Füge eine Handlung in deiner Sprache hinzuA master thief must pull off a dangerous casino heist when his nemesis kidnaps his lover. Caught between rival criminals and FBI pursuit, he risks all to save her and score big.A master thief must pull off a dangerous casino heist when his nemesis kidnaps his lover. Caught between rival criminals and FBI pursuit, he risks all to save her and score big.A master thief must pull off a dangerous casino heist when his nemesis kidnaps his lover. Caught between rival criminals and FBI pursuit, he risks all to save her and score big.
Noel Gugliemi
- Hector
- (as Noel G.)
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I feel like Travolta's peak was Pulp Fiction, after that he just keeps pumping out forgettable movies every year. This is probably the worst, this Part1 to this movie Cash Out was nothing special and this PArt 2 or sequel is laughable, acting was so unwatchable, everything felt like they were just following a script, nothing flowed or made the movie interesting. Travolta could be a good actor that his peers would respect if the right script was given to him, these heist, action type movies that he keeps getting involved as a 75 year old are not for him. At least he stopped wearing wigs and toupees in these movies but he needs to change the types of movies he accepts.
High Rollers is a film that suffers from numerous technical flaws. First, the screenplay structure is weak and disjointed. As the story progresses, logical errors and inconsistencies become increasingly apparent. The film's framework fails to generate the necessary momentum to captivate the audience. The plot's irregularities and implausible developments distract from the experience, making any attempts at drama feel redundant. In particular, the characters' decision-making processes lack clarity, and their dialogue often feels unnatural.
Visually, the film doesn't offer anything particularly original. The cinematography is unremarkable, relying on standard, unadventurous techniques. Camera angles are static and conventional, with no visual flair or artistic emphasis in action or suspense sequences. There are times when the camera lingers unnecessarily, which contributes to a lack of energy in the scenes. Furthermore, the close-ups of characters' emotional moments fail to convey any depth, which prevents the audience from forming an emotional connection.
The sound design and music are also significant drawbacks. The music chosen for dramatic or tense moments does not align with the atmosphere of the scenes; instead, it feels as though it is directing the audience rather than enhancing the experience. The musical choices are clichéd and at times rather artificial. The sound effects also feel overly pronounced and unnatural, detracting from the sense of immersion in the world of the film. This further weakens the connection to the characters and their surroundings.
The editing, too, leaves much to be desired. The pacing is uneven, with some scenes unnecessarily drawn out, which results in a rather tedious viewing experience. In contrast, other scenes transition abruptly, breaking the flow and continuity of the narrative. A more fluid and coherent editing approach would have helped maintain the film's overall integrity.
Lastly, the performances only serve to highlight the film's technical shortcomings. The acting is flat and unconvincing. The characters' emotions and conflicts are poorly conveyed, and this lack of authenticity makes it difficult to care about the events unfolding on screen. Combined with the film's other technical failings, it becomes clear that High Rollers struggles to engage the viewer on an emotional level.
In conclusion, High Rollers holds some potential but ultimately falters due to weaknesses in direction, screenplay, cinematography, and sound design. These issues prevent the film from leaving a lasting impression on the audience.
Visually, the film doesn't offer anything particularly original. The cinematography is unremarkable, relying on standard, unadventurous techniques. Camera angles are static and conventional, with no visual flair or artistic emphasis in action or suspense sequences. There are times when the camera lingers unnecessarily, which contributes to a lack of energy in the scenes. Furthermore, the close-ups of characters' emotional moments fail to convey any depth, which prevents the audience from forming an emotional connection.
The sound design and music are also significant drawbacks. The music chosen for dramatic or tense moments does not align with the atmosphere of the scenes; instead, it feels as though it is directing the audience rather than enhancing the experience. The musical choices are clichéd and at times rather artificial. The sound effects also feel overly pronounced and unnatural, detracting from the sense of immersion in the world of the film. This further weakens the connection to the characters and their surroundings.
The editing, too, leaves much to be desired. The pacing is uneven, with some scenes unnecessarily drawn out, which results in a rather tedious viewing experience. In contrast, other scenes transition abruptly, breaking the flow and continuity of the narrative. A more fluid and coherent editing approach would have helped maintain the film's overall integrity.
