The Wipers Times

A really refreshing take on the First World War, with gallows humour aplenty. Definitely worth a watch for the perfectly judged performances by Chaplin, Palin and Rhind-Tutt. Sadly, the story doesn't really go anywhere and just fizzles out, so not quite a top rating, but so close.

I can only think that the reviewer who thought that this should have been more like The Hangover has little to no knowledge of the First World War, let alone of conditions in the trenches. Maybe diffusing unbearable situations with humour (and much of the humour that emanated from those trenches was actually blacker - and bluer - than that portrayed here) is one of those Very British Things. That was certainly brought up in this film, when the contrast was drawn between the Germans' "Hate Song" and the British soldier's humour and irreverence.

Personally, I really enjoyed the way that the sketches were shown: much about them was true to the time period and yet they were presented with a touch of the surreal to remind the viewer that what you saw on the screen was only a stylised representation of the written word.

I thought the actors were very good; the subject matter bittersweet, and overall it was an excellent representation of a fascinating story. There were one or two moments when I felt that the smooth, sarcastic, off the cuff exchanges between the major characters was a touch too smooth, but overall it fitted the period, the story and the way the screenwriters and directors chose to present it.

If you don't already know anything about The Wipers Times or about the Trench Warfare of the First World War then you may, indeed, not enjoy this as much as someone who does have a little bit of prior knowledge.

The Wipers Times is written by Ian Hislop and Nick Newman and based on a true story when in 1916 Captain Roberts, Lieutenant Pearson and their men find and commandeer an old printing press and publish issues of a satirical magazine while under fire in the trenches from Harry Hun. The name of the rag is derived from Ypres which some of the troops could not pronounce.

The satire is punched home by some sepia tinged sketches bringing a music hall feel. Just as in the film Good Morning Vietnam the superiors are not impressed by the anarchic humour especially against the officers who are sitting far, far behind the soldiers in the trenches.

The only exception being the offbeat and shrewd General played by Michael Palin who recognises that behind the irreverent tone is courage, bravery and soldiers just making the best of the mayhem.

This is a low budget made for television film starring Ben Chaplin and Julian Rhind-Tutt who act like they are free wheeling it in order to keep in with the satirical tone.

It makes a change from the slew of films we have recently had about The Great War which has the theme of war is hell and so many young men died.

'The Wipers Times (2013)' is about a group of soldiers in WWI who come across a printing press while stationed in Ypres and decide to produce a satirical newspaper to give the troops the gift of laughter while they endure trench warfare. The piece is based on a relatively interesting true story and sort of seeks to explore the Great War from a new perspective. Though it looks like an episode of 'Doctor Who (2005-)' and is generally rather confined due to its budget, it's an admirable attempt at recreating the period and it has a certain rustic charm to it. It sometimes blends the horrors of war with the comping mechanism of humour rather well, peeling back the characters' surface of detached wit to reveal a much darker truth about their experience, but it leans far more into comedy than drama even though it's quite dry overall. It's never boring, but it doesn't really have a sense of escalation. It's also too long for its own good. Yet, the narrative is compelling enough for what it is and the cutaway gags, which play out like the skits from 'Horrible Histories (2009-2022)', are generally enjoyable. It's a solid effort overall.

In a world wherein we are all too often confronted with the tragic waste that is warfare, this heart-rending and thought-provoking treatment of our world's first war stands tall amidst a cohort of war films that glorify war while trivializing the loss it represents. An entire generation of Englishman were lain down in the mud of the European theater, and while many poets, writers and historians have made much of the tragedy of this affair, few have the courage to satirize it. As only the men who witnessed its absurdity could tell us, this is the relation of Ian Hislop and Nick Newman, two men among many who were forced to endure a what was at times a senseless conflict. Their only hope for sanity in an insane situation was to cling to that which humanizes us all; our sense of humor.

If you have ever considered the pointless nature of large-scale conflict, the tragedy of war itself, or the despair of the man as he returns home from the front to a people who do not grasp the enormity of what he has faced, then you must see this film.