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5,6/10
2084
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Nach dem Tod ihres Mannes bei einer seltsamen Explosion beginnt Amparo mit der einzigen Hilfe von Richi, einem Wachmann, Ex-Polizisten und Alkoholiker, nach Antworten zu suchen. triNach dem Tod ihres Mannes bei einer seltsamen Explosion beginnt Amparo mit der einzigen Hilfe von Richi, einem Wachmann, Ex-Polizisten und Alkoholiker, nach Antworten zu suchen. triNach dem Tod ihres Mannes bei einer seltsamen Explosion beginnt Amparo mit der einzigen Hilfe von Richi, einem Wachmann, Ex-Polizisten und Alkoholiker, nach Antworten zu suchen. tri
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What to watch when you want to watch something but don't know what to watch?
Not to bad, not to good.
A little exaggerated sometimes, with some shades of sci-fi.
Don't play it when your are eager for something that would keep you in front of tv.
I don't agree with people saying it's bad acting. Actors are quite good and they make a realy good work as a team.
The story is good and as I said, if some details hadn't been exaggerated sometimes and it had been made a little more realistic, it would have been a 9/10 movie or maybe more.
The fact that it's in Spanish relaxed me, because I'm a bit bored with English-language movies.
If you have nothing better to watch, grab something to nibble on, a few beers, and hit play.
Not to bad, not to good.
A little exaggerated sometimes, with some shades of sci-fi.
Don't play it when your are eager for something that would keep you in front of tv.
I don't agree with people saying it's bad acting. Actors are quite good and they make a realy good work as a team.
The story is good and as I said, if some details hadn't been exaggerated sometimes and it had been made a little more realistic, it would have been a 9/10 movie or maybe more.
The fact that it's in Spanish relaxed me, because I'm a bit bored with English-language movies.
If you have nothing better to watch, grab something to nibble on, a few beers, and hit play.
I am Spaniard so I have watched this without subtitles, what is a plus to watch this abomination lol. If you have watched several good Spanish Shows this one is not for you.
First, the script is a joke. It is a mixture of Nightmare on Elm Street with Alice in Wonderland and The Exterminator. I mean, what can go wrong?... Everything.
It starts interesting but soon sinks by itself. On the other hand, it is amazing how the more bad gets the show, the louder you laugh about any situation on it.
Second, the Fx's are mostly bad. Cheap, forgettable and obviously laughable.
Anyway, I don't want to spoil anything if you choose to watch this one. If not, you can watch for example "Antidisturbios" or "El cuerpo en llamas".
First, the script is a joke. It is a mixture of Nightmare on Elm Street with Alice in Wonderland and The Exterminator. I mean, what can go wrong?... Everything.
It starts interesting but soon sinks by itself. On the other hand, it is amazing how the more bad gets the show, the louder you laugh about any situation on it.
Second, the Fx's are mostly bad. Cheap, forgettable and obviously laughable.
Anyway, I don't want to spoil anything if you choose to watch this one. If not, you can watch for example "Antidisturbios" or "El cuerpo en llamas".
This is a fine series and presented with great balance and originality. It is wisely kept to six episodes when so many other series are overambitiously stretched to eight. It is well acted and makes good use of the atmosphere and the remaining installations of the Seville World's Fair, something that other film makers might want to think about doing too. The balance and interaction of the characters is unusually supple, low-key and realistic, not something one would normally expect to see in, say, a U. S. film, for instance. Yet, it steers well clear of the soap-operatic, TV-style shallowness and caricature we are often shown on Spanish TV.
We know from Wikipedia that the boat-sinking and onshore fire at the beginning are real events that actually did beset the opening of the Seville 1992 Expo, but nowhere in the film are we given a clue as to whether the rest of the plot is true or not.
We should be told somewhere exactly which elements are ''documentary'' and which are not. Has the intricate plot beneath the surface got any connection with probable leads in the original real-life investigation, just a few of them, or none at all?
For that matter, what exactly DO we know about the real events? How much of this historical fiction is drawn from reality, and how much isn't?
Surely more is known of the actual events after thirty-three years, or is it still shrouded in mystery by the apparently sluggish and politically dominated Spanish police?
How much of this historical fiction is drawn from reality and how much isn't?
No need for a spoiler-alert here until the ORIGINAL mystery is finally solved some time in the future.
Is this part of the disquieting trend--apparently popularized by The Tudors--of using historical elements to ''legitimize'' a wholly invented fiction to stand in for any worthwhile attempt at history?
We know from Wikipedia that the boat-sinking and onshore fire at the beginning are real events that actually did beset the opening of the Seville 1992 Expo, but nowhere in the film are we given a clue as to whether the rest of the plot is true or not.
We should be told somewhere exactly which elements are ''documentary'' and which are not. Has the intricate plot beneath the surface got any connection with probable leads in the original real-life investigation, just a few of them, or none at all?
For that matter, what exactly DO we know about the real events? How much of this historical fiction is drawn from reality, and how much isn't?
Surely more is known of the actual events after thirty-three years, or is it still shrouded in mystery by the apparently sluggish and politically dominated Spanish police?
How much of this historical fiction is drawn from reality and how much isn't?
No need for a spoiler-alert here until the ORIGINAL mystery is finally solved some time in the future.
Is this part of the disquieting trend--apparently popularized by The Tudors--of using historical elements to ''legitimize'' a wholly invented fiction to stand in for any worthwhile attempt at history?
It was painful to watch, it is a mix of cheesy police thriller cliches (just never thrilling) with this deeply uninteresting lead characters, terrible characterisation of Seville, impossible plot, completely unbelievable but without any spectacularity. All the budget went into cgi fire. Seriously better miss this, by far the worst work of Alex de La Iglesia.
Maybe entertaining for really basic people, but i doubt it too since it is very slow.
The premise was fun, Sevilla's 1992 international expo still resonates in Spain's pop culture. It could have been so fun, but it ends in a lazy effort with cringeworthy overacted performances.
Maybe entertaining for really basic people, but i doubt it too since it is very slow.
The premise was fun, Sevilla's 1992 international expo still resonates in Spain's pop culture. It could have been so fun, but it ends in a lazy effort with cringeworthy overacted performances.
A raging alcoholic ex-cop and a strident widow team up to get to the bottom of a murderous mystery that somehow involves the 1992 Seville Expo and its official mascot, Curro. The show isn't without its flaws but it's enjoyable thanks to its combination of darkness and quirky humor, its unconventional structure and some decent performances. The series is strangely effective - and affecting - in its portrayal of addiction. It's less successful in its attempts to say something profound about government corruption and official abuses of power, which come off as hammy and overdone. Overall it's an imperfect but engaging series.
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