Lastly, the performances only serve to highlight the film's technical shortcomings. The acting is flat and unconvincing. The characters' emotions and conflicts are poorly conveyed, and this lack of authenticity makes it difficult to care about the events unfolding on screen. Combined with the film's other technical failings, it becomes clear that High Rollers struggles to engage the viewer on an emotional level.
In conclusion, High Rollers holds some potential but ultimately falters due to weaknesses in direction, screenplay, cinematography, and sound design. These issues prevent the film from leaving a lasting impression on the audience.
High Rollers falls apart on nearly every level. The plot is incoherent, riddled with logic gaps, and full of characters who behave in ways that make no sense. Dialogue is stiff and unnatural, leaving emotional moments feeling forced or laughable.
Visually, the film is uninspired. The camera work is flat, the pacing drags, and the editing feels clumsy - scenes either overstay their welcome or end abruptly. Add to that a mismatched, overbearing soundtrack and awkward sound design, and the result is a movie that never finds its rhythm.
But perhaps the biggest letdown? John Travolta. I had hoped to remember him for his legendary role in Pulp Fiction, not for this hollow performance in High Rollers. Watching him stumble through this mess is disheartening - like seeing a former champion trip over his shoelaces in the first round.
Honestly, after sitting through this film, I'm pretty sure I'll be having nightmares - not from the plot, but from how excruciatingly bad it all was.
Final verdict: High Rollers is a painful watch. Unless you're a glutton for cinematic punishment, avoid it. Your time - and your memory of John Travolta - deserves better.
Visually, the film is uninspired. The camera work is flat, the pacing drags, and the editing feels clumsy - scenes either overstay their welcome or end abruptly. Add to that a mismatched, overbearing soundtrack and awkward sound design, and the result is a movie that never finds its rhythm.
But perhaps the biggest letdown? John Travolta. I had hoped to remember him for his legendary role in Pulp Fiction, not for this hollow performance in High Rollers. Watching him stumble through this mess is disheartening - like seeing a former champion trip over his shoelaces in the first round.
Honestly, after sitting through this film, I'm pretty sure I'll be having nightmares - not from the plot, but from how excruciatingly bad it all was.
Final verdict: High Rollers is a painful watch. Unless you're a glutton for cinematic punishment, avoid it. Your time - and your memory of John Travolta - deserves better.
This is a highschool production, right? RIGHT!? I've seen toddlers in Christmas plays act better and I've seen homeless hobos write better and I've seen dogs direct better. Don't waste your finite, limited and priceless time watching this 'movie'.
Seriously Hollywood must stop funding these F movies for Failed Hollywood stars attempting "comebacks' that will never ever under any circumstances happen because oh I don't know there's a reason they failed. In this case lack of talent, too much interest in a CIA funded 'religion' (scientology) and a complete lack of common sense (of whoever thought funding this 'movie' as a producer was a sensible use of however much this thing cost.)
Seriously Hollywood must stop funding these F movies for Failed Hollywood stars attempting "comebacks' that will never ever under any circumstances happen because oh I don't know there's a reason they failed. In this case lack of talent, too much interest in a CIA funded 'religion' (scientology) and a complete lack of common sense (of whoever thought funding this 'movie' as a producer was a sensible use of however much this thing cost.)
After narrowly escaping a whirlwind of a heist, mastermind Mason (John Travolta) has retired from the criminal world with his gang of thieves and the love of his life, Decker (Gina Gershon). Their happy days are short lived when Decker is kidnapped by the notorious Salazar, bent on extracting revenge on Mason. Mason has no choice but to execute a risky heist inside a luxurious South American casino, putting him and his crew on a collision course with rivaling criminal syndicates and the FBI
This is a case of it is soo awful I was actually entertained by the stupidy. If ya wanna watch something so bad, break out some popcorn and have some laughs.
This is a case of it is soo awful I was actually entertained by the stupidy. If ya wanna watch something so bad, break out some popcorn and have some laughs.
Wusstest du schon
- WissenswertesFilm reunites John Travolta and Gina Gershon who previously starred together in "Face/Off" (1997).
- PatzerAt the beginning of the movie at approximately 13:30 Mason and the team is at a Pool and he say they have to jump and "We've got 12' feet of water" ""Just skim" But you can clearly see the 4' marker on the Tile across the pool.
- VerbindungenFollows Cash Out (2024)
- SoundtracksNonstop
Written By James Thacker and John L Pearson
Produced by James Thacker and John L Pearson
Courtesy of Kazen Music Group
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Details
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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