Die Åre-Morde

I agree with the other reviewers, the problem with the series is the script. The location is beautiful and it's nice to have a series not set in Stockholm or Malmo or.... In general I have no problem with the cast. Episodes 1-3 are one story, 4 & 5 a second story.

Hanna is a stereotype of a green detective who goes off on her own and doesn't take orders from her senior partner. She has maturing to do and admits that she should have waited and not gone alone. One would think after her recent Stockholm experience, that she'd look before she leaps.

I'm a big fan of the "Beck" series set in Stockholm, that series has a really good cast and superior scripts. This is not a Beck, but it's better than some other Swedish police procedurals..

I'm also a fan of "Sandhamn Murders" also from Viveca Sten mystery novels. Different cast, writers and different production companies. I'd like to see more Swedish crime dramas from Netflix.

Not that the series truly deserves a "7" but it has elements of good Scandi Noir quality just in a diluted version. First of all, the detectives / officers are not bright, a little unlikable and bland. Second of all, the storyline plots are better than the acting, but never get the attention they deserve. The plots are a little hastily wrapped up and the good acting of the supporting cast don't save the episodes.

Series like that need to have more than 10-12 episodes for the viewers to get accustomed to the flow, to the more number of crimes and a grasp in quality.

2010s Nordic crime series were much better aside the one and only stellar 2007 'Forbrydelsen'.

• Screenplay/storyline/plots: 6.5
• Production value/impact: 7
• Development: 7.5
• Realism: 7
• Entertainment: 6.5
• Acting: 7.5
• Filming/photography/cinematography: 7.5
• VFX: 7.5
• Music/score/sound: 7
• Depth: 6.5
• Logic: 5.5
• Flow: 6
• Police procedural/suspense mystery/thriller/crime/drama: 6.5
• Ending: 6.

As Episode 1 of "The Are Murders' (2025 release from Swe3den; 5 episodes ranging from 35 to 57 min) opens, 17 yo Amanda is at a house party in the remote town of Are, Sweden, and then leaves the party. In a parallel story that same evening, we are introduced to Hanna, of the Stockholm PD. Hanna has taken a two months' leave of absence and is driving towards the cabin of her sister's, in Are. Next morning, Amanda is missing... At this point we are less than 10 minutes into Episode 1.

Couple of comments: this TV mini-series is based on the Swedish book series "Hidden in Snow" (which covers the first 3 episodes) and "Hidden in Shadows" (which covers the last 2 episodes) by Viveva Sten. The connection between the two separate stories is Hanna, the Stockholm cop who shows up in Are looking to get away of whatever troubled her in the Swedish capital. The two stories are plot-heavy, so the less said of that, the better. I will simply say that I quite liked the first story "Hidden in Snow", and rate it 7/10. It does not prepare you for the second story "Hidden in Shadows", which absolutely blew me away, and which I rate 9/10, hence my overall rating of this mini-series of 8/10. The (for me no-names) cast is terrific throughout. "The Are Murders" is no-nonsense and gritty, and quite dark (in particular in the second story). I was hooked from start to finish. Now we hopefully await the further adventures of Hanna in the next book(s) from Ms. Sten...

"The Are Murders" started streaming on Netflix about a week ago, and I watched the 5 episodes over 2 evenings. The is currently rated 81% Certified Fresh on Rotten Tomatoes, and there is ample reason for that. If you love a top-notch crime series set in Sweden, I'd readily suggest you check this out, and draw your own conclusion.

Abusive husband busting through a hotel door with an axe to assault his wife and child? Sounds familiar. But it's just a throwaway scene in this rather odd procedural/Scandinoirish series. It's supposed to be a 5-episode season but it's more like two seasons of 3 and 2 episodes respectively, as they pertain to the investigations of unrelated cases. Brevity is the soul of wit or something, and kudos to the show for being efficient and economical. I admit I'm the first to gripe when shows pad the runtime with extraneous twists and goofy red-herrings. Here, however, the show goes to the inverse extreme since the investigations are so truncated and straightforward that their resolutions are banal; plus the characters don't get quite enough development to make an impression.

This was a very watchable series. It's a much darker scenario than many others of Viveca Sten's novels or screenplays but still frothy enough not to be depressing.

Yes, there are cliches such as the maverick, suspended, female detective, a male cop whose home life is breaking down and a closeted gay guy but these are woven into the fabric of the story to make a coherent and easy-to-watch narrative.

The plots were fantastical at times with characters doing unexpected or downright dangerous things. A little too much intuition was used in the solving of the cases too. However, in the main, this was worth watching. I saw the lot over a couple of days and it filled in some time very enjoyably. I'd recommend it but don't expect "The Bridge" or "Forbrydelsen".