Ein ausgebrannter Profischarfschütze wird von einem tödlichen Konkurrenten in einem gläsernen Penthouse gefangen gehalten und muss einen Weg finden, um zu überleben.Ein ausgebrannter Profischarfschütze wird von einem tödlichen Konkurrenten in einem gläsernen Penthouse gefangen gehalten und muss einen Weg finden, um zu überleben.Ein ausgebrannter Profischarfschütze wird von einem tödlichen Konkurrenten in einem gläsernen Penthouse gefangen gehalten und muss einen Weg finden, um zu überleben.
Madalina Bellariu Ion
- Mona
- (as Madalina Bellariu)
Ada Michaels-Mason
- The Blonde
- (as Adrianna Michaels)
Obie Matthew
- Mercenary
- (Nicht genannt)
Patrick Pearson
- Undercover Police Officer
- (Nicht genannt)
Empfohlene Bewertungen
This was pretty poor. It looks like a made for TV movie, that wouldn't even had made it to the VHS bargain bin back in the day.
The acting is lame. The script is atrocious which attempts to play somewhere between a Ryan Reynolds 'action comedy' and an epicly poor Tarantino action thriller.
Adkins colleague is very bad indeed. The action sequences are very poor.
I'd strongly recommend that you give this a wide berth. It's one of those films where you really wish that you can't unsee it, or feel bad about the amount of time that you lost watching it. I had to turn it off at about 35 minutes just during the flat fight sequence. I wish I'd given it up sooner.
The acting is lame. The script is atrocious which attempts to play somewhere between a Ryan Reynolds 'action comedy' and an epicly poor Tarantino action thriller.
Adkins colleague is very bad indeed. The action sequences are very poor.
I'd strongly recommend that you give this a wide berth. It's one of those films where you really wish that you can't unsee it, or feel bad about the amount of time that you lost watching it. I had to turn it off at about 35 minutes just during the flat fight sequence. I wish I'd given it up sooner.
The script itself was not really all that bad. Scott Adkins always performs fight scenes very well, so there's that. However, this supposed professional contractor makes some of the most ridiculous decisions just to prolong the plot/movie that it's hardly relatable. Example: being pinned down for a long, long time by a sniper, supposedly unable to reach his weapon, with people getting shot the whole time, when I guess he gets tired of it and just goes for the gun... successfully, of course, then, within 3 seconds, sets up a shot and takes out the shooter in a building 1/2 a mile away. Really? There are several more "why in the heck don't you just..." scenarios like this that even a not so smart person would think of almost immediately. Like I said, the only redeeming value are the fight scenes. It's worth a watch if you can find absolutely nothing else to do.
As usual, Scott Adkins is as good as it gets. But when you have a terrible script, two likable actors in the lead are wasted in silly, inane, predictable style. He is 10 times the actor and the martial artist that jvcd ever was. But for reasons I cannot explain, he gets stuck in b minus movies like these. Most of the movie takes place at the penthouse of a hotel room where they duck behind a sofa for cover,. Yes a sofa which has bullet holes through it as if a sniper couldn't just pepper it and kill everyone and end the movie.
Accident man is one of Atkins best including avengement. Stick with those, skip this..
Accident man is one of Atkins best including avengement. Stick with those, skip this..
Professional mercenary sniper Sam Lorde (Scott Adkins) finds himself in the middle of an existential crisis when he accidentally kills an innocent who throws herself in front of his intended victim. He contacts his remote boss and tells her he wants to leave the business. The boss is very disappointed but books him and his spotter Ken (Jack Parr) into a posh hotel where she'll meet them to go through formalities. However, someone else knows they are there and they are out for vengeance...
Right let's say the good things first. By the end of the film, it's quite feel good and you've enjoyed a convoluted story. I very much liked the performance of Madalina Bellariu Ion who plays call girl Mona. Perhaps the best performance of the entire film.
Right, the dogs ears...the script is truly awful. The non stop pseudo-hateful banter between Sam and Ken is acutely badly written and sounds as fake as it is. Fight scenes are pretty poor. Acting is pretty poor. Verbalised emotions are half felt and not explored properly. There are so many plot holes it borders on ridiculous, and there's too much melodrama from poor actors.
Having said all of that the story while not new at all, isn't bad. If this film had great actors and a top end director it probably would have been pretty good. As it was it wasn't dire, it just wasn't very well produced or directed in so many ways. I have had a very tasty and enjoyable dinner so I am in a great mood and I give it a 5.
Right, the dogs ears...the script is truly awful. The non stop pseudo-hateful banter between Sam and Ken is acutely badly written and sounds as fake as it is. Fight scenes are pretty poor. Acting is pretty poor. Verbalised emotions are half felt and not explored properly. There are so many plot holes it borders on ridiculous, and there's too much melodrama from poor actors.
Having said all of that the story while not new at all, isn't bad. If this film had great actors and a top end director it probably would have been pretty good. As it was it wasn't dire, it just wasn't very well produced or directed in so many ways. I have had a very tasty and enjoyable dinner so I am in a great mood and I give it a 5.
Here's my review of Take Cover:
Scott Adkins was the only redeeming factor in this film, though calling it "enjoyable" would be a stretch. His performance managed to elevate certain moments, but unfortunately, it wasn't enough to save the movie.
The opening scene failed to make an impression, with a script that lacked both engagement and impact. The issue was compounded by the overly loud background music, which often drowned out the dialogue and made it hard to follow. This pattern continued throughout, making the viewing experience frustrating at best.
The plot and script were major disappointments, wasting the potential of some decent acting. The narrative felt dragged out and underwhelming, with scenes like the one in the hotel room coming across as bland and predictable. There was no tension or excitement, as it was far too easy to guess what would happen next.
While the cinematography was decent, the music often overstayed its welcome, especially in moments that were supposed to be pivotal. The script felt rushed and uninspired, leaving the actors with little to work with, though some performances stood out slightly above the rest.
Overall, Take Cover had potential but was let down by its weak script, predictable narrative, and poor sound design, making it a forgettable experience despite Scott Adkins' best efforts.
Scott Adkins was the only redeeming factor in this film, though calling it "enjoyable" would be a stretch. His performance managed to elevate certain moments, but unfortunately, it wasn't enough to save the movie.
The opening scene failed to make an impression, with a script that lacked both engagement and impact. The issue was compounded by the overly loud background music, which often drowned out the dialogue and made it hard to follow. This pattern continued throughout, making the viewing experience frustrating at best.
The plot and script were major disappointments, wasting the potential of some decent acting. The narrative felt dragged out and underwhelming, with scenes like the one in the hotel room coming across as bland and predictable. There was no tension or excitement, as it was far too easy to guess what would happen next.
While the cinematography was decent, the music often overstayed its welcome, especially in moments that were supposed to be pivotal. The script felt rushed and uninspired, leaving the actors with little to work with, though some performances stood out slightly above the rest.
Overall, Take Cover had potential but was let down by its weak script, predictable narrative, and poor sound design, making it a forgettable experience despite Scott Adkins' best efforts.
Wusstest du schon
- WissenswertesFilming began on June 19, 2023 in England
- PatzerIn the beginning scene Sam is cleaning a rifle barrel. He uses a nylon brush on a rod which is standard practice. However you never clean a rifle barrel from the end as he did. You always brush the barrel bore from the chamber end so that any loose deposits come out the end of the barrel and not into the breech workings..
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- How long is Take Cover?Powered by Alexa
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- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
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