack scenes with the shark were any good then the movie would have been much better.
Yes most shark movies land in this lane where this movie is, I.e. Teeeible acting, terrible effects, terrible story been done to death a hundred times better, cliche riddled.
This was in the so bad it's not even good category.
The boyfriend in the film, well the girlfriend should have dumped him on the spot, talk about accident prone, drops the ring, his boat won't start and gets bitten by the shark.
The girlfriend goes blind halfway through the film and she turns into a shark kicking butt person by the end of the movie.
They couldn't even see that the bad guy was acting strangely for them to be put off by him.
Even though the effects were badly done, obviously the film was cheaply done. If the story and attack scenes with the shark were any good then the movie would have been much better.
Wusstest du schon
- Patzer(at around 1h and 05 mins) There is an additional line of dialogue that appears in the closed-caption subtitles that isn't spoken in the film. Just after the character say's "The engine's perfectly fine." the CC subtitle adds: 'The propeller fell off' before he continues to speak again.
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- Herkunftsland
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- Auch bekannt als
- Blind Waters - Terrore dagli abissi
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- Weltweiter Bruttoertrag
- 36.053 $
- Laufzeit1 Stunde 40 Minuten
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- Seitenverhältnis
- 2.35 : 1
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