All You Need Is Death

Learning of a potentially intriguing story, a pair of documentarians committed to recording long-forgotten folk songs learn of a potentially long-forgotten song in the Irish countryside and set out to capture it against the wishes of the locals, unleashing a bizarre curse that envelops them both.

This was a rather problematic genre effort. Most of the film's positive points stem from the central setup and atmospheric touches running throughout here which provide a genuinely engrossing sense of mystery. The main idea of relying on the power of traditional and even sometimes generaltional customs, in this case regarding the nature of the mythic song in question, offers the kind of fascinating insight into the past that this one relies quite heavily on. With the majority of the middle half devoted to how this plays out regarding how to honor the traditions of the past that has used a specific medium over time, this kind of corruption makes for an intriguing setup looking at the way it unfolds involving the king of unraveling curse thtat takes place. That allows for some rather chilling scenarios to take place here as a result with the way it all comes to include various gruesome attacks and cofrontations to let the curse play out. Outside of this, though, there's just not much going on here to remain interesting. Far too much of the film is reliant on the idea of the curse coming to fruition but it's never given much of any care of orinterst in what that means or why they're interested in getting the song recorded. The whole concept is so wacky and bizarre that there's no real grounded form in play here to make things have an emotional attachment to it so that comes off rather flimsy and awkward, especially as this one goes along with the aspects of the curse as that doesn't get explored in the slightest so it all makes for a confusing time. When it's not concerned with the aspects of the curse, it's just flat-out dull as very little happens so the pacing here is completely stiffened to the point of plodding blandly along to where it's nearly impossible to care about the story going forward. There's so little life or energy in what's going on that it just doesn't register anything but boredom, all of which hold this down overall.

Rated Unrated/R: Graphic Language and Violence.

Holy Crow this is a horrible movie. It's interminably slow. Never really gets going.

I get the feeling g the director thinks he's the next David Lynch, but to be that you need talent. And he has none.

It's sort of an unfolding mystery that has more layers than an onion and stinks twice as much.

The "actors" deliver their lines in monotone which makes watching this flick even more excruciating.

According to IMBD, this movie made about seven grand off a budget of around 200K US. There is no wonder no one went to see it. It's genuinely unwatchable. And this is coming from someone who is a fan of Irish horror flicks.

Miss it. It won't miss you.

One of the best horror movies I've seen in a long time yet I'm unable to give it a higher rating due to the lackluster screenplay. But it's a got a strong plot and I loved Simone's performance. I'm also shocked to know that a movie like this has received such minimal coverage cause it's a really good movie. The movie is about cursed Irish folklore songs and the darker aspects of love, unconventional and surreal kind of presentation, excellent dialogues. The ending is probably going to leave you a bit disappointed but when you put the pieces together, you'll realise that the movie is a masterpiece, yet, it's unusual storytelling style gets little points from me. Its a Must watch..

The idea of tracking down a forgotten, cursed folk song for a movie is pretty good. This isn't that movie.

What follows an ok beginning just gets worse and worse until a absolutely dismal ending. Is the curse passed on to the woman who memorizes it, is the curse passed on to anyone who hears it, or is the curse even a curse? You won't know after watching the movie because the people making this mess have no idea either.

The best you are going to get out of this is some nice looking location footage and a performance by Olwen Fouéré that ends way to early. Everything else is a nonsensical mess where nothing set up pays off. Truly and awful film.

You know when you watch a movie for the first time, and you can tell that it's a new favourite even though you've not had a repeat viewing yet? This was one of those times. The atmosphere and weight and interminable sense foreboding that this film has is incredible, and it's inventive in every way that I wanted it to be, and it's a a film that I'm going to enjoy coming back to in the future

Part folk horror, part body horror, part quest for music that will change your perception and open you up to new experiences (be they good or bad), All You Need Is Death follows a pair of folk song archivists as they track down an obscure song that has never been recorded, only to discover that bad things happen to everyone who hears the song

The sound design is everything; it's peak Lynch in terms of ominous background noise, and the actual music, very importantly for a film about music, hits the mark every time